As he stared at the twin hummocks under the carpet he did not realize that something very peculiar and unprecedented was happening. Cora, in her warren-like seclusion, crouched in the ignominious darkness, had conceived an idea. Where it came from she did not trouble to inquire of herself, nor why it should have come, for Steerpike, their benefactor, was a kind of god to her, as he was to Clarice. But the idea had suddenly flowered in her brain unbidden. It was that she would very much like to kill him. Directly she had conceived the idea she felt frightened, and her fear was hardly lessened by a flat voice in the darkness saying with empty deliberation: 'So... would... I. We could do it together. couldn't we? We could do it together.'
NINE
There was an all but forgotten landing high in the southern wing, a landing taken over for many a decade by succeeding generations of dove-grey mice, peculiarly small creatures, little larger than the joint of a finger and indigenous to this southern wing, for they were never seen elsewhere.
In years gone by this unfrequented stretch of floor, walled off on one side with high banisters, must have been of lively interest to some person or persons; for though the colours had to a large extent faded, yet the floor-boards must once have been a deep and glowing crimson, and the three walls the most brilliant of yellows. The banisters were alternately apple-green and azure, the frames of the doorless doorways being also this last colour. The corridors that led away in dwindling perspective, continued the crimson of the floor and the yellow of the walls, but were cast in a deep shade.
The balcony banisters were on the southern side, and, in the sloping roof above them, a window let in the light and, sometimes, the sun itself, whose beams made of this silent, forgotten landing a cosmos, a firmament of moving motes, brilliantly illumined, an astral and at the same time a solar province; for the sun would come through with its long rays and the rays would be dancing with stars. Where the sunbeams struck, the floor would flower like a rose, a wall break out in crocus-light, and the banisters would flame like rings of coloured snakes.
But even on the most cloudless of summer days, with the sunlight striking through, the colours had in their brilliance the pigment of decay. It was a red that had lost its flame that smouldered from the floor-boards.
And across this old circus-ground of bygone colours the families of the grey mice moved.
When Titus first came upon the coloured banisters of the staircase it was at a point two floors below the yellow-walled balcony. He had been exploring on that lower floor, and finding himself lost he had taken fright, for room after room was cavernous with shadow or vacant and afloat with sunlight that lit the dust on the wide floors - somehow more frightening to the child in its golden dereliction than the deepest shadow's. Had he not clenched his hands he would have screamed, for the very lack of ghosts in the deserted halls and chambers was in itself unnerving; for there was a sense that something had either just left each corridor, or each hall as he came upon it, or else that the stages were set and ready for its appearance.
It was with his imagination dilated and his heart hammering aloud that Titus, suddenly turning a corner, came upon a section of the staircase two floors below the haunt of the grey mice.
Directly Titus saw the stairway he ran to it, as though every banister were a friend. Even in the access of his relief, and even while the hollow echo of his footsteps was in his ears, his eyes widened at the apple-green - the azure of the banisters, each one a tall plinth of defiance. Only the rail which these bright things supported was hueless, being of a smooth, hand-worn ivory whiteness. Titus gripped the banisters and then peered through them and downward. There seemed little life in the fathoms beneath him. A bird flew slowly past a far landing; a section of plaster fell from a shadowy wall three floors below the bird, but that was all.
Titus glanced above him and saw how close he stood to the head of the stairway. Anxious as he was to escape from the atmosphere of these upper regions, yet he could not resist running to the top of the stairs, where he could see the colours burning. The small grey mice squeaked and scampered away down the passageways or into their holes. A few remained against the walls and watched Titus for a short while before returning to their sleeping or nibbling.
The atmosphere was indescribably golden and friendly to the boy: so friendly that his proximity to the hollow room below him did little to disturb his delight. He sat down, his back against a yellow wall, and watched the white motes manoeuvring in the long sunbeams.
'This is 'mine! mine'!' he said aloud. 'I found it.'
TEN
Through the vile subterranean light that filled the Professors' Common-room three figures appeared to float as the brown billows shifted. Tobacco smoke had made of the place a kind of umber tomb. These three were the vanguard of a daily foregathering, as sacrosanct and inevitable as the elm-top meeting place of rooks in March. But how much less healthy! A foregathering of the Professors, for it was eleven O' clock and the short recreation had begun.
Their pupils - the sparrows, as it were - of Gormenghast were racing to the vast red-sandstone yard - a yard surrounded on all sides by high ivy-covered walls of the same stone. Innumerable knife blades had snapped upon its harsh surface, for there must surely be a thousand spidery initials scored into the stone! A hundred painfully incised valedictions and observations whose significance had long since lost its edges. Deeper incisions into the red stone had mapped out patterns for some or other game of local invention. Many a boy had sobbed against these walls; many a knuckle been bruised as a head flicked sideways from the blow. Many a child had fought his way back into the open yard with bloody mouth, and a thousand swaying pyramids of boys had tottered and collapsed as the topmost clung to the ivy.
The yard was approached by a tunnel which commenced immediately beneath the long south classroom, where steps led down through a trapdoor. The tunnel, old and thick with ferns, was at this moment echoing barbarically to the cat-calls of a horde of boys as they made pell-mell for the red-stone yard, their immemorial playground.
But in the Professors' Common-room the three gentlemen were finding relaxation through an abatement rather than an increase of energy.
To enter the room from the Professors' corridor was to suffer an extraordinary change of atmosphere, no less sudden than if a swimmer in clear white water were suddenly to find himself struggling to keep afloat in a bay of soup. Not only was the air fuscous with a mixture of smells, including stale tobacco, dry chalk, rotten wood, ink, alcohol and, above all, imperfectly cured leather, but the general colour of the room was a transcription of the smells, for the walls were of horsehide, the dreariest of browns, relieved only by the scattered and dully twinkling heads of drawing-pins.
On the right of the door hung the black gowns of office in various stages of decomposition.
Of the three Professors, the first to have reached the room that morning in order to establish himself securely in the only arm-chair (it was his habit to leave the class he was teaching - or pretending to teach - at least twenty minutes before its official conclusion, in order to be certain that the chair was free) was Opus Fluke. He lay rather than sat in what was known among the staff as 'Fluke's Cradle'. Indeed he had worn that piece of furniture - or symbol of bone-laziness - into such a shape as made the descent of any other body than his own into that crater of undulating horsehair a hazardous enterprise.