“What do you think about Vivian?” Jesus said.
“I think she’s scared.”
“No, I mean do you think she’d pay us something? Why not, uh?”
They picked up Karen at 10. Maguire slid behind the wheel and Jesus got in back as far as S.W. Eighth, where they dropped him off. Maguire cut over to 95 and headed north to Lauderdale. Karen had taken off her glasses. She sat holding them, silent.
“Well?” Maguire said.
Karen didn’t say anything.
“What else you find out?”
“Nothing, really.”
“She still won’t go to the police.”
“The day Roland dies, she will. If the other man is still in prison. He kills people,” Karen said.
“You mean Roland.”
“Yeah. He kills people.”
Maguire said, “Do you want me to stay with you tonight?”
Karen took a long time to answer. She said, “Not tonight, okay? I’d like to do some quiet thinking.”
“That’s the only kind,” Maguire said, keeping it light, but feeling a little hook inside him. Something was going on.
They drove in silence; left the freeway and headed east toward the ocean through light evening traffic, across the 17th Street Causeway and past Seascape, Maguire’s other world, dark. Maguire picturing the dolphins by themselves, surfacing in moonlight within their pools and tanks.
He said to Karen, “When I worked at the dolphin place down on Marathon, ten years ago-I didn’t tell you, did I, I got arrested for willful destruction of property?”
Karen didn’t say anything.
“You listening?”
“You were arrested for willful destruction of something.”
“The fences,” Maguire said. “They didn’t have tanks down there, they had wire fences built out from the shore and the breakwater. Like pens they kept the dolphins in. Different pens that were attached to each other. One night I went out there with some tinsnips and cut the fences.”
Karen said, “You freed the dolphins?”
“Yeah. They swam out to sea.”
“That’s remarkable.” She kept looking at him now.
“Unh-unh, the remarkable thing,” Maguire said, “as soon as they got hungry they all came back to the pens and never left again… They didn’t want to be saved. They just wanted to play games.”
JESUS DIAZ was taking his suit and some pants to the dry cleaner, getting ready for his trip, whenever it was going to be. He was walking past the place on the corner of Eighth Street and Forty-second Avenue that gave spiritual readings and advice, when the car turned the corner, stopped hard, and the voice said, “Hey!”
Jesus almost dropped the clothes and took off. But it was Lionel Oliva motioning him to come over to the car.
“I thought you went to Cuba.”
“Pretty soon.”
“I got your job. Man, it’s a lot of work.”
“Keep it,” Jesus said.
“What’s he want with Vivian Arzola?” Lionel asked.
Jesus moved in closer, stuck his head in the window, resting his clothes against the dusty car.
“He’s looking for her?”
“He came to the trailer yesterday, insulted me, then hired me to find her. What does the pimp give you for a job like this?”
“Different amounts. What he feels like,” Jesus said. “You have any luck?”
“That’s what it was,” Lionel said. “You know she owns some houses to rent. I was talking to this guy used to know her, lives in the Grove. He said yeah, this house of Vivian’s on Monegro was vacant for a month. But then he saw a light on, and he thinks he saw her go in there the other day. So I went over, I look in the window. There she is in the hall, going into the kitchen or someplace. I knock on the door, no answer.”
“She probably don’t want to see anybody,” Jesus said.
“Stuck up, owning all those houses,” Lionel said. “Fuck that, I’m not going to bother with her.”
“I wouldn’t,” Jesus said.
“Let Roland see if he can talk to her.”
“You tell him yet?”
“Yeah, I just called him a few minutes ago.”
Ten-fifteen, another fifteen minutes before show time, Brad Allen was addressing his “gang”-Lesley, Robyn, Hooker, Chuck, and Maguire-sitting around on the lower grandstand benches, while Brad, in pure white, stood between them and the pool. The main-show dolphins would surface and watch them from the holding pens along the side. Brad half-turned to point across the pool to the deck that served as the stage.
“What we’ll do, we’ll light some paper in some kind of shallow metal container. Maguire, you’ll still be backstage. Wait there after the intro. So you’ll ring the firebell.”
