“There,” said Gob. “Now my thinking is much improved.” He put his hands on his face and was silent awhile. Walt closed his eyes too, and saw sick and wounded boys laid out on cots between the glass cases, saw blood gleaming by gaslight on the polished marble floor. When Walt opened his eyes again, Gob had turned back to the broken case.
“Look!” Gob said. “I need that, too!” He reached in, to another shelf, and removed a length of cable. He pushed it in Walt’s face and rubbed it against his cheek, asking, “Do you know what this is? It’s the Atlantic Cable. The thing itself!”
“A crime,” Walt said. As if at his call, a guard came at last, and found them. He called out, “Hey there!” Gob took Walt’s hand and ran, pulling him along, dragging him and lifting him painfully by one arm, so fast and smooth Walt wasn’t quite sure if their feet were touching the ground. They ran toward the guard and knocked into him, sending him sprawling as a train might send an unlucky cow sailing over a pasture. Walt heard him land with an oof and a curse, and then they were flying down the stairs, Walt stumbling at every step and Gob bearing him up.
Did they go after that to Ford’s Theatre? Walt was never sure, and later when he asked Gob, he’d only get a shrug for an answer. It was like remembering something through a great space of water. Walt was thinking they would go into the theater and embrace in the spot where Lincoln had died. Their marvelous passion would go out from them in waves, transforming time, history, and destiny, unmurdering Lincoln, unfighting the war, unkilling all those six hundred thousand, who would be drawn from death into the theater, where they would add their strong arms to the world-changing embrace, until at last a great historic love-pile was gathered in Washington City, a gigantic pearl with Gob and Walt the sand at its center.
But the box was gone. The whole theater had been gutted and refitted as a medical museum. Gob led Walt up a spiral staircase from the first floor, which was cluttered with clerks’ desks, past the second floor, a library, to the top of the building.
The third floor was filled with hideous curiosities, testaments to the ways in which human flesh is heir to misery. At the top of the stairs, Walt was greeted by a row of jars containing heads that looked, because they were near a window, to be suspended in moonlight. Three Maori heads from New Zealand grinned at him as he walked towards them. He bent down to look at their empty eye sockets, their cheeks striped with betel-juice tattoos, their glowing white teeth. Nearby, there were tumors piled like candy in a jar. Walt had a perverse notion that he and Gob would go bobbing for them like apples. He turned away from the tumors and considered all the bones — they hung from the ceiling in complete or partial skeletons. There were skulls lined up on shelves, trephined or saber-whacked or bullet-ridden. Gob began plucking booty from the ceiling and shelves, putting into a sack he’d pulled from his coat the arm bones and leg bones, the finger bones and toe bones and ribs and pelvises. “I need them, Walt,” he said. “I need the bones.” When his sack was full he made as if to leave, but then his head swung around, as if pulled by Mr. Lincoln’s hat, to a place where three human vertebrae were mounted on a stand. Walt lit a match to read the ticket:
No. 4,086—The third, fourth, and fifth cervical vertebrae. A conoidal carbine ball entered the right side, comminuting the base of the right lamina of the fourth vertebrae, fracturing it longitudinally and separating it from the spinous process. From a case where death occurred a few hours after injury. April 26, 1865.
A separate ticket indicated that the bones belonged to Mr. Booth. They looked to Walt to be stained, as if people had spit on them. Gob put them, too, in his sack. He leaned over and whispered in Walt’s ear, his voice sounding almost like Hank’s. “I need the bones,” he said. “I need them for my engine. You see, I’m building an engine to bring them back, my brother and all the rest. A machine to abolish death, to lick it like a cowardly Reb. I need the bones, I need the hat, and I need you, Walt. I need you especially.” Walt tried and failed to imagine the machine that would require such matériel.
That was the last Walt remembered of this very peculiar evening. He did not remember the walk home from Ford’s. He did not remember taking off his coat and shirt, his pants and boots. He woke once before dawn with Gob’s sleeping head on his chest, and then woke again in the morning with his head on Gob’s chest.
Walt sat up in bed. Gob said his brother’s name, “Tomo,” but didn’t wake. Walt looked around the room and saw no bag of bones, but there was a hat placed neatly on the table by the bed. It was an ordinary-looking hat. There wasn’t any tag on it. But it was black, and tall, and made to fit a big head. Walt took it up and put it on his own aching head. Listen, Walt, Hank said. Do you hear it? Walt listened dutifully, and he heard a noise. At first he thought it was Gob’s breathing, low and steady and deep, but then he understood that it was something different, a deeper, mightier sound, like a giant breathing, a noise of distant waves crashing, a noise like the sea.
3
“LOOK THERE, WALT,” GOB SAID. “HOW DO YOU LIKE THAT boat?” It was July of 1870. Walt and Gob were in New York. They’d gone down to the water to watch the Queen’s Cup race, part of a crowd of one hundred thousand spectators gathered on the shores and hills all around the harbor. Walt followed Gob’s pointing finger to a boat called the America.
“It’s the handsomest little craft I ever laid eyes upon,” Walt said, but really he was in love with all the boats, and they all seemed very beautiful to him. Walt watched the white sails flapping in the breeze, and the boats tearing along in the green water, trailing flags and streamers and throwing white spray from their bows. He leaned against Gob and tried to think of nothing, to let the lovely darting shapes command his vision and his mind. But thoughts of Gob began to crowd out the boats — first he imagined sailing with Gob in the America, how it would delight them both to move so fast. And then Walt imagined them moving over the water without need of a boat. Hand in hand, he and Gob ran over the bay, and leapt howling off the tall tops of the waves. It was always this way; it wasn’t enough merely to be with him, being with him inspired thoughts of him even as they were together. Your Camerado, said Hank, and indeed it seemed sometimes that Gob was that, a friend above all friends. Yet sometimes he seemed a stranger, even after a year and more of companionship. Or better to say instead that he was strange, but never a stranger. For he was strange, infinitely strange. He had strange knowledge, and strange obsessions. His profession was medicine, but he dedicated his life to his wondrous, tyrannical engine — wondrous because he truly meant it to abolish death, tyrannical because he was enslaved to its creation. “I give it everything,” he said to Walt, on one occasion, “and it gives me nothing.”
He is a builder, Hank said, but Walt often feared that Gob was a little mad, that his dry, obsessive imagination had been set on fire by the death of his brother. Gob kept the engine at his house, a five-story mansion on Fifth Avenue in the neighborhood of the ever-growing Catholic cathedral. Madame Restell, the infamous abortionist, lived not three houses down. Gob knew her. He called her Auntie.
Walt had disliked the house from the instant he saw it, when he got a grand tour the first time he came to New York to visit Gob. It was a lightless place, and it looked not to have been cleaned in years. Every wall, even in the kitchen, was lined with books. Walt squinted to read their titles as he passed them. There was Orthographic and Spherical Projections, Determinative Mineralogy, Design of Hydraulic Motors, On the Vanity of Arts and Sciences, but there was not a line of poetry to be found. Everywhere Gob’s building stuff was scattered — giant gears and metal beams piled in the dining room, magnets heaped on the parlor sofas. “The servants left when my teacher died,” Gob said. Walt asked about that teacher, about how it was that Gob lived apart from his mother, and why he had been living in New York for longer than his mother had — he’d been there, Walt gathered, since the autumn of 1863, but Victoria Woodhull had not arrived until ’68. To all his questions, Gob simply replied, “It doesn’t matter. It’s all past.” Walt came to imagine this teacher as a sort of anti-Camerado, an unfriend who was both wise and cruel, the sort of beast who likes to destroy friendships from the comfort of his grave.