He was back quickly and Star finished warding. "That's better," he said with a sigh as he started cleaning his blade. "Don't want their perfume around the house. They rot pretty fast and puts me in mind of green hides. Or copra. Did I ever tell you about the time I shipped as a cook out of Sydney? We had a second mate aboard who never bathed and kept a penguin in his stateroom. Female, of course. This bird was no more cleanly than he was and it used to—"
"Rufo," said Star, "will you help with the baggage?"
"Coming, milady."
We got out food, sleeping mats, more arrows, things that Star needed for her witching or whatever, and canteens to fill with water, also from the foldbox. Star had warned me earlier that Karth-Hokesh was a place where the local chemistry was not compatible with human life; everything we ate or drank we must fetch with us.
I eyed those one-liter canteens with disfavor. "Baby girl, I think we are cutting rations and water too fine."
She shook her head. "We won't need more, truly."
"Lindbergh flew the Atlantic on just a peanut butter sandwich," Rufo put in. "But I urged him to take more."
"How do you know we won't need more?" I persisted. "Water especially."
"I'm filling mine with brandy," Rufo said. "You divvy with me, I'U divvy with you."
"Milord love, water is heavy. If we try to hang everything on us against any emergency, like the White Knight, we'll be too weighted down to fight. I'm going to have to strain to usher through three people, weapons, and a minimum of clothing. Living bodies are easiest; I can borrow power from you both. Once-living materials are next; you've noticed, I think, that our clothing is wool, our bows of wood, and strings are of gut. Things never living are hardest, steel especially, yet we must have swords and, if we still had firearms, I would strain to the limit to get them through, for now we need them. However, milord Hero, I am simply informing you. You must decide—and I feel sure I can handle, oh, even half a hundredweight more of dead things if necessary. If you will select what your genius tells you."
"My genius has gone fishing. But, Star my love, there is a simple answer. Take everything."
"Milord?"
"Jocko set us out with half a ton of food, looks like, and enough wine to float a loan, and a little water. Plus a wide variety of Nevia's best tools for killing, stabbing, and mayhem. Even armor. And more things. In that foldbox is enough to survive a siege, without eating or drinking anything from Karth-Hokesh. The beauty of it is that it weighs only about fifteen pounds, packed—not the fifty pounds you said you could swing by straining. I'll strap it on my own back and won't notice it. It won't slow me down; it may armor me against a swing at my back. Suits?"
Star's expression would have fitted a mother whose child has just caught onto the Stork hoax and is wondering how to tackle an awkward subject. "Milord husband, the mass is much too great. I doubt if any witch or warlock could move it unassisted."
"But folded up?"
"It does not change it, milord; the mass is still there—still more dangerously there. Think of a powerful spring, wound very tight and small, thus storing much energy. It takes enormous power to put a foldbox through a transition in its compacted form, or it explodes.
I recalled a mud volcano that had drenched us and quit arguing. "All right. I'm wrong. But one question—If the mass is there always, why does it weigh so little when folded?"
Star got the same troubled expression. "Your pardon, milord, but we do not share the language—the mathematical language—that would permit me to answer. As yet, I mean; I promise you chance to study if you wish. As a tag, think of it as a tame spacewarp. Or think of the mass being so extremely far away—in a new direction—from the sides of the foldbox that local gravitation hardly matters."
(I remembered a time when my grandmother had asked me to explain television to her—the guts, not the funny pictures. There are things which cannot be taught in ten easy lessons, nor popularized for the masses; they take years of skull sweat. This be treason in an age when ignorance has come into its own and one man's opinion is as good as another's. But there it is. As Star says, the world is what it is—and doesn't forgive ignorance.)
But I was still curious. "Star, is there any way to tell me why some things go through easier than others? Wood easier than iron, for example?"
She looked rueful. "No, because I don't know myself. Magic is not science, it is a collection of ways to do things—ways that work but often we don't know why."
"Much like engineering. Design by theory, then beef it up anyhow."
"Yes, milord husband. A magician is a rule-of-thumb engineer."
"And," put in Rufo, "a philosopher is a scientist with no thumbs. I'm a philosopher. Best of all professions."
Star ignored him and got out a sketch block, showed me what she knew of the great tower from which we must steal the Egg of Phoenix. This block appeared to be a big cube of Plexiglas; it looked like it, felt like it, and took thumbprints like it.
But she had a long pointer which sank into it as if the block were air. With its tip she could sketch in three dimensions; it left a thin glowing line whenever she wanted it—a 3-dimensional blackboard.
This wasn't magic; it was advanced technology—and it will beat the hell out of our methods of engineering drawing when we learn how, especially for complex assemblies such as aviation engines and UHF circuitry—even better than exploded isometric with transparent overlays. The block was about thirty inches on a side and the sketch inside could be looked at from any angle—even turned over and studied from underneath.
The Mile-High Tower was not a spire but a massy block, somewhat like those stepped-back buildings in New York, but enormously larger.
Its interior was a maze.
"Milord champion," Star said apologetically, "when we left Nice there was in our baggage a finished sketch of the Tower. Now I must work from memory. However, I had studied the sketch so very long that I believe I can get relations right even if proportions suffer. I feel sure of the true paths, the paths that lead to the Egg. It is possible that false paths and dead ends will not be as complete; I did not study them as hard."
"Can't see that it matters," I assured her. "If I know the true paths, any I don't know are false ones. Which we won't use. Except to hide in, in a pinch."
She drew the true paths in glowing red, false ones in green—and there was a lot more green than red. The critter who designed that tower had a twisty mind. What appeared to be the main entrance went in, up, branched and converged, passed close to the Chamber of the Egg—then went back down by a devious route and dumped you out, like P. T. Barnum's "This Way to the Egress."
Other routes went inside and lost you in mazes that could not be solved by follow-the-left-wall. If you did, you'd starve. Even routes marked in red were very complex. Unless you knew where the Egg was guarded, you could enter correctly and still spend this year and next January in fruitless search.
"Star, have you been in the Tower?"
"No, milord. I have been in Karth-Hokesh. But far back in the Grotto Hills. I've seen the Tower only from great distance."
"Somebody must have been in it. Surely your—opponents—didn't send you a map."
She said soberly, "Milord, sixty-three brave men have died getting the information I now offer you."
(So now we try for sixty-four!) I said, "Is there any way to study just the red paths?"
"Certainly, milord." She touched a control, green lines faded. The red paths started each from one of the three openings, one "door" and two "windows."
I pointed to the lowest level. "This is the only one of thirty or forty doors that leads to the Egg?"