"I don't think I want to hear this," Tina said.
"And so—one morning I was walking over the cobblestones,returning from a pierogi breakfast at Gunther's Deli, and there were not one but three fire trucks out front of the building, as well as cop cars and two inhalator trucks. The firemen were wearing ventilator masks normally used for toxic spills, they had hatchets and crowbars, and they were carrying piles of construction debris they chucked into a specialized van."
"Oh, God—" said Tina, holding her stomach.
"That's right," said Hamilton. "Unit 403. Mrs. Kitchen. The people in the suite below were reporting something black making a stain on the ceiling right above their TV set. The landlord went upstairs to investigate. There was no answer, and so he opened the door and was whomped on the nose by the absolute worst smell in the known universe—shit and piss and vomit, but a thousand times worse. The firemen arrived and had to remove every single object in the apartment and burn the rubbish. Even the Formica kitchen counter and the dry-wall were impregnated with the smell. The suite below had to be gutted, too. That's where Pamela here comes in."
We looked at Pam in her cinnamon heart costume. She curtsied. Hamilton continued: "The police brought in smell experts from the university. They told us this weird fact, that odors are like a game of tug-o-war. If one smell is pulling one way, there's always another smell to pull it in the exact opposite way. And apparently the opposite smell of dead people is artificial cinnamon."
To a chorus of ooh's, Hamilton went on. "For weeks afterward, the building was replete with sickening sweet fumes of cinnamon candy. The odor vanished after a while, but the next year I returned from working up north and the cinnamon smell was there again. I asked my next door neighbor, Dawn, if there'd been another Leaker, and she said, 'Yup. Suite 508. Mr. Huong.' So next time you smell cinnamon …"
A few minutes later, Tina and a few wardrobe people were all quite sozzled; I was drinking club soda. We became increasingly silly; Suzy from payroll and I went off to neck like teenagers in the backyard between the tool shed and the composter. Once there, we escalated through all levels of intimacy rather quickly until finally we were justourselves. The sky was black and starlit, with a pale blue Japanese fishbone cloud tickling the moon. And so we reclined. We were cold, but so what?
We watched the sky silently, as though a gentle wind was blowing through our minds. It was then, just past midnight, when my pager beeped and shooed away our intimacy. We dressed and went inside. I dialed the number. It was Wendy calling from the hospital to tell me Karen was having difficulty. "Her readouts are going all wonky. Her heart's beating irregularly and her brain print looks like a seismo-graph."
I couldn't imagine the world without Karen. "Should I come down right now?"
"No. Sleep. Wait until morning. I know that sounds heartless, but we'll know more then. Lois and George aren't coming either."
I began to cry. Wendy said, "You want me to come pick you guys up?"
"No. Everybody's tanked. You missed a fun party."
"Don't do anything drastic, Richard." She meant don't drink.
"I'll be there in the morning," I said. "I need to go be alone."
"I'm here. You have my pager number."
But I did drink—I grabbed an almost full twenty-sixer of J&B and walked out of the party and over to the dam, which was silent. The water was turned off as the water levels were so low just before the fall rains. The dam was white like aluminum under the moon, clean and fat and strong. I walked across it, sipping from the bottle, and having crossed the dam, I had the notion that I would walk to Rabbit Lane through the canyon's pathways and once there, dump my butt on either Lois and George's front stoop or on Linus and Wendy's. I hadn't been drinking for years; the Scotch took only a few baby sips to transport me into that other place I wanted to go.
I stumbled down a steep path with the world around me, the trees and air hushed as though waiting to jump out at me and yell, "Surprise!" Pearly blue clouds lit my shoes, which snagged on tree roots; my hands crushed delicate fall leaves. My mouth misted the airwith chuffs of steam that vanished instantly, like a thought of a thought of a thought. Inside my head I saw the ghosts of old logging trains that once passed by here. The land was still—even now, ninety years later—beginning to heal, unaware of the sterile, suburban tracts above, the driveways and flowers and dishwashers and bird feeders. What seemed like tall trees paled from within the mighty ancient lumber stumps from which they grew.
A few swigs later, I was down by the salmon hatcheries, a fish-growing facility built in the seventies to help the Pacific salmon spawn. Like the dam upriver, the hatcheries were aluminum white in the moon. They were rectangular shaped concrete mazes, thigh-deep with cold water. They resembled office towers laid on their sides. Juvenile salmon skulked through the concrete maze like bored guests at an amusement park.
Another swig and I was soon down below the salmon hatcheries, alone as the sunlight began leaking into the sky at dawn. With no water flowing down from the dam, the river had become a beaded string of dark ponds. I hobbled on the riverbed boulders, my balance gone. The Scotch bottle broke. And in that breaking, I looked to a pool behind a rock, a large deep river pool. There I saw a thousand salmon waiting to spawn, unable to swim upriver, trapped together, this clump of eggplant-purple salmon whose only wish, whose only yearning, was to go home. These salmon mulled within the stilled pool—a deep dark voluptuous brain—fluttering at the edges like black apple blossoms. The fish were dreaming of sex and the death that comes afterward.
The whiskey caught me. I had to vomit, so I turned around and retched into a pile of stones. I hopscotched on the rocks a bit farther down the river and tripped and fell, knocking my head on a boulder. Woozy, I laid down on my stomach, my head propped and looking into the water. The sky was brightening, and I rubbed my skull.
I looked at the pale blue sky. I saw trees the color of Karen's eyes.
A seagull screeched, a heron jumped up, and water trickled down. I remembered an old thought: When I was young, my father always ensured that the family would visit the killer whales in the StanleyPark Aquarium once every year. It was his way of letting us know that our city lay beside the ocean and we lived where we did only by Nature's good grace. The aquarium wasn't as crowded then as it became in later years; one could easily ask the whale tenders if one could touch the whales—their bright white leather spots, their black dorsals packed with steel, and their teeth of sharpened ivory drills circling meaty, clean pink tongues the size of a tabletop, swallowing buckets of platinum fish at one go. A decade later, when it became my own turn to take Megan to visit the whales, I discovered that Megan had already decided penning whales in a zoo was cruel—animal prison. She became an avid follower of any newspaper information about whales being captured or released, which struck a chord in me. One of my own stray childhood fears had been to wonder what a whale might feel like had it been born and bred in captivity, then released into the wild—into its ancestral sea—its limited world instantly blowing up when cast into the unknowable depths, seeing strange fish and tasting new waters, not even having a concept of depth, not knowing the language of any whale pods it might meet. It was my fear of a world that would expand suddenly, violently, and without rules or laws: bubbles and seaweed and storms and frightening volumes of dark blue that never end. I mention this as I consider what happened next in my life and as I consider the changes that followed.
A bird trilled above. I blinked and paused, and then I cried, because I knew that at that same moment three miles away in a crypt-like hospital room Karen was blinking, too—that after 6,719 days of sleep, she had just awakened.