Where there had been so emphatic a division between the black waves within the room and the yellow waves that tossed beyond the window, there was no longer so sharp a demarcation. The tongues of golden water slithered further into the room and the black tongues flickered out less freely into the outer radiance.
Steerpike was now lying along the shelf face downwards a few feet above the water. He was lowering his head gradually over the window's upper and northerly corner. A few dead strands of creeper that struggled across the outside wall and blurred to some extent the stone angle provided him with a kind of screen through which it was his intention to gain some knowledge of his enemies' intentions.
Lowering his head inch by inch he suddenly saw them. A solid wall of boats not twelve feet away surrounded the entrance. They rose and subsided on a dangerous swell. The rain flew down, thin but vicious, slanting across the wet and torchlit faces.
They were armed, not as he had imagined they would be, with firearms but with long knives, and at once he remembered the death-law of the place which decreed that, where possible, all homicides should die in a way as closely resembling the death of their victims as possible. It was obvious that his slaughter of Flay had precipitated the choice of weapons.
The torchlight flamed on the slippery steel. The noses of the boats wedged themselves even closer about the window's mouth.
Steerpike raised himself and sat back on his haunches. The light in the cave had grown. It was like a gold twilight. He glanced at the hanging canoe. Then he began deliberately, but rapidly to take from his various pockets those few objects that were always on his person.
The knife and the catapult he placed side by side as carefully and neatly as a housewife arranging a mantelpiece. Most of his ammunition he left in his pocket, but a dozen pebbles were formed up like soldiers in three straight rows.
Then he took a small mirror and comb, and by the dull golden light that had crept into the cave, he arranged his hair.
When this was completed to his satisfaction, he lowered his head again over the corner of the lintel and saw how the thick-set boats had made between them something like a solid wall that heaved as it hemmed him in beyond all possibility of escape. Over this solid mass, crowded with men, a smaller boat was being carried and even as he watched, was set down upon the turbulent water on the near side, so that its bows were within a few feet of the window-mouth.
And then he noticed with a start that the two castle barges were nosing their way closer to one another across the window so that his means of exit to the outside world had become a mere passageway.
With the closing in of the barges, a number of the torches that they carried were now able to send their glow directly through the window, so that Steerpike found the surface of the water in the room below him was dancing with such brilliance that were he not immediately above the window he would have been fully exposed to view.
But he also noticed that the surface brilliance had robbed the water of its translucency. There was no sense of the walls continuing down below the water level. It might well have been a solid floor of gold that heaved like an earthquake and reflected its effulgence across the walls and ceiling. He lifted his catapult from beside him and raising it to his mouth he pursed his thin, merciless lips and kissed it as a withered spinster might kiss a spaniel's nose. He slid a pebble into the soft leather of the pouch, and as he waited for the bows of a boat to appear below him, or for a voice to hail him, a great wave lifted through the window and swirling around the room like a mad thing poured out again leaving a whirlpool at the centre of the room. At the same moment he heard a clamour of voices without, and shouts of warning for the backwash had swept over the sides of several of the rocking boats. And at the same moment, as his weapon lay in his hand and the threatening water swirled below him, another thing happened. Behind the sound of the water; behind the sound of the voices outside the window, there was another sound, a sound that made itself apparent, not through its volume or stridency, but through its persistence. It was the sound of sawing. Someone in the room above had worked some sharp instrument through a rotten piece of the floor - quite silently, for Steerpike had heard nothing, and now the end of a saw protruded through the ceiling into Steerpike's room, and was working rapidly up and down.
Steerpike's attention had been so concentrated upon what was happening outside the window where the small exploratory boat had been set upon the water, a few feet away, that he had neither ears nor eyes for what was happening above him.
But in a lull of the waves and the shouting he had suddenly heard it, the deliberate triding of a saw, and looking up he could see the jagedged thing, shining in the water-reflected light, as though it were of gold, while it plunged and withdrew, plunged and withdrew at the centre of the ceiling.
SEVENTY-EIGHT
I
Titus, as the minutes had passed had grown more and more restless. It was not that the preparation for the storming of the flooded room had not been proceeding swiftly and well, but that far from his anger fading, it was gaining more and more of a grip on him.
Two images kept floating before his eyes, one of a creature, slender and tameless; a creature who, defying him, defying Gormenghast, defying the tempest, was yet innocent as air or the lightning that killed her, and the other of a small empty room with his sister lying alone upon a stretcher, harrowingly human, her eyes closed. And nothing else mattered to him but that these two should be avenged - that he should strike.
And so he had not remained at the window overlooking the bright and heaving water. He had left the room and descended an outer staircase, and had boarded one of the boats, for now that Steerpike's 'cave' was so closely ringed there were scores of craft that bobbed uselessly to and fro on the waves. He ordered the oarsmen to land him where the inner circle of boats was forming an unbroken arc around the window's mouth. He made his way over the heaving floor of boats until he was facing the window and peering along the water's surface he could see the room, filled with its bright reflections, so clearly, that a picture hanging on its far wall was perfectly visible.
But the Countess had taken the opposite course - and though they did not see each other they must have crossed in the amber light, for as Titus peered into the flooded room, his mother was climbing the outer staircase. She had also conceived the idea of cutting through the roof immediately above the window, for she could see that it would be difficult for anyone to enter Steerpike's trap without great danger to himself. It was true that the room looked empty but it had been of course impossible for her to know what lay within the shadows of the 'nearest' corners or against the near walls that flanked the window.
And it would be there that Steerpike would crouch, were he in the room at all.
And so she thought of the room above. When she reached it and saw that what she had planned was already being put into practice, she moved to the window and looked down. The rain which had stopped for a little had returned and a steady, slanting stream was pouring itself against the walls, so that, before she had been a minute at the window she was soaked to the skin. After a little time she turned her head to the left and stared along the adjacent wall. It reached away in wet perspective. She turned her head upwards, and the stone acres rose dripping into the night. But the great façade was anything but blank; for from every window there was a head thrust forth. And every head in the glow of the torchlight was of the colour of the walls from which it protruded, so that it seemed that the watchers were of stone, like gargoyles, each face directed to the brilliant barge-light that weltered on the waves outside the 'cave'.