It is 1937. Comrade Choibalsan’s social engineering policies, a carbon copy of Josef Stalin’s in distant Moscow, are in full swing. There are show trials staged every week in Ulan Bator. Several thousand agents of the impending Japanese invasion from Manchuria have been executed. Nobody is safe. The Minister for Transport has been sentenced to death for conspiring to cause traffic accidents. The dismantling of the monasteries is well under way. First the taxes were sent skywards, and then began ‘re-education’. I and my master have been found guilty of Feudal Indoctrination. We were told this yesterday by the hand that brought us some water. I think it was yesterday. The lids of nearby coffin-cells have been prised off and their helpless occupants hauled off.
‘I’m afraid, master,’ I say.
‘Then I shall tell you a story,’ says the monk.
‘Will they shoot us?’
‘Yes.’ It hurts my master to speak. His teeth were rifle-butted into spiky fragments.
‘I don’t want to die.’ I think of my mother and father. I can see their faces. My mother and father! Lowly herders, who worked their knuckles to the bone to bribe their son’s way into a monastery: Five years later their ambition signed his death warrant.
‘You won’t die. I promised your father you wouldn’t die, and you won’t.’
‘But they killed the others.’
‘They won’t kill you. Now listen! There are three who think about the fate of the world...’
The sky is thick with crows. Their noise is deafening. Stones are being broken. I, my master, and about forty other monks and their novices are taken over a field littered with naked corpses. The ground is blotched with crimson. Those who cannot walk are dragged. Beside a copse of trees the firing squad is waiting. The soldiers are a roughshod band: this is not the regular Red Army. Many of them are brigands from the Chinese border, who become soldiers when times are lean. There are some children, brought here to dig mass graves, and to watch the executions of us counter-revolutionaries as part of their socialist education. My own brothers and sisters have already been dispersed all over Mongolia.
Wild dogs look on from a pile of rocks.
We wait while the Soviet officer walks over to the mercenaries who will do the killing. They discuss the logistics of the execution as though they are talking about planting a field. They actually laugh.
The master is intoning a mantra. I wish he would stop. I am numb with fear.
There is a girl standing in the mouth of a ger, making tea. Domesticity, here and now, is dreamlike. My master abruptly breaks off his mantra and summons her over. She hesitates, but she comes. No one is looking. Her eyes are big, and her face is round. My master touches me with his left hand, and touches her with his right hand, and I feel my memories drawn away on the current.
My master knew how to transmigrate me! My mind is untethered and begins to follow my memories — but at that moment a soldier slams my master’s arm away from the girl, and the connection is broken, and the girl kicked away.
This girl’s own memories piece together my last minute of life. We watch the boy — myself — we watch the master chanting. Even as the barrels of the guns are levelled—
Everything moves so slowly. The air thickens, and sets, hard. Every gleam is polished. An order is given in Russian. The rifles go off like firecrackers. The row of men and boys folds and topples.
There is one more thing. This the girl cannot see, but I know how to look. The boy’s body is in the mud, too, its small cranium shattered, but with an unmoored mind. I can see it! Adrift, pulsing. One of the mercenaries strolls over to the pile of bodies, lifting the bodies on top with his foot to ensure the ones underneath are dead. He touches the boy, and in that instant my soul pulses into its new home.
Many years before it would stir, unable to identify itself, long after the mercenary had returned to his native corner of China, at the foot of the Holy Mountain.
That is the end.
The present. The grandmother is motionless. I would like to read her life, how she was sent away to another corner of her country, how she was married into a tribe of strangers. But there is no time.
‘I am here.’
‘Well, I didn’t think it was Leonid Brezhnev poking around in there,’ says the grandmother. ‘It’s about time! I saw the comet.’
‘You know about me?’
‘Of course I know about you! I’ve been carrying your early memories around with me for all these decades! Rumours about the Sect of the Yellow Hat were common currency in my tribe. When your master linked us on your execution day, I knew what he was doing... I’ve been waiting.’
