Toronto, 2011
ACKNOWLEDGEMENTS
I’ve been accused – by friends – of only writing to recruit new people for re-enacting. This is not true. I write because I love it, and because it is the best job in the world – what other job allows me to travel to Greece to do research? Or travel to Finland to become a better long sword fighter – as research?
Besides, I have to write books to earn the money to be able to afford re-enacting.
That said, though, I am always recruiting. Right now, in 2011, we’ve just completed the first recreation of the Battle of Marathon. We had about 100 participants. When we do it again in 2014, I’d like to see five hundred. In 2020, when we go to Thermopylae and Plataea . . . a thousand? Two thousand?
That could be you.
Okay, let me try to convince you, in a roundabout way.
I approach every historical era with a basket full of questions – How did they eat? What did they wear? How does that weapon work? Books are only so useful. That is to say, books and learning are the ultimate resource, and professional historians rank among my favourite people – but there is no substitute for doing it. The world’s Classical re-enactors have been an enormous resource to me while writing, both with details of costume and armour and food, and as a fountain of inspiration. In that regard I’d like to thank Craig Sitch and Cheryl Fuhlbohm of Manning Imperial, who make some of the finest recreations of material culture from Classical antiquity in the world (www.manningimperial.com), as well as Joe Piela of Lonely Mountain Forge for helping recreate equipment on tight schedules. I’d also like to thank Paul McDonnell-Staff, Paul Bardunias, and Giannis Kadoglou for their depth of knowledge and constant willingness to answer questions – as well as the members of various ancient Greek re-enactment societies all over the world, from Spain to Australia. Thanks to the UK Hoplite Association for supporting my book talks in Britain. Thanks most of all to the members of my own group, Hoplologia and the Taxeis Plataea, for being the guinea-pigs on a great deal of material culture and martial-arts experimentation, and to Guy Windsor (who wrote The Swordsman’s Companion and The Duelist’s Companion, and is an actual master swordsman himself ) for advice on martial arts.
Speaking of re-enactors, my friend Steven Sandford draws the maps for these books, and he deserves a special word of thanks, as does my friend Dmitry Bondarenko, who draws the figures and borders on the maps. My friend Rebecca Jordan works tirelessly at the website and the various web spin-offs like the Agora, and deserves a great deal more praise than she receives.
Speaking of friends, I owe a debt or gratitude to Christine Szego, who provides daily criticisms and support from her store, Bakka Phoenix, in Toronto. Thanks Christine!
My interpretation of Alexander and his world – which is also Kineas’s world, and Philokles’s world, and Thais’s world, and Ptolemy’s world – began with my desire to write a book that would allow me to discuss the serious issues of war and politics that are around all of us today. I was returning to school and returning to my first love – Classical history. I am also an unashamed fan of Patrick O’Brian, and I wanted to write a series with depth and length that would allow me to explore the whole period, with the relationships that define men, and women, in war and peace – not just one snippet. The combination – Classical history, the philosophy of war, and the ethics of the world of arête – gave rise to the volume you hold in your hand.
Along the way, I met Professor Wallace and Professor Young, both very learned men with long association to the University of Toronto. Professor Wallace answered any question that I asked him, providing me with sources and sources and sources, introducing me to the labyrinthine wonders of Diodorus Siculus, and finally, to T. Cuyler Young. Cuyler was kind enough to start my education on the Persian Empire of Alexander’s day, and to discuss the possibility that Alexander was not infallible, or even close to it. I wish to give my profoundest thanks and gratitude to these two men for their help in recreating the world of fourth century BC Greece, and the theory of Alexander’s campaigns that underpins this series of novels. Any brilliant scholarship is theirs, and any errors of scholarship are certainly mine. I will never forget the pleasure of sitting in Professor Wallace’s office, nor in Cuyler’s living room, eating chocolate cake and debating the myth of Alexander’s invincibility. Both men have passed on now, since this book was written, but none of the Tyrant books would have been the same without them. They were great men, and great academics – the kind of scholars who keep civilization alive.
I’d also like to thank the staff of the University of Toronto’s Classics department for their support, and for reviving my dormant interest in Classical Greek, as well as the staffs of the University of Toronto Library and the Toronto Metro Reference Library for their dedication and interest. Libraries matter!
I couldn’t have approached so many Greek texts without the Perseus Project. This online resource, sponsored by Tufts University, gives online access to almost all classical texts in Greek and in English. Without it I would still be working on the second line of Medea, never mind the Iliad or the Hymn to Demeter.
I owe a debt of thanks to my excellent editor, Bill Massey at Orion, for giving these books constant attention and a great deal of much needed flattery, for his good humour in the face of authorial dicta, and for his support at every stage. I’d also like to thank Shelley Power, my agent, for her unflagging efforts on my behalf, and for many excellent dinners, the most recent of which, at the world’s only Ancient Greek restaurant, Archeon Gefsis in Athens, resulted in some hasty culinary rewriting. Thanks Shelley!
Finally, I would like to thank the muses of the Luna Café, who serve both coffee and good humour, and without whom there would certainly not have been a book. And all my thanks – a lifetime of them – for my wife Sarah.
If you have any questions, wish to see more or participate (ah, we’re back to that . . . want to be a hoplite? A Persian Immortal?) please come and visit www.hippeis.com. Go to the ‘Agora’ (that’s Greek for forum, folks,) sign in and post to the welcome board. And let me recruit you for re-enacting. We call it living history. It makes history come to life.
And history matters.
Christian Cameron
Toronto, 2011
ABOUT THE AUTHOR
Christian Cameron is a writer and military historian. He is a veteran of the United States Navy, where he served as both an aviator and an intelligence officer. He lives in Toronto where he is currently writing his next novel while working on a Masters in Classics.
Also by Christian Cameron
THE TYRANT SERIES
Tyrant
Tyrant: Storm of Arrows
Tyrant: Funeral Games
Tyrant: King of the Bosporus
THE KILLER OF MEN SERIES
Killer of Men
Marathon
OTHER NOVELS
Washington and Caesar
First published in Great Britain in 2012 by Orion Books,
an imprint of The Orion Publishing Group Ltd
Orion House, 5 Upper Saint Martin’s Lane
London WC2H 9EA
An Hachette UK Company
Copyright © Christian Cameron 2012
The moral right of Christian Cameron to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988.
All rights reserved.