Fast Susie pops up and says, “Fitzpatrick told you? That… that Casper Milquetoast?”
I take a step back from her waving arms. You gotta watch out for her all the time, but especially when she gets mad because the Fazios aren’t only Italians, they’re a special type called Sicilians, who are a people from the south side of Italy who are famous for paying you back for anything mean you’ve ever done to them even if they die trying. In their language, this is called having a vendetta.
Fast Susie says, “Ya better watch out, Troo. When Greasy Al shows up, you’re morto.”
She runs her pointer finger across her throat and makes this awful gagging sound.
I gasp, but my sister says, “I’m shakin’ in my boots,” only she isn’t. Her sides are splitting. “Greasy Al can sit on a screwdriver and rotate.”
I don’t like where this is heading. “Ethel’s waitin’, Troo.” All I want to do is go see my good friend and read to Mrs. Galecki. We are in the middle of the best Nancy Drew and if I never hear the words Molinari and morto again in my entire life, that would be fine by me.
“Did that little soda jerk also tell ya that one of the orphan kids ran away?” Fast Susie asks me, taking another stab at breaking news.
“No, it wasn’t Henry. I heard that from…” I almost tell her that it was Artie Latour who told us that Charlie ran off, but that might make her have a vendetta for Artie, which is the last thing in the world that kid needs. Troo is still too busy staring at Fast Susie’s bosoms to notice much of anything else, so I know she won’t disagree with me when I say, “Nope. Haven’t heard a thing about any orphan runnin’ away.”
“I didn’t think so,” Fast Susie says, unclenching her fists, feeling better now that she’s finally got a scoop. “Charlie Fitch took off from St. Jude’s in the middle of the night.”
“No kiddin’,” I say, doing my best to act amazed. “Do you know why? I mean, did ya hear if it was something that Artie Latour did that caused him to run away?”
“Naw,” she says. “Fartie didn’t have nothin’ to do with it.” After Artie Latour eats certain kinds of foods… he toots. A ton. That’s why Fast Susie and some of the other kids have started calling him that nickname, which may not be charitable, but is unfortunately correct. “Fitch ran off ’cause he got caught stealin’ money outta the poor box at church.”
“He did?” I say, dumbfounded. Even though I didn’t know Charlie all that well, I was positive he was a good kid. Even after Mary Lane told me that no-tripper story about how he might be the kind of orphan that kills people and strings them up in his living room to drip-dry. Now here’s Fast Susie telling us Charlie’s a thief. How am I ever going to protect Troo when I can’t tell the good guys from the bad ones?
I ask, “How… who caught him stealin’?”
Fast Susie picks her suit out of her crotch and says with a smile, “Father Mickey.”
I say, “Oh,” and look over at Troo to see what she thinks about all this because she’s always interested in any news about our pastor, but she’s still staring at those Italian cantaloupe bosoms.
“Hey… I just thoughta something. You two… wanna stay over one a these nights?” Fast Susie says, all of a sudden like we’re her best friends. (That’s the other thing you have to watch out for in Italians. They can turn on a dime.)
“Ah… thanks. I can’t. I’m… ah, busy,” I tell her.
Troo, finally breaking free of the spell Fast Susie’s chest has put on her, says, “I want to!”
I knew she’d say that because Fast Susie is her idol, but I despise staying overnight at the Fazios’. We have to sleep in her spooky attic, which is bad enough, but then Fast Susie will tell us a bedtime story she knows will scare the underpants offa me. Like the one she told us the last time we stayed over, the one about Count Dracula. How after he sucked everybody dry in his Transylvania neighborhood, he’d turn into a bat and fly off to somebody else’s neighborhood to quench his blood thirstiness. A neighborhood just like ours. All I could picture was Henry sleeping in his bed on 49th Street with the window open. He would be like finding a pot at the end of the rainbow for the Count. That vampire would lick his bat lips and open up my boyfriend’s hemofeelya neck like he was the drink spigot at the soda fountain. The time we stayed over and Fast Susie told us about Frankenstein stealing body parts was bad, too. I had to go home in the middle of the night because I couldn’t stand hearing that story for a minute longer. I should’ve waited until the sun came up because that was the first time Bobby came after me. I didn’t know it was him. I couldn’t see his face in the dark, only his pink-and-green argyle socks from under the Kenfields’ bushes where I hid.
“Aw, c’mon, ya gotta stay over, Sally,” Fast Susie says. “I wanna tell you all about this movie Tommy took me to see last week.” She’s going steady with Tommy Molinari, who is one of Greasy Al’s brothers, but is mostly known as The Mangling Meatball. “You’d love Psycho. It’s all about this square who takes extra good care of his mother!”
Troo, really keyed up now, says, “Can we eat over, too?” She adores all of Nana Fazio’s cooking, but especially her cannolis, which are these creamy little rolled-up sandwiches.
I check Daddy’s watch on my wrist for the third time. “Troo, I’m goin’.” I nudge her with my foot. “Did you hear me?”
She nudges me back in the ankle much harder and shouts, “Do I look deaf?” She reaches into her shorts and slides a pack of L &M’s out of her pocket.
I say, “You know where I am if you change your mind,” and then I run out of that backyard because when her and Fast Susie light up those cigarettes and start puffing away, Nana Fazio starts shouting some crazy-sounding Italian curse out of the kitchen window and Fast Susie yells something back that sounds like “Basta or pasta” and Troo begins her French hunh… hunhing and more than anything, all I want to do is be with somebody who speaks my own language.
Chapter Eleven
Where ya been, Miss Sally? I was gettin’ ready to send a posse out for ya,” Ethel says when I come barging through Mrs. Galecki’s back door.
My other best friend is standing at the sink barefoot to give her bunions some breathing room while she’s popping the tops off juicy red strawberries and running them under cool tap water, never hot. That would suck the sweetness right out of them. There’s an angel food cake baking in the oven. She makes one every week around this time. Later on, she’ll whip a bowl of cream ’til, as she says, “It’s cryin’ for mercy.” Strawberry shortcake is Mrs. Galecki’s favorite dessert. Because she’s so long in the tooth, she gets to have it whenever she wants.
Ethel’s wearing her white nurse dress that she’s always got on when she’s working. It sets off her skin that is almost the exact same color of chocolate pudding after you pour milk over it and mix it all together. Ethel is tall and solid, like the Kelvinator. Once she knows you some and likes you more, she’ll let you pat the top of her hair. It feels like a new mattress because it’s got a lotta bounce to it. Though she says a lady never tells her age, I know that she is thirty-six years old because I always give her a green lanyard on her birthday, which falls on St. Patrick’s Day.
Ethel has been taking care of Mrs. Galecki for… I’m not sure how long. Mrs. Galecki’s husband died in a war so she lived alone in the house next door to Dave’s until she got a bum ticker. That’s when Mrs. Galecki’s son, Gary, who lives in California, hired Ethel to come and take care of her. Ethel has nursing experience and is also a great baker. Mrs. Galecki needs medicine and appreciates a flaky crust, so they scratch each other’s backs.