‘It was a long journey. The only clues were in my memories, and you had those.’
‘My body should have ground to a halt winters ago. I’ve tried to die several times, but I was never allowed through...’
I looked down at the baby. ‘Is she going to die?’
‘That depends on you.’
‘I don’t understand.’
‘My granddaughter’s body is your body. She was born with you as her soul and mind. She is a shell. Her body will be dead within three hours if you don’t return to her. If you want her to survive, you have to choose to be shackled by flesh and bones once more.’
I considered my future as a noncorpum. Nowhere in the world would be closed to me. I could try to seek out other noncorpa, the company of immortals. I could transmigrate into presidents, astronauts, messiahs. I could plant a garden on a mountainside under camphor trees. I would never grow old, get sick, fear death, die.
I looked down at the feeble day-old body in front of me, her metabolism dimming, minute by minute. Life expectancy in Central Asia is forty-three, and falling.
‘Touch her.’
Outside, bats dangle from the high places, fluttering up to the sky, and down to the ground, and up to the sky again, checking that all was well. Inside, my wail, screamed from the hollows of my eighteen-hour-old lungs, fills the ger.
Petersburg
It’s a lashing bitch of a day out. Rain, rain, rain, the sky splits and spills. God almighty, give me a cigarette.
Jerome was explaining the other day that, believe it or not, glass is actually a liquid that thickens at the bottom as the years pass. Glass is a thick syrup. But you never know where you are with Jerome. Rudi said that my bottom is getting thicker as the years go past, too, and he laughed for a whole minute.
I yawn a yawn so wide that my body shudders. Nobody notices. Nobody even recognises me. If my presence intrudes on their grazing at all, they assume I’m a loin of lamb who slept her way into this meagre sinecure on a plastic chair in a tiny gallery in the Large Hermitage. I don’t mind. In fact that is precisely how I want it. I can bide my time. We have a lot of time, us Russians.
So then, ladies and gentlemen. Let us begin our safari of the commoner gallery visitors. May I first introduce the shufflers. You will observe how this tribe shuffle in packs, from picture to picture, allotting each an equal period of time. Passing by are the big game hunters, for whom only the Cézannes, the Picassos and the Monets will do. Watch out for their flashbulbs and pounce! You can fine ’em $5 — hard currency — and who’ll know a thing about it? The shamblers are less systematic. Usually lone hunters, they shamble zig-zag through the halls, pausing for a long time when something catches their eyes. Over there! See him? A peeping Tom! There! Lurking behind the pedestals. Beware, ladies! Our friends of the weaker sex are here not to observe the ladies in the gilt frames, but the ones in the black fishnets. A few of the bolder ones steal glances at me. I outstare them. Margarita Latunsky has nothing to fear from any of them. Where were we? Ah yes, the sheep. You will hear them bleating in the background, herded by their guide and being told what to admire and why. Who is he, you ask, holding forth in a loud voice about what Agnolo Bronzino really meant to say half a millennium ago in Florence? He is a lecturer, exposing his erudition like a flasher in Smolnogo Park. I’ve been accosted myself on many occasions, beside the duck pond. ‘Bit small, isn’t it?’ They wither on the vine! Back to the gallery. A few times a day we get a visit from Lord God Almighty: one of the directors, strutting about like they own the place, which I suppose in a way they do. Or they think they do. Only I, and a chosen few, know what it is that they really own. Occasionally Jerome comes in with his notebook to study the next picture, but we pretend not to notice one another. We are professionals. Lastly there are the other gallery attendants, peroxided and lank, each on a chair for their fat butts. My butt isn’t really fat by the way, I made Rudi admit he was joking. The other attendants are slags and trollops, each and every one. Cave cranny-clammy. Oh, they scowl at me, and gossip about my understanding with the Director of Acquisitions, Head Curator Rogorshev. It isn’t simply the jealousy of the jilted that makes them hate me. And I told them this. It’s the jealousy that any menopausal frump feels towards a real woman.