Gob found the answer in December. Though there were hundreds of batteries already scattered around the room, Will made more, and he had been making them all night when Gob burst into the workroom at dawn, his face still puffy and creased from sleeping, to declare that he had at long last learned what went into the bowl.
That night they went to dinner at Madame Restell’s. “She’s been asking me to dinner for years,” Gob said, just before they walked the two blocks down Fifth Avenue to his neighbor’s house, “but I have always declined. She was my master’s good friend, and like an aunt to me, you know, yet I have neglected her. I don’t regret it — I have aunts enough as it is, and they cause me sufficient distress, thank you. Anyhow, I sent her a message this morning, and the reply came immediately. So perhaps I am forgiven.”
Madame Restell was delighted to see Gob. “How you’ve grown!” she said. At dinner she ignored Will to ask Gob about his life. He told her about his work at Bellevue, but failed to mention his mother, or, of course, the machine. He said he and his friend Dr. Fie were writing a textbook of anatomy, that their specimens had been destroyed in an unfortunate fire, that they had a publishing deadline and only blank pages where they should have drawings of fetal anatomy. A delicate favor, he admitted, but could she possibly accommodate him?
“Such a young man,” she said, “and already at work on a book! Oh, you will be distinguished just like your uncle. How he would be proud!” Of course she would help, she said. She partook heavily of the sweet wine she kept at her table, and grew tearful when she talked of Gob’s old teacher. “Sometimes I pass by the house, and I find myself climbing the steps, and only when I am standing at the door, about to ring, do I remember that he is gone. Oh, he was taken in his prime!”
“But Auntie,” said Gob. “You should ring the bell. You certainly should.” When she embraced him, he looked at Will over her shoulder and rolled his eyes.
After dinner, she took them downstairs into her basement office. They did not loiter in the finely appointed rooms where she received clients or performed procedures, but quickly passed into an unfinished back room, and went past rack after rack of dusty wine bottles to a group of barrels set aside in a little corral. A single gas jet was burning low on the damp wall.
“Here we are,” she said. “How many do you require?”
“Just one,” said Gob. She had pushed back the sleeves of her dress and taken a pair of tongs from where they hung on the wall. She lifted the top off a barrel marked Pork—that was to fool the postal authorities when she shipped out specimens to medical schools all over the country, charging, as she did, outrageous prices.
“Just one? I have them to spare. Let me give you two or three. Or let me give you four. It is no imposition, my dear.”
“Only one, thank you. Just whichever is freshest.”
“Ah, that would be young Mr. Tilton. Or rather, little Mr. Beecher.” She replaced the barrel’s lid and went to another, and as she fished out the abortus from the brine she gave its history. It was not her habit to betray confidences, but she was drunk now, and overcome with nostalgia for her old friend and his ward, so she talked freely of how she had helped Mrs. Tilton and Mr. Beecher eject from the world the consequence of their love. Will caught a glimpse of glistening pink flesh as she put the boy into a plain gray hatbox. She looked in for a moment before she put the top on. “A beautiful specimen,” she said. “Almost whole. And I know you will draw him beautifully. He will live on in that way, at least. Come upstairs. I’ll wrap him for you.”
Walking home with the hatbox wrapped up neatly in white paper like a purchase from Stewart’s, Gob told Will how in his dream his mother had summoned him to her house on Thirty-eighth Street. She received him in the conservatory, where she sat under a little tree that still had its autumn colors, though it was winter in the dream as it was winter in the world. She sat for a while, not speaking, and Gob sat next to her silently while the little tree dropped its brilliant leaves between them.
“This is a dream,” she said, suddenly and matter-of-factly. Then she reached under the bench and brought up what Gob thought at first was a jar of his grandmother’s marmalade — it was red and yellow, the very same shades as the settling leaves of the tree, and it was in just the kind of jar Anna used for her preserves. But when he looked closer at it he saw that it was a little fetus, and he knew it had been canned fresh out of his mother’s womb. “Here,” she said, “is your brother. This is your brother, come back to us at last.” He’d reached to take the jar from her, because he was overwhelmed with the feeling that he must take it and cherish it always, but in his haste he dropped it. It cracked on the bench, and the unfinished child fell out in a burst of orange-and-red liquid. It rolled among the fallen leaves, where it kicked and squalled.
From out of that dream, Gob woke understanding what they had been missing all these months. The machine required flesh and it required blood. Blood would catalyze the return, and Gob knew that it was the purpose of the machine to harness the energies of loss and grief and bring them to bear on the silver bowl, to call back a spirit — his brother’s — and see it installed in flesh. And he knew that once this was accomplished, the walls between the dead and the living would become weak and soft, because the law that declared there was no return from death would be broken, and this law was the foundation of the walls that kept the dead out of the world. The machine would reach through the weakened wall and pluck them, one by one, back into life.
“It’s so simple,” he said. “Don’t you think?”
Will said nothing. He only held the box and kept walking, trying to ignore the reek of blood and pickles that rose from it.
Gob pored every day over heavy books out of the library — books that looked hundreds of years old and were not in any language that Will could recognize, let alone read. Gob would exclaim every now and then as he read, while Will played with the engine, testing the light or making adjustments to the picture negatives, rearranging them by theme — belly wound, amputation, advanced decay. He put the fetus, as Gob directed him, in a glass jar full of brine, and sometimes he would sit and watch it, expecting it to move an arm, or swing its head to look at him.
They began one evening in late December, a few weeks after their visit to Madame Restell. Gob put on Mr. Lincoln’s hat and surrounded the engine with symbols and words drawn with colored sand on the stone floor between the batteries. Some he copied from the old masters he’d studied, some were his own creations. At midnight, he emptied the child from the jar to the bowl. Then he walked around the machine, stepping over the wires and glass string that led in from the outlying elements — boxes and batteries and pieces of mirror. He walked around once for every year of his brother’s life on earth, then walked back the other way once for every year that he had been dead. He poured out the blood from the green bottle into the bowl, and immediately it began to spin and sing. When Gob signaled to him, Will threw a switch to activate an arc lamp — they’d given up on acetylene, too, as not sufficiently bright, so now, beneath the ornate gas chandelier, they’d installed an electric light. It sparked up and glared above the negatives, throwing images into the bowl and down onto Gob.
Will ran all over the room, ducking under wires and jumping over batteries, stoking boilers, opening valves, and pulling levers. A steam engine roared and puffed and moved its pistons, and motion was fed along from gear to gear. Will had thought he understood at least the physical workings of the thing, how the steam became motion, how each gear turned another, how the force of movement was amplified or changed in direction. But, having thrown all the switches and opened all the valves, he stood panting against the wall near the door, feeling that he understood nothing. It had never shivered and hummed like this before, though they’d fed it with the batteries and the steam engine. It had never made the house shake, or made him dizzy with all its stationary whirling. Every part of it seemed to be in motion. The glass gears and the bone gears and the iron gears were spinning, the glass and copper ribs were twisting in their sockets, the cable wings seemed to be undulating slowly. He didn’t know how it made the bowl sing and spin, or how it summoned spirits. They crowded into the room, coming in by tens and twenties whenever Will blinked against the glare from the lamp. The light was so bright he thought it must shine through the spirits, but in fact it made them look more real, heavier and paler. It made them look more real, but not more alive. They looked waxy, like exquisitely preserved corpses. Yet they smiled like living people. Their mouths were moving and their faces were animated with what could only be ecstasy or great pain. All Will’s dead were there, joined by dozens of strangers, and by the little tatterdemalion angel, who floated in a corner and watched with a serious expression on his face.