“I really don’t intend to reveal what I have to say until tomorrow, but yes, it does concern that.”
“Are you crazy, Jessica? Do you know what this will do to Marjorie’s reputation?” Perry asked.
“No, Mr. Perry, I am not crazy. Yes, I do know what this will do to Marjorie Ainsworth’s reputation, and, in my judgment, it will do very little. Her preeminence in the field of mystery writing-all writing for that matter-has been established over the course of many, many years and involves countless books. If she did not write this latest book, her fans will still think of her as the writer of all the others that gave them so much pleasure.”
“Don’t do it, Mrs. Fletcher,” Archibald Semple said weakly from the corner of the couch. “She was a British institution, and we do not make it a habit of attacking our institutions.”
I pulled a chair from the desk and placed it in front of them. “Gentlemen, can we please separate concern over Marjorie’s reputation and concern over the loss of profits if people are told that she didn’t write Gin and Daggers?” I looked at Bruce Herbert, who had said nothing. He raised his eyebrows, closed his eyes, and turned in the general direction of the window.
I continued. “No one thought more highly of Marjorie Ainsworth than I did, and no one in this world is more concerned about honoring her memory. However, there is the matter of a young man named Jason Harris, whose throat was slit, whose face was battered, and who was tossed in the Thames. He is the one who should receive literary credit for writing Gin and Daggers. I’m sorry, but I intend to see to it that he receives his just due.”
Strayhorn, the critic, stood and assumed a statesmanlike posture across the room, his elbow casually resting upon the mantel of the suite’s small fireplace. “Mrs. Fletcher,” he said, “I think it is safe to say that you believe in books.”
I turned so that I was facing him. “Of course I do.”
“We are very much in the midst of a society whose cynicism is unparalled. Nothing is trusted any longer-government, educators, physicians, solicitors, and publishers of books. The sales of hardcover books, particularly fiction, have been eroding at a steady rate for years.”
He stopped talking. I waited. When he said nothing else, I asked, “What does this have to do with the issue we’re discussing here today?”
“Can you imagine the sense of betrayal millions of people who loved Marjorie. Ainsworth will suffer if you make this announcement?”
I had to give him credit; at least he was basing his objections on a larger, loftier principle than the others, who obviously had their pocketbooks uppermost in mind. At the same time, I found his thesis to be absurd. Pointing out to the public that a great writer had lost her faculties toward the end of her long life and had engaged the services of a younger, more energetic writer to complete her latest work, would hardly mark the end of civilization as we know it. I didn’t put it to him quite that way, but I came close.
“What proof do you have?” Strayhorn asked, looking intently at me, the prosecuting attorney grilling a shaky witness.
“That will be revealed tomorrow, Mr. Strayhorn.”
“I insist, Mrs. Fletcher, that you present your evidence here and now.”
I returned the chair to its place beneath the desk. “No, I will not do that. Sorry, but you will all have to wait until tomorrow to hear the details.”
I must have presented a firm façade because they stopped talking to me and started chattering among themselves. Eventually they drifted from the room muttering objections, interspersed with mild obscenities, and were gone-with the exception of Bruce Herbert.
“Bruce, is there something else you’d like to say?” I asked.
He looked at Lucas. “I’d prefer to speak to you in private, Jessica.”
“Don’t worry about me,” Lucas said, “I’m like family.”
“Not my family,” Herbert said. “Please, give us five minutes.”
I nodded to Lucas that he should accede to the agent’s request. “I’ll run downstairs and check on the convention’s progress,” he said, “but I’ll be back.”
When Lucas had left, Bruce Herbert said, “Jessica, I’m no fool. I know the subject you raised over cocktails yesterday about a series of novels, using the name of a liquor and a weapon in each title, was not an idea that came to you because of Marjorie and Gin and Daggers. You’ve heard about Brandy and Blood.”
I suggested we sit down. “Yes,” I said, “I know about Brandy and Blood. It’s a novel Marjorie wrote before Gin and Daggers. She gave it to you, only you haven’t submitted it anywhere, as I understand it.”
Herbert looked at the floor, and then up at me. “Jessica, I have the distinct feeling that you are finding out more than anyone would really like to know-not only about Marjorie Ainsworth’s murder, but about the young man she took into her confidence, Jason Harris.”
I said nothing; my eyes and expression indicated I wanted to hear more.
“Brandy and Blood was not written by Marjorie,” he said.
“No? Who wrote it, Jason Harris?”
“Yes. Because of Marjorie’s advanced age, he sensed that she would not live much longer, so he batted out a novel in what he hoped was her style, and that could be sold under her name after she died. He tried to create the illusion that Marjorie had written the novel before she went to work on Gin and Daggers, but that isn’t the truth. He’d sat at Marjorie’s side-to be more precise, at Jane Portelaine’s side-throughout the writing of Gin and Daggers and thought he’d gotten her style down.”
“You’re not suggesting, Bruce, that he was concerned about perpetuating Marjorie’s financial estate?”
Herbert smiled. “It wasn’t to perpetuate anybody’s estate. When Jane Portelaine gave the manuscript to me and asked me to handle it, she said that Jason wanted a lot of money for it. Publishing it probably would have doomed Marjorie to an eternity of scorn.”
“How so?”
“Well, it isn’t very good. No, that’s a gross understatement. It stinks.”
I shook my head. “I can’t imagine Jane committing such a traitorous act against her aunt.”
“I don’t know what her motivation was, Jessica. She told me she thought that as Marjorie’s American agent, J would want anything that would be marketable under her aunt’s name. At the time I thought she was sincere, misguided perhaps, but sincere. I suppose I also have to be honest enough to say that if it had been any good, I might have considered going with it.”
“But you sat on it.”
“Yes.”
“What else did Jane say when she gave the manuscript to you?”
“Not much, really. I do remember that she seemed uncomfortable giving it to me. I actually had the feeling that Jason had some sort of hold over her. I wonder if that wasn’t the case.”
“You say the manuscript is terrible. I’ve had conversations recently with people who are praising Jason Harris’s writing.”
Herbert shrugged. “Based upon Brandy and Blood, they’re wrong. Would you like to see the manuscript?”
“Yes, very much.”
“I’m doing this with a purpose in mind, Jessica.”
“Which is?”
“To convince you that Jason Harris did not write Gin and Daggers, was incapable of it. Once you see that, there’ll be no need for you to go through with your announcement tomorrow.”
“I’ll have to make up my own mind about that.”
“Of course.” He went to the door. “I’ll bring the manuscript back in a few minutes. It’s in my room.”
My phone rang. It was Jimmy Biggers. “I’ve been trying to reach you,” I said.
“Been busy, love. What’s this codswallop I hear about the Italian murdering Marjorie Ainsworth? Don’t add up to me. Make sense to you?”
“Yes, perfect sense. I’ve thought all along he was the one who killed Marjorie.”