33 YOUR MESSAGE HERE
When I was alive on Earth I always noticed how events in the night sky had such a powerful capacity to alter human moods. One fall night in the 1970s, I was at a BC Lions football game. Just after sunset and directly over the cheap-seat bleachers to the east, a full moon, amber and veined, pumped itself upward and seemingly hovered over the stadium's edge. At this point, the announcer said, "Ladies and gentlemen—lets have a big round of applause for … the Moonl" and everybody went nuts and the rest of the game felt like a Super Bowl.
Around that same time, I was in a soccer tournament and the team and I had to fly to Manitoba on a red-eye flight. Somewhere over Saskatchewan I looked out the plane's window and saw the aurora borealis spritzing and jitterbugging up to the north—I felt as though
I'd seen God singing along with the radio at a stoplight. We won the tournament. Fuckin' right we did!
And then one night, shortly before I got leukemia, a thinly sliced crescent moon rested high in the south sky over Vancouver; the planet Venus, white and hot, was also in view, and I watched the two bodies veer ever closer until Venus finally hit the unlit portion of the lunar edge. Just before Venus disappeared, it looked as though there was a light directly on the Moon's surface. And shortly afterward, as I said, I got leukemia. So there.
I mention events in the sky to help make sense of lightning and thunder and their profound effects on the soul. My friends have so far endured six days of continual storms and my old neighborhood and its surrounding forest are bursting in flames from untold numbers of lightning strikes. My friends are scrambling madly for cool air and sanctuary, having piled what few things they've been able to save into minivans in which they hightail up the charred stubble of the nearby golf course's pampas.
Below them, the fire on the sloping neighborhoods burns like a million Bic lighters held up in the dark at some vast, cosmic Fleetwood Mac concert. There is nothing remaining on this mountain slope save for the foundations of houses, tree roots beneath the soil, and a swirling maze of roads that lead from nowhere to nowhere.
Soon, two miles up the hill, the gang reaches a stone clubhouse surrounded by links of ashes. From within its solid interior they watch the lightning continue unabated, like watching a car crash that never stops, ripping and grinding and chewing and burning for day upon day upon day, sickening and dull.
The night is chilly; the fireplace is stuffed with burning chairs, yet their room feels only slightly warm. Dinner was a few cans of chicken broth and tinned green beans found in the kitchen. Tablecloths and towels are used as bedsheets as a freak Arctic cold front lands upon them pre-dawn. They cluster together like January blue jays roosting inside a stump, and still they wake up freezing. But for the first time in seven days the sky is silent. Across the Capilano Canyon they see the snow-crested mountains of our childhoods reduced to black cinders and stone.The next day is spent driving lazy-8's through the old neighborhood's tangled lariat of roads, seeing only charred stumps, melted patio furniture, and metal globs that were once sportscars. My friends cry and make fruitless attempts at salvage. Wendy finds the skeletons of the two ostriches and hands Linus the femurs. "It's nearly sundown," Karen says. "Let's hit the darn."
Their minivans hairpin down the black streets, the interiors smoky with the scent of itty-bitty salvaged mementos—a pair of Adidas ROM shoes; a Snoopy trophy; a framed photo of Liam Gallagher; a Becel margarine tub full of emeralds and Richard's asbestos astronaut suit.
On Cleveland Dam, they park at the west end and walk to its center, as promised, I hover invisibly above the silent spillway. The reservoir behind the dam is slightly below runoff level and algae within the water has loaned it an otherworldly shamrock sheen. The dam's road is smooth and glistening from a freak rainstorm and is seemingly paved with diamonds.
Quietly, everybody follows Karen onto the dam. For the first time in weeks she hears voices. "It's almost sundown," Karen says, "Kneel."
"I'm not kneeling," Hamilton says.
"Then don't," Richard says, and the group ignores Hamilton and kneels.
Hamilton stands with his arms crossed, watching the group and feeling like Noel Coward at a gauche cocktail party, and then he remembers his past year of madness with Pam, the drugs, the mania, his rebirth as the Last of the Famous International Playboys—Petula Clark, Brasilia, Le Cote Basque, Jackson Pollock, Linda Bird Johnson, and gimlet martinis—the ideas and images of a clean, sophisticated, and plausible future long vanished. My head is now clean, he thinks. My veins are clean, but the world is soiled.
Pam watches him from the corner of her eye. Poor Hamilton— Hamilton who has always felt unsophisticated having grown up so far away from the centers of metropolitan glamour. But Pam knows of the blankness at the core of that world, and she's aware thatthrough her, Hamilton has learned this, too. She thinks back on the past crazy year on drugs and then the miracle of becoming clean. She looks at the city's skeleton through the charred forest. If this is the world, then take it. I hated Milan. I hated catwalks. I bated my face for taking me the places it did. Let the insects fight for the remains. "Hamilton, get over here," she calls.
Hamilton shakes his head. "I can't."
"You knelt at Jared's memorial service, didn't you?" Hamilton nods. "Then you can bloody well kneel here." Hamilton comes, kneels beside Pamela, and looks up at the sky.
Linus clacks together the ostrich femurs and the noise rattles comfortably across the spillway and into the canyon below. Jane squeals and then falls silent.
And so it's here, on this dam, where this group, for the first time since the beginning of their lonely year, align their thoughts on the Great Beyond. This is where I enter. Linus clacks the femurs together: clack clack.
"I'm back." I appear before them, hovering slightly above the spillway.
"Jared!"
"What are we going to do, Jared?" Megan wails.
"Guys—hey—don't freak out. You think you've been forsaken— that the opportunity for holiness is gone, but this isn't true. Time is over; the world is gone.
"You've got just one option left. You blew it this year, but you can make good. As I said, there's still Plan B."
34 STOP BREATHING
I want to squish my friends into my heart, as though they could help me grout a troublesome crack. They wonder, How did life ever come to this? They're not bozos; they know everything's over. They're naked parachutists waiting be pushed out of the plane and into the sky. Such is birth.
A warm sooty wind blows up the dam's face, its dark dead confetti floating through me, then shining. I'm a wall of light. "Guys! Feel the air," I say. "Across your skin. It's like icing sugar. So sweet. And feel the charged wind in your lungs—it does feel like the end of the world, doesn't it? Come on—drag your butts up. Huddle! And while you're at it, look at all the water pouring down the spillway—it's like melted lime Jell-O. And hear the water growl—like a cougar inside an unlocked cage. Oh! And remember that night at Linda Jermyn's party? Remember when we found that TV set in the alley and brought it here and hucked it off the edge." My friends stand up and circle around me as I hover above the commotion.
"Correction, Jare," Hamilton says, "I'm the one who did the actual hucking. If I remember correctly, you and Richard were off on the sidelines sniveling."
"You wish, Hamilton," Richard says. "I sweet talked the RCMP into thinking you'd thrown a half-melted ice swan off the edge. I mean, they saw you throw something. Jared and Pam were horking in the rhododendrons over by the parking lot."
"It was that home-brew of yours, Jared," Pam says. "It was like Liquid Plague. It's the absolute sickest I've ever felt. Even worse than methadone. And you were so sick that night, Jared—so sick that you couldn't even hit on me."