Her voice was low and brusque. Her touch upon his bare neck grew warmer, so much so that after a minute it hurt, as though someone had placed a heating pad there.
“Okay—I’m—I’m better now.” When he started to sit up she grabbed his shoulder.
“Slow down! You’ll pass out—”
He was upright again. She sat beside him, her hand still on his shoulder, and peered at him intently.
“Better?” He nodded. “Okay. Here.”
She picked up the crystal fish of aquavit and handed it to him. He sipped it gratefully, nodding thanks.
“I’m Nellie Candry,” the woman said. “Christ. I saw what happened: Your friend…” Her gaze shifted to the Pyramid’s entrance, and she brushed nervously at her hair. “Horrible. And then I saw you sitting here, you looked like you were going to pass out…”
She hesitated. Her gloved fingers pressed at the table’s stone edge, as though she were clinging to it. “I work here—my office is upstairs. I thought, if you wanted to get away, have some privacy. If you needed to make some phone calls. Or just rest—I have a futon…”
He must have been looking at her strangely. “You can check me out with security if you want,” she reassured him. “I mean, I’m a fucking vice president, okay, I’m not going to hurt you. Or maybe you just want to be left alone… ?”
“No.” He winced. “No, I don’t really want to be alone. I—I’ve been ill, this was the first time I’ve left my house in a long while, and—”
His voice broke. “It’s okay,” she murmured. “It was—horrible. Don’t you have any friends nearby?”
“Not now—I used to, but…”
“Yeah, well, I know what that’s like.” She picked up the half-empty crystal of aquavit, put it back down. “Look. Why don’t you come upstairs with me. You can have some time alone, at least.”
“But the police—they were going to find me a ride—”
“We’ll call them from upstairs.”
Before he knew it she was helping him to his feet. The waiter appeared. Nellie waved away Jack’s hand as he reached for his pocket. “No—let me—”
She gave the waiter a credit card and waited as he processed it. Then she touched Jack’s elbow, pointing at a softly lit alcove where elevator doors glowed blue and green.
The elevator brought them to the thirtieth floor, midway up the Pyramid’s interior, then opened onto a space blazing with video monitors. Huge doors of cobalt blue glass bore a holographic logo and the words AGRIPPA MUSIC.
“This way,” Nellie took him by the shoulder and gently pushed him down the hall. “We’ll go to my editing room. Quieter there…”
He followed her down another corridor, and another, ended up in a nondescript hallway. They made little effort at conversation, besides Jack telling Nellie his name. He walked beside her, squinting to read placards: Kingston Music, First Analysis Corp., Merton Defense Systems. At a door reading Pathfinder Films she pulled out a key and slid it into the wall. A grid of light exploded, flashed as she pulled the door open and motioned him inside.
“This is it,” she said.
Her office was a chilly warren of odd-shaped rooms stacked floor to ceiling with silver canisters of film. A few small battery-driven lights were affixed to the ceiling. They cast a sepia glow on everything, so that Jack felt as though he were in an old photograph. There was a small desk littered with curling ribbons of film, a broken light box and old-fashioned loupes, the remains of a boxed sushi lunch, some empty medicine vials. Nellie picked up the phone and rang downstairs. She gave her name and number to security and told them to notify her when someone arrived to drive John Finnegan home.
“Okay.” She dropped the phone onto a pile of discs. “They’re waiting for an officer who’s going off duty, some guy who lives in the North Bronx. He says he’ll drive you, but it’ll be a few hours.”
Jack nodded. “Thank you.”
She shrugged. “Come on, I’ll give you the tour.”
More arcane objects filled the hallway. Cameras or recording equipment. Leaning in a corner was some kind of tall staff. Strips of leather hung from it, and red ceramic beads. On the floor beside it lay a crude mask with gouged eyes and an obscenely long wooden tongue dangling from its mouth. Mounted on one side was a single very large antler—it must have come from an immense stag. There was a hole where the other antler had been.
“Three have been taken, but two are left,” Nellie said, looking at the grotesque face with an odd smile. “Sorry about the mess.” She nudged a canvas sack stuffed with books. “This way—”
There was no other way. Four steps brought them to a miniscule bathroom with composting toilet and no running water; three more steps to a sleeping alcove taken up by a futon and a few paperback books, coffee mug, a torn T-shirt. On the wall hung a small frame with a piece of plain white paper inside. Jack edged past Nellie to read what was typed there.
Life becomes useful when you confront a difficulty; it provides a kind of value to your life to have the kind of responsibility to confront it and overcome it. So from that angle it is a great honor, a great privilege, to face these times, to confront them.
Nellie laughed. “I know, I’m a dharma bimbo! Come on.”
At the end of the hall was another small room, dark except for a monitor set into an old-fashioned editing table. Nellie edged past more film canisters, a metal cabinet, and manila envelopes crammed with papers and black-and-white photographs. She pointed at the glowing white screen. “My Steenbeck.”
“You’re a filmmaker?”
“Yeah. I know, another dying art.” She ran a hand through her close-cropped hair and gave him a wry sideways glance. “I mean, that’s not how I make my money—I really am a VP, I’m in A&R at Agrippa. This other stuff, though—”
She hesitated, chewing her lower lip. “It’s what keeps me alive. Making movies, maybe that seems frivolous these days. But in art everything is frivolous. Or deadly serious.”
There were deep fissures in her makeup; he realized she was older than he had first thought. Her eyes were a clear sky blue. It wasn’t until she reached to adjust a light box that he saw the makeup hid scars, the gouged marks of petra virus.
“You’re right.” He looked away. Speaking was an effort; he plunged on, as though scaling a peak that seemed impassable. “Where did you study?”
She slid into a swivel chair in front of the editing table, pulling aside the folds of her artfully tattered dress. “University of Chicago. I started in social anthropology—ethnobotany. Then I went to NYU for grad school. Knocked around for a while, finally got a grant to make a television film about the Sami—my mother’s American, but my father’s from Finland. Do you know who they are? Laplanders, you would probably call them, aborigines. They call themselves Sami. Those who are left, ” she added. “I wanted to make more films. Only of course they do everything with computers now, so there’s no audience for location films. Not to mention who goes to the movies these days? So, I had some friends who were in a band, and I managed them for a while. They did okay, and eventually I got this job at Agrippa. Figured that was it for the movies, like, forever.
“But then, I found a patron—a very rich patron. He had a project he was interested in. He’d seen my film.” She laughed. “He may be the only person who ever saw my film! He wanted to know if I would be interested in his project—”
She indicated the anarchic mass of tapes and photos and film equipment. “All this? It came from him. He’d gathered all this stuff to make a documentary, but he didn’t have time. So he asked me if I would film it for him.”
She paused and looked pointedly at Jack. “And—of course—you did.”