Seascape opened at ten. There were people on the grounds already looking around, coming past the roped-off grandstand area and looking in, wondering what all those kids in the red T-shirts were doing sitting there. No, they weren’t all kids, were they?
Robyn said, “Brad, it’s a dynamite idea, but do you light the paper and you’re the one that yells fire?”
“No, you’re right,” Brad said. “You light the paper. That’s good thinking, Rob. And I’ll be distracting the audience, my back turned to you.”
Maguire saw Jesus Diaz approach the chain across the entrance and the sign hanging from it that said: THIS AREA CLOSED UNTIL SHOWTIME, Jesus looking at the sign and then looking in anxiously at the group sitting in the grandstand. Maguire raised his arm. He stood up.
“Sit down,” Brad said.
“I got to talk to that guy for a minute.”
The others were turning to look up at Maguire and then over to the Cuban waiting by the chain.
“Sit down till we get this straightened out,” Brad said. “I turn around, I see it and yell, ‘Fire!’ Cue for the firebell. No, wait’ll I say, ‘This is a job for Smokey the Dolphin.’ Yeah. Then ring the bell. Then Hooker? You’ve got the hat on Dixie, right?”
“Right,” Hooker said.
“Maguire, sit down.”
“I just have to see the guy a minute.”
“When we’re through,” Brad said. “Okay, Hooker-you give Dixie the signal.”
“Right.”
“She comes over, gives a couple of tail flaps-”
Maguire was staring at Jesus, trying to read his mind.
“-and puts out the fire.”
“He knows where she is!” Jesus called out to him.
Maguire was moving.
“Where you going?… Maguire!”
Brad and the “gang” watched him hurdle the chain-brush the sign with his foot, causing it to jiggle-and take off with the Cuban.
“Any idea where he’s going?” Brad asked.
“He probably don’t know himself,” Lesley said. “He’s weird.”
Virginia Hill was really Virginia Hauser, or Virginia Hill Hauser; but no one referred to her by that name. She was Virginia Hill, who told the Kefauver Crime Committee in 1951 that men kept giving her money because they were friends. Period. She didn’t know exactly how much she had. Yes, she knew Bugsy Siegel, he was one of the friends. No, she didn’t know what he did for a living.
Karen wore a white scarf over her hair (tied in back), sunglasses, and a beige and blue striped caftan that reached to the brick surface of the patio.
She said to the feature writer from The Goldcoaster, a pleasant, nice looking but unyielding girl by the name of Tina Noor, “I was Karen Hill much longer than I was Karen Stohler or Karen DiCilia, that’s all I’m trying to say. I think of myself as Karen Hill.” And only thinking about the other Hill, not mentioning her. “How do you think of yourself?”
“As Tina Noor.”
“You’re married.”
“Yeah.”
“But you don’t think of yourself, ever, as who you used to be?”
“Yeah, but that’s exactly the point. I’m not really that person anymore.”
“Well, we’re different,” Karen said. “You want to sell magazines, and I want to maintain my identity. Karen Hill. Don’t you think it sounds better?”
“It’s a nice name,” Tina Noor said, “but no one knows who Karen Hill is.”
“I do.”
“I mean everyone’s familiar with Karen DiCilia. You were in the papers again when Ed Grossi was killed. People are interested in what you think about… what it’s like to be associated with those people and live a normal life.”
“A normal life,” Karen said.
She moved to the umbrella table, reached into a straw beachbag and brought out a pack of cigarettes. Tina’s eyes remained on the bag, lying on its side, open now. She looked at Karen lighting the cigarette, Karen sitting down in one of the deck chairs. Tina’s eyes returned to the straw bag.
She said, “Is that a gun in there? In the bag?”
Karen nodded.
“Can I ask why you have it?”
“Why does anyone have a gun?” Karen said.
“I mean, of course for protection; but do you feel for some reason your life might be in danger?”
“I’m Karen Hill, I was born in Detroit, Grosse Pointe. I’m forty-four. I was married to Frank DiCilia five and a half years. I never asked him what he did. I never asked him why he had a gun. That particular gun, as a matter of fact.” Karen paused. “But now I know.”
