Samuel turned back to the action in the harbor.
The sun was up, dull yellow behind the veil of thin clouds, and the muzzle flashes and the streaks from the flying shells were not nearly so bright. But the sound was a continuous rumble now, and the gray clouds of smoke hung like morning mist over the batteries.
The smell of gun smoke reached the city at last. Samuel took a deep breath, and with that smell a thousand memories came back. Until he had taken leave of the navy five months before, there was rarely a day that passed that he did not smell it.
He shook his head as he watched the barrage that was being released on Fort Sumter. Those walls might well have collapsed by now, he thought, if they had been built by anyone other than the government of the United States. Bowater had not seen anything like it, not for fourteen years, not since the Mexican War, when, as an ensign fresh out of the Naval School at Annapolis, he had participated in the shelling of Veracruz.
For some long time he watched in silence and tried to fathom what this meant for him, but it was so very complicated and the gunfire was so murderous and the shouts of the people on the rise so distracting that he could not think.
Sumter has not fired back. He wondered if they had surrendered. The rumor was that they were nearly out of provisions, that bombardment or no they could not remain long on that little island.
Samuel picked up his haversack and stuck his hand inside, felt the cool brass of his telescope. He pulled it out, let the haversack fall. He snapped it out full length, brought it up to his eye, fixed Fort Sumter in the lens.
There it was, undulating in the light offshore breeze. The Stars and Stripes.
Oh, say can you see… Samuel thought of the words to that popular song. A circumstance just like this, when it was written, but then at least the flag stood against a foreign enemy, all of the United States battling their common foe.
He took the glass from his eye, snapped it shut. Always hated that song, mawkish, overwrought sentimentality…
The bombardment had settled into a steady monotony. Samuel stared at his canvas, crossed his arms, rested his chin in one hand, stroked his perfectly groomed mustache and goatee, and considered what he had done.
Over the past five days he had worked on the sky and the distant land, filling the canvas with rich purples and greens and oranges, creating a lush early-morning scene.
Talk about mawkish, overwrought sentimentality…
He had been trying to eschew the silly romanticism of the Hudson River School, of Washington Allston—revered in South Carolina—of Thomas Cole and that lot. He had failed.
Samuel scowled at the canvas, squeezed a bit of blue and black on his palette, swirled it together. Get rid of some of this purple… he thought.
With delicate strokes, like fingers on a lover’s cheek, he applied the paint to the top of the canvas, recreating the dark fringes of the western morning sky. He lost himself in the work, and the morning hours and the drama before him faded away as he got inside the painting, becoming part of its reality and dabbing away in an effort to make it reflect the reality he saw and felt.
After some time he heard footsteps behind him, on the soft grass. He felt his stiletto-sharp concentration waver, and he cursed under his breath. He waited for the stranger to come up, look over his shoulder, make some comment. Every passing philistine felt welcome, almost obliged, to look and comment.
Sometimes they would make a noncommittal grunt, sometimes say a word or two. Sometimes they would praise his work, which was the worst. Bowater could not tolerate praise coming from someone unqualified to give it, which was just about everybody.
The footsteps stopped. Samuel could feel the presence of someone behind. He braced. A woman’s hand reached past his arm, pointed to the American flag, a tiny spot of red, white, and blue he had painted over Sumter.
“May as well paint that right out,” his sister said.
“Are you a secessionist, now, Elizabeth?”
“I always have been, brother. Sitting on a fence is unladylike. But more to the point, has this gunfire knocked you off? And if so, on which side have you fallen?”
Samuel had joined the navy, entered as midshipman at the Naval School—now the Academy—at seventeen, driven by his father’s urging and a love for the sea with which he was born, as much as he was born with arms and legs and brown eyes.
With the one exception of the Mexican War at the very beginning of his career, Samuel Bowater’s time in the navy had been largely uneventful. For the past decade everyone’s career in the somnambulant United States Navy had been largely uneventful. But that was over. And service in the United States Navy was over for him.
“In any event, Colonel Chesnut says not a thimbleful of blood will be shed in this war,” Elizabeth said.
“Indeed.”
The garrison at Fort Sumter was firing back now, stabs of flame just visible as they shot out from the gray walls of the fort. Heroic, futile defiance. Not the sort of action that would lead to a bloodless revolution.
Samuel Bowater had not thought much about any of the questions that were tearing the nation apart, questions of sovereignty and the permanence of Union, questions of slavery. He was of the navy, half of the past fourteen years he had spent in foreign service, where his only connection to his home was his fellow officers, most of whom were Yankees, and the Stars and Stripes flying at the gaff.
Samuel Bowater was a man of the sea and he did not give a damn what happened in Kansas or Nebraska or Missouri. It was all very abstract to him, very theoretical, like a discussion of the latest elections in England or the uprisings in Germany. The United States Navy was what he knew and loved. And now he would have to reject it, and fight against it.
Samuel had joined the navy, but he had been born to South Carolina, and in the end he knew where his loyalty lay. He knew that he did not care for the Yankees deciding any question that related to his beloved state. But he could not hate the Yankees as so many of his fellow Southerners did. He had messed with too many of them.
The gunfire continued without letup. It was nearing noon and the barrage had not slackened in the least since that first shot at four-thirty. Bowater was terribly hungry.
“I think perhaps it is time to go home,” Samuel said. He cleaned his brushes and carefully packed his paint kit. He treated it with such care that it looked exactly as it had the day he bought it. Other painters wore special smocks to protect their clothes, which always seemed foolish to Samuel. If you were careful, you did not need a smock. There was no excuse for splattering paint on your clothes.
He took the canvas off the easel and leaned it against his haversack and folded the easel up.
He looked up, and his eye caught a cluster of dark shapes on the horizon. Ships, though a less experienced eye might not have recognized them as such, or might not have seen them at all.
Samuel fished his telescope out again, trained it on the distant vessels. Men-of-war, Union ships. They were just outside the harbor entrance, a good five miles off, but he thought that he recognized the profile of the twin-screw steamer USS Pawnee. She was less than a year old, but he had seen her often enough for her profile to be familiar.
In company with her he recognized the Harriet Lane and a steamer that he did not know. An expeditionary force, no doubt sent for the relief of Fort Sumter. He shook his head. “Too damned late,” he said. “The war has started without you.”
2
The streets of Charleston present some such aspect as those of Paris in the last revolution. Crowds of armed men singing and promenading through the streets, the battle blood running through their veins…