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Once in a while she dropped the hip, thrillingly successful corporate woman façade of complete control and confessed some flaw or painful memory of childhood. And he, knowing all about how childhood cuts festered and never scabbed over, comforted her while hiding the rage he felt at the idea of anyone hurting her.

Bride’s complicated relationship with her mother and repellent father meant that, like him, she was free of family ties. It was just the two of them, and with the exception of her obnoxious pseudo-friend Brooklyn there were fewer and fewer interruptions from her colleagues. He still played with Chase and Michael on weekends, some afternoons, but there were glorious mornings of sun at the shore, cool evenings holding hands in the park in anticipation of the sexual choreography they would perform in every nook of her apartment. Sober as priests, creative as devils, they invented sex. So they believed.

When Bride was at her office, Booker relished the solitude for trumpet practice, scribbling notes to mail to his favorite aunt, Queen, and since there were no books in Bride’s apartment — just fashion and gossip magazines — he visited the library often to read or reread books he had ignored or misunderstood while at university. The Name of the Rose, for one, and Remembering Slavery, a collection that so moved him he composed some mediocre, sentimental music to commemorate the narratives. He read Twain, enjoying the cruelty of his humor. He read Walter Benjamin, impressed by the beauty of the translation, he read Frederick Douglass’s autobiography again, relishing for the first time the eloquence that both hid and displayed his hatred. He read Herman Melville, and let Pip break his heart, reminding him of Adam alone, abandoned, swallowed by waves of casual evil.

Six months into the bliss of edible sex, free-style music, challenging books and the company of an easy undemanding Bride, the fairy-tale castle collapsed into the mud and sand on which its vanity was built. And Booker ran away.

PART IV

Brooklyn

Nothing. A call to our CO asking for more extended leave. Rehab. Emotional rehab — whatever. But nothing about where she’s headed or why until today. A note scribbled on a piece of yellow lined tablet paper. Christ. I didn’t have to read it to know what it said. “Sorry I ran away. I had to. Except for you everything was falling apart blah, blah, blah…”

Beautiful dumb bitch. Nothing about where she’s going or how long she’d be gone. One thing I know for sure she’s tracking that guy. I can read her mind like a headline crawling across the bottom of a TV screen. It’s a gift I’ve had since I was a little kid. Like when the landlady stole the money lying on our dining room table and said we were behind in the rent. Or when my uncle started thinking of putting his fingers between my legs again, even before he knew himself what he was planning to do. I hid or ran or screamed with a fake stomachache so my mother would wake from her drunken nap to tend to me. Believe it. I’ve always sensed what people want and how to please them. Or not. Only once did I misread — with Bride’s loverman.

I ran away, too, Bride, but I was fourteen and there was nobody but me to take care of me so I invented myself, toughened myself. I thought you did too except when it came to boyfriends. I knew right away that the last one — a conman if ever I saw one — would turn you into the scared little girl you used to be. One fight with a crazy felon and you surrendered, stupid enough to quit the best job in the world.

I started out sweeping a hairdresser’s shop then waitressing until I got the drugstore job. Long before Sylvia, Inc., I fought like the devil for each job I ever got and let nothing, nothing stop me.

But for you it’s “Wah, wah, I had to run…” Where to? In some place where there is no real stationery or even a postcard?

Bride, please.

~ ~ ~

A city girl is quickly weary of the cardboard boredom of tiny rural towns. Whatever the weather, iron-bright sunshine or piercing rain, the impression of worn boxes hiding shiftless residents seems to sap the most attentive gaze. It’s one thing for onetime hippies to live their anticapitalist ideals near the edge of a seldom-traveled country road. Evelyn and Steve had lived exciting lives of risk and purpose in their adventurous pasts. But what about regular plain folks who were born in these places and never left? Bride wasn’t feeling superior to the line of tiny, melancholy houses and mobile homes on each side of the road, just puzzled. What would make Booker choose this place? And who the hell is Q. Olive?

She had driven one hundred and seventy miles on and off dirt roads some of which must have been created originally by moccasin-shod feet and wolf packs. Truckers could navigate them but a Jaguar repaired with another model’s door had serious trouble. Bride drove carefully, peering ahead for obstacles, alive or not. By the time she saw the sign nailed to the trunk of a pine tree, her exhaustion quieted a growing alarm. Although there were no more physical disappearances, she was disturbed by the fact that she’d had no menstrual period for at least two, maybe three, months. Flat-chested and without underarm or pubic hair, pierced ears and stable weight, she tried and failed to forget what she believed was her crazed transformation back into a scared little black girl.

Whiskey, it turned out, was half a dozen or so houses on both sides of a gravel road that led to a stretch of trailers and mobile homes. Parallel to the road beyond a stretch of sorrowful-looking trees ran a deep but narrow stream. The houses had no addresses but some mobile homes had names painted on sturdy mailboxes. Under eyes suspicious of strange cars and stranger visitors, Bride cruised slowly until she saw QUEEN OLIVE printed on a mailbox in front of a pale-yellow mobile home. She parked, got out and was walking toward the door when she smelled gasoline and fire that seemed to be coming from behind the home. When she crept toward the backyard she saw a heavyset red-headed woman sprinkling gasoline on a metal bedspring, carefully noting where flames needed to be fed.

Bride hurried back to her car and waited. Two children came along, attracted, perhaps, by the fancy automobile, but distracted by the woman at the wheel. Both stared at her for what seemed like minutes in unblinking wonder. Bride ignored the dumbstruck children. She knew well what it was to walk into a room and see the exchange of looks between white strangers. The looks were dismissible because, most often, the gasps her blackness provoked were invariably followed by the envy her beauty produced. Although, with Jeri’s help, she had capitalized on her dark skin, stressing it, glamorizing it, she recalled an exchange she once had with Booker. Complaining about her mother, she told him that Sweetness hated her for her black skin.

“It’s just a color,” Booker had said. “A genetic trait — not a flaw, not a curse, not a blessing nor a sin.”

“But,” she countered, “other people think racial—”

Booker cut her off. “Scientifically there’s no such thing as race, Bride, so racism without race is a choice. Taught, of course, by those who need it, but still a choice. Folks who practice it would be nothing without it.”