3: Did you want Jack and Fanny to get back together? Why or why not, and why do you think Busch arrived at the ending?
4: Do you think this book fits into the typical detective-novel genre? Why or why not? Why do you think readers like to categorize types of novels? Do you think Girls belongs to any distinct category or genre?
5: The first chapter directly follows the final chapter in chronology. Why do you think the author placed it at the beginning of the book? Did you go back and reread the first chapter after completing the novel? Did doing so alter your perception of the book? If so, how?
6: Why do you think Jack and Fanny couldn’t discuss the death of their baby after so much time? Has there ever been something you or someone you know couldn’t or wouldn’t discuss? Why do you think people close themselves away like that? How might people avoid doing so, or help each other overcome it?
7: In recent years there unfortunately have been many highly publicized cases of missing girls like Janice Tanner. Do you think these cases have always occurred and are just being played up by the media today? Or do you think something has shifted in our society that is causing an increase in such tragedies? Do you discuss these disappearances with your friends or your families? If so, how do you respond? Do you feel safe in modern society?
8: Jack lives in a world of extreme coldness, bleakness, and silence. It seems that the only lightness in his world is his nameless dog. Why do you think this is so? What function does the dog serve in the novel as a whole? In Jack’s life? What do you think the author had in mind when he chose to include the dog in this story?
9: When did you as a reader think you knew who was responsible for Janice Tanner’s disappearance? Who did you think did it, and why? Were you right?
10: What role does Professor Piri play in this drama?
11: Fanny is repeatedly described as capable and competent, and of course, her job is one of helping to save lives. Juxtapose this with the circumstances and aftermath of their daughter’s death, and discuss what effect this combination has had on Fanny.
12: As this is a work of fiction, the writer could do with his characters whatever he wished. Why do you think the author let Jack get beat up so badly?
13: Jack and Fanny’s marriage is a paradox: two people who love and are bound to each other, and yet cannot seem to live together. Discuss this paradox and why it exists. Do you know anyone with such a paradox in their lives? What is it like, and how do they resolve or live with it?
14: Why do you think Jack found Rosalie Piri so irresistible? He obviously loved Fanny and really wanted to make it work with her; yet he barely hesitated before he got involved with Rosalie. What do you think motivated him, or prevented him from resisting the affair with her?
15: Why didn’t Jack drag Fanny in to talk to Archie? Why didn’t Archie push for them to get counseling together? Many people in our society often resist counseling when they most need it. Why do you think this is so?
16: Jack goes into the Tanners’ church, and still finds himself unable to pray. Yet he really wants to. Why can’t Jack pray?
17: Identify all the different girls in the book who could contribute to the book’s title. What do they all have in common? How do they differ? Do you think Girls was a good choice of title? If not, what might you have named the book?
18: Why does Jack harass William, the drug dealer from Staten Island? Jack knows he’s not really guilty, at least not of being involved in the Janice Tanner case. Yet he knowingly beats him, and quite brutally at that. Why would Jack, who is basically a good man, do such a thing?
19: What do you think was the author’s purpose in including the subplot about the vice president’s impending visit?
about the author
Frederick Busch is the author of twenty-seven books. Girls was a New York Times Notable Book. He has received the PEN/Malamud Award in short fiction, and, from the American Academy of Arts and Letters, the Award of Merit. His books have been finalists for the PEN/Faulkner and National Book Critics Circle Awards. He and his wife live in upstate New York.
Excerpts from reviews of Frederick Busch’s GIRLS
“Girls is about as close to perfect as a novel gets. Its prose is clean and strong but never advertises its own quiet brilliance, its characters are sharply defined and irresistible, and its plot is suspenseful enough to keep you up until dawn.”
— Men’s Journal
“Combining the quick pace of a detective story with the bold poetics of literary work, Frederick Busch’s taut new novel, Girls, is a dark, compulsively readable drama.… From the makings of an all-too-common evening-news item, Busch has fashioned a novel of considerable weight and dimension. By imbuing the lurid with the introspective, he has given a stock story intelligence, humanity, and terrific range.”
— Elle
“When a book is this successful it’s impossible to detect any sign of artistic struggle.… Jack is such an absorbing and sympathetic narrator.… nothing [Busch] has published in the past has quite prepared me for the seductive beauty of this very disturbing book.… Its pitch-perfect dialogue, skillfully contrived plot, and authentically wintry atmosphere are all exceptional, but a great deal of its strength comes from the moral complexity of its characters.… The highest compliment a reader can pay a literary thriller — or any novel, for that matter — is to claim that the book is nearly as intricate and mysterious as life itself, that the reader has lived in the book as if it were a particularly lifelike dream, and cared about its characters as if they were real. All these claims are true about Girls.”
— The Washington Post Book World
“It is a dark tale, but it’s told with an economical mastery and intensity that only a few current novelists can command. Busch even manages to create a dog who is real, touching but never cute, and the perfect life-enhancing foil for the human sorrows around him.”
— Publishers Weekly
“The novel’s social realism gives it the page-turning pace of a mystery. But Busch’s masterly pairing of dark wit and tender mercy is what makes Girls a great work.”
— Us
“This well-written and engrossing novel is part mystery and part exploration of how grief can manhandle a marriage.”
— Booklist
“Girls is about pain and what happens when pain can’t find its way out of the human vessel.… Girls is unusually entertaining.… In the end, this is a chilling story about the guilt of adulthood.”
— Time Out
“Though the crime story is intriguing, it is Jack’s growing insight about his marriage, his town, and himself that transforms this page-turner about lost children into a tender and eloquent examination of the even greater mystery that is the human heart.”
— Glamour