Then drive Grossi’s car to Hallandale, park it near Arnie’s apartment.
Lot of work.
In the morning call the Miami Police. Change his voice to talk like a queer, one of Arnie’s ex-buddies: Hi there. You don’t know who this is, but I’ll tell you where you boys can find a dead body. (Probably have to argue.) Just listen, asshole, or I’m gonna hang up and not tell you who done it or where you can locate him up in De-troit.
Work on that before morning.
What else?
Roland thought of something and he said, out loud, “Oh my. Oh my aching ass.”
Something he had not thought of before and didn’t know why he hadn’t; but there it was, Jesus, the possibility.
What if Vivian had come here with Ed?
Vivian said, The son of a bitch. She backed the Cadillac up the parking aisle all the way past the street ramp, ready to turn and drive out.
But waited there and let herself calm down. What would it prove? Like stamping her foot or breaking dishes. Nothing. You won’t change him, she thought. He’s sixty-three years old, and he’s the way he is. She put the Cadillac in “Drive” and, without accelerating, the car rolled down the aisle to the elevator door in the cement-block wall.
He would come down with Mrs. DiCilia and they would be busy attending to the woman, getting her home or someplace. And he won’t even know you’re angry at him, Vivian thought. The son of a bitch. He can ride up here all the way from North Miami without saying a word. But now when it was her turn to be mad, the son of a bitch wouldn’t even know it.
Vivian again backed up the car to the street ramp.
Go get something. Let him be waiting when she got back, Oh, have you been waiting long? I had to get some gas, since you don’t keep any in your car.
The gauge indicated half full. But he wouldn’t know that. Or go get a cup of coffee instead of waiting here like a chauffeur. Say to him, When do I get my hat and uniform?
Looking down the aisle, perhaps sixty or seven-ty feet, she saw the cowboy hat come out of the elevator.
She said, Oh God-
She hesitated. Ed could have sent Roland down to get her.
Roland was looking around, looking this way now. Staring, not sure if it was the right car. Then waving-Come on!-taking several steps into the aisle.
Vivian started up, with the Cadillac in reverse, and had to mash her foot on the brake to stop it-Roland coming toward her now-and had to look down at the automatic shift lever to get it into “Drive”-Roland running now, not waving Come on, what’re you doing, but pumping his arms-as she pressed the accelerator, the car instantly leaping forward, and she had to turn hard to aim the front end up the ramp, scraping the concrete wall and hearing the tires shrieking and Roland’s voice yelling something.
If she was wrong she would tell Ed later, I was wrong.
But she knew she wasn’t wrong. She didn’t know how she knew it but she did-going back in her mind, knowing she hadn’t given Roland her telephone number. But at this moment having no idea where she could go to be safe.
KAREN READ ABOUT IT and saw film stories on television.
Ed Grossi’s murder featured as a gangland/drug-related killing. His body found in the trunk of a suspected drug dealer’s car at Miami International. The suspected drug dealer, Arnold Rapp, had fled; but soon after was apprehended in Detroit by fast-moving FBI agents and handed over to the Miami Police. Arnold Rapp had been charged with first degree murder-bond set at five hundred thousand dollars-and was being held awaiting trial in Dade Circuit Court, Criminal Division.
Karen ran, instinctively.
She went to Los Angeles to stay with her daughter, Julie. She told Julie about Ed Grossi, about the arrangement, about Roland. Julie seemed to listen. But they would talk and then Julie would run to the studio where she was doing voice loops for an Italian-made film or she would take milk shakes to Cedars-Sinai, to her husband Brian, who’d broken his jaw doing a stunt in a car-chase sequence.
At night Karen would sit in the living room of the house off Mulholland Drive and look down at the lights of Los Angeles.
Julie said, “I don’t know, I guess I don’t see the problem.”
Karen said, “Then I must’ve left something out. If Ed Grossi is dead, then he can’t change the arrangement, the trust fund. It goes on and on the same way, and I have to stay there the rest of my life.”
“Well, get somebody else to change it.”
“I’m afraid,” Karen said, “I have a feeling, it’s going to be in Roland’s hands.”
“Yeah? Well, then get Roland to change it. God, it sounds like something out here, dealing with these fucking producers, trying to find out who’s in charge.”
“He won’t want to change it,” Karen said. “If he does, he knows I’ll leave in a minute.”
“Well, if you like it there-” Julie said. “It’s a good address, isn’t it?”
“You mean-what? Is it fashionable?”
“Like here,” Julie said. “We’re in L.A., right? But you don’t just say you’re in L.A. Christ, L.A.? You say you live in the Hills. Or you get it across you’re in 90046.”
“I thought this was Hollywood,” Karen said.
“God, no. There isn’t any Hollywood, really. Or maybe 90069, down around where all the agents are, it’s called Hollywood, but it’s really Los Angeles County. See, if you’re in Bel Air or Beverly Hills, like 90212, you don’t even have to know your zip. But L.A.-Brian wanted to move to North Hollywood? I said, ‘Brian, 91604 is okay, but it’s not 90046 by any stretch of the imagination. It’s living in the Valley, Brian. They say where do you live, you tell them Studio City, Sherman Oaks, some fucking place like that, they think you’re in wardrobe or an assistant film editor.”
Try again. Karen said, “I like my house, yes. But do I want someone forcing me to stay there?”
“Are you asking?”
Was she? Karen said, “I told you a little about Roland. I haven’t told you everything, or what I’m afraid he’s going to do.”
“Well, at least you can talk to him,” Julie said. “The director on this great epic spaghetti picture not only barely speaks English, he hasn’t the slightest fucking idea what he’s doing. He’s got this translation for the dubbed version, it’s written by an Italian, he’s got me saying things like, ‘I hated him. I think it is swell that he was slain.’ Honest to God. I mean if you can talk to him, what’s your problem, really?”
For five days Karen phoned Vivian Arzola at the Dorado Management office. Each day she was told Vivian was not in and each time the girl on the phone refused, politely, to give her Vivian’s home phone number. On the fifth day Karen watched a brief television coverage of Ed Grossi’s funeral on national news. She saw Roland, in his blue suit, serving as one of the pallbearers, but didn’t recognize him immediately without his hat. There was no sign of Vivian in the film clip of activity outside St. Mary’s Cathedral.
Later in the evening of the fifth day Maguire called. He said he had stopped by her house every day and finally Marta had given him the number in Los Angeles.
“In the Hills,” Karen said. “Nine-oh-oh-four-six.”
“What?”
“Do me a favor, will you? Tell Marta to save the Miami papers. But don’t call her.”
“You think I’d do that? Listen, how come you haven’t called me?”
“I didn’t have your number. But that reminds me,” Karen said, “do you know how to find phone numbers?”
“You look in the book.”
“Unlisted ones. I need Vivian Arzola’s number. Or maybe you could find out where she lives.” Karen spelled the name for him. “She works for Dorado Management but hasn’t been there all week. It’s very important. Okay?”
“Vivian Arzola,” Maguire said.
She asked then, “Have you seen Roland?”
“Only on TV.”
“Yes, I saw it too.”
“When’re you coming home?”