“Would you tell me?”
Karen drew on the cigarette, the smoke dissolving in the afternoon glare. Karen seemed unaffected by the heat, though she was perspiring beneath the caftan, and when the writer left she’d go in the pool… come out, shower, it would be time for cocktails. Wait for someone to come.
She said, “Until Ed Grossi’s death, I hadn’t had a cigarette in sixteen years.”
Tina waited. “You feel the need?”
“It’s something to do.”
“Are you… in good health?”
“Why do you ask?”
“I don’t know, I just wondered. You seem a little tired.”
“Or bored,” Karen said. “In a way, bored. In another way-well, that’s something else.”
“What is?”
“Why don’t you ask what my hobbies are?”
“What’re your hobbies?”
“I don’t have any.”
“Well, what do you do all day?”
“Nothing.”
“You have friends-”
“Are you asking?”
“Yeah, don’t you have friends?”
Karen drew on the cigarette, looked at it and let it drop to the brick surface.
“Not really.”
“Well, why don’t you go out more, do things? Travel maybe.”
“There are reasons,” Karen said.
“What reasons?”
“I told you you weren’t going to get much of a story. I don’t know why you insisted.”
“Because something’s going on,” Tina said, “and I think if you had just a little more confidence in me you might tell what it is.”
“It has nothing to do with confidence.”
“All right, trust. I promise I won’t write anything you don’t want revealed.”
“Revealed,” Karen said. “That’s exactly the kind of word I don’t want to see. Karen DiCilia’s Secret Revealed.”
“I don’t know why I used it,” Tina said, sitting forward in her chair, feeling close to something and forgetting her casual-reporter pose. “It’s a written word, but it’s really not the kind I use. I’m interested in your point of view, how you feel about things, rather than your effect on me. If you know what I mean.”
“Which is what? How do you see me?”
“Well, I’m not sure. I mean I haven’t made any judgments. Right away I think of those words again. Karen DiCilia’s Secret Not Revealed. A very smashing looking woman who keeps to herself, has a gun-”
“Don’t mention that.”
“Isn’t exactly hiding but seems watchful, guarded, quietly aware of something going on she won’t talk about. You must realize you’ve got everybody wondering about you.”
Karen didn’t say anything. She sat with her legs crossed, one slender hand touching the side of her sunglasses.
“All right, if I do a Karen Hill rather than a Karen DiCilia,” Tina said, “do you have any early pictures of yourself?”
“I may have,” Karen said. “I’d have to look.”
A woman by the name of Epifania Cruz, forty-two, had given her daughter and son-in-law a wooden chair that was over two hundred years old and originally from Andalucia. The chair and baby Alicia, her daughter, were brought to Miami from Cuba the night of April 27, 1961, following the defeat at the Bay of Pigs.
It was a low straight chair, more like a three-legged stool with a back support. Epifania gave it to Alicia and her son-in-law with apprehension because he was one of those who dressed like a disco dancer and spent his time at the Centro Español even though he never had a job. Epifania was in Abbey Hospital because of a problem with her colon, when she learned Alicia and her son-in-law, the pimp, had moved away quickly, getting out before they were taken to court, and had left much of what they owned in their rented home on Monegro Avenue.
Nearly a month had passed; but maybe the chair was still in the house. Epifania was told no one else had moved into it. Maybe she’d be lucky.
She went there at night. If she found the chair and carried it away, she didn’t want people to see her even though she considered the chair her own property. She brought with her a large kitchen knife to use to pry open the door, but found she didn’t have to. The door was unlocked.
With the street light shining in the window, Epifania could see well enough. The chair wasn’t in the living room. It wasn’t in the kitchen. She opened the door to the bedroom and stood in the opening. It was too dark back there to see anything. She raised her hand holding the kitchen knife, reaching for the light switch. There was an explosion and Epifania was blown back into the hall, almost to the kitchen.
Roland came out of the bedroom with the 12-gauge pump-action shotgun under his arm, reached into the kitchen to turn on the light and looked down at the woman.
He said, “Shit. You ain’t Vivian.”