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They ate with the family the next day as planned, and she taught Alexei a magic trick she'd learned from a young dancer who had visited them from Paris. And he was enchanted when she showed it to him. It was a long happy afternoon, a blissful interlude in their lives. She stayed for more than two weeks this time, and didn't go back until the day before rehearsals. She had kept up her daily exercise, but before the season there were always long days of rehearsal that she had to go back for.

“I should go back, to exercise and warm up,” she explained as she packed her bags on her last day with him. She hated to leave him, and was pushing her stay with him in the cottage to its outer limits. But she had also been dancing so well before their break that she thought she could shave off a few days of practice and rehearsal for the second part of their season. “I hate to leave you,” she admitted. They spent the rest of the afternoon in bed after that, making love, and promises, and sharing secrets. She had never been happier with him, and they had never loved each other more than they did at that moment. It was a magical time for them.

And when she left the next day, he promised to come to her next performance.

“We have to rehearse first,” she reminded him as she kissed him good-bye at the train.

“I'll come to see you in a few days.”

“I'll be waiting for you,” she promised. It was one of the happiest times they had ever spent, and she was going to ask Madame Markova if she could have another week away with him in the spring. She was sure that Madame Markova would be furious over it, but if Danina danced well enough in the next three months, she might just agree to it. She was pleased, thus far, that Danina hadn't done anything drastic or foolish, and she was virtually certain now she never would.

The time for that seemed to have gone past them, and Madame Markova was just as sure that eventually they would tire of each other. Letting Danina see him now and then seemed to satisfy them, and in time they would grow bored of an affair that could go nowhere. Madame Markova knew that in Danina's heart, the ballet would win in the end. She was certain of it.

Danina began exercising that afternoon as soon as she got back, and again at four o'clock the next morning, before rehearsal began at seven. She was well warmed up by then, and in good form, and she knew the role well that she was going to rehearse, so much so that she seemed not to pay much attention. In fact, she allowed herself to play a little bit with some of the other dancers, and they clowned around behind the teacher's back, and did some funny kicks and new steps. She did a leap that took their breath away, and then a very pretty pas de deux with one of her partners. And it was late afternoon before they stopped for something to eat. They had been dancing for nearly ten hours by then, which wasn't unusual for them, and Danina was tired, but not excessively. She gave a last leap on her way out, and someone gasped as she slipped and sailed across the floor with one foot at a shocking angle. There was a long silence in the room as everyone waited to see her get up, but she was very white and very still, as she simply lay there and held her ankle in silence. And then everyone ran to her, and the teacher came briskly across the floor to see what had happened. She was hoping to see a bad sprain, or a ballerina who would be very sore the next morning at rehearsal.

But what she saw instead was Danina's foot almost at an impossible angle to her leg, and Danina clearly in shock and barely conscious.

“Carry her to her bed at once,” the woman said sharply. Danina's teeth were clenched, her face deadly white, and there was no doubt in anyone's mind what had happened. She had broken, not sprained, her ankle. A death knell, if it were true, for a prima, or virtually any dancer. There was not a sound, not a word, only the occasional gasp from Danina, as they moved her, and a moment later she lay on her bed, in her leotard and the warm sweater and leg warmers she had been wearing. Without a word, the teacher cut her leotard off, using a small sharp knife she carried for purposes such as that, and the ankle was already swelling to the size of a balloon, the foot still at the same hideous angle, as Danina stared at it in silent horror, the reality too terrible to imagine.

“Get a doctor. At once,” a voice said from the doorway. It was Madame Markova. There was a man they used for such things. He was extremely good with feet and legs and bones and he had helped them before, with good results. But what Madame Markova saw as she entered the room nearly broke her heart. In a single instant, with one swift leap, it was over for Danina.

The doctor came within the hour, and confirmed the worst to them. The ankle was badly broken, and she had to be taken to the hospital. They would have to operate in order to set it. There was no argument, nothing anyone could say. A dozen hands touched hers as they carried her away. Everyone cried, but no one harder than Danina. She had seen it happen too often before. She knew exactly what had just occurred. After fifteen years in these sacred halls, for her, at twenty-two, it was over.

They operated on her that night, and the entire leg was set in a huge cast. For anyone else, it would have been considered a success. The leg would be straight again, and if she had a limp from it, it would only be a small one. In her case, that was not good enough. The ankle had been shattered, and even if she walked normally, she would never be able to dance as she had before. It would not carry her weight sufficiently to do what she would have to do. There was simply no way of repairing it to give her the flexibility or the strength she needed. And there were no words to console her. Her career had ended with that one small, foolish leap. Not only her ankle, but her life shattered in a single instant.

She lay in her bed and cried that night, almost as hard as she had when she lost Nikolai's baby. The life she had lost this time was her own. It was the death of a dream, a tragic finish in counterpoint to a brilliant beginning. And this time Madame Markova sat beside her, holding back her own tears. Danina had made the sacrifices, the vow, the commitment, but the fates had not been kind to her. Her life as a ballerina, the life she had lived and breathed and been willing to die for, for fifteen years, was gone.

She was sent back to the ballet the next day, to lie in the room she shared with the others, and they came to visit her, alone and in pairs, with flowers, with words, with kindness, with sorrow, almost as though to mourn her. She felt as though she had died, and in a way she had. The life she had known, and been an integral part of, had died for her. She already felt as though she didn't belong here. And it was only a matter of time before she had to gather up her things and leave them. She was even too young to teach, and she knew she couldn't anyway. It was not in her. For her, it was simply over. The death of a dream.

It took her two days to write to Nikolai, and when her letter reached him, he came at once, unable to believe what had happened, although everyone explained it to him in detail once he arrived. All the other dancers knew him and liked him. And they told him again and again how she had fallen and how she looked as she lay on the floor.

But seeing her, lying there, with her huge cast, and the look of sorrow in her eyes, said it all to him when he first saw her. But to Nikolai, as ghastly as it was for her, it seemed almost like a ray of hope. It was her only chance for a new life. Without this, she would never have left. But he knew he could say none of that to her. She was in deep mourning over her career.

And this time, when he insisted on taking her away with him, Madame Markova offered no objections. She knew it would be kinder for her not to be at the ballet, for a while at least, listening to the familiar bells and sounds and voices going to class or rehearsals. Danina no longer belonged here. She could return eventually, in some other way, but for now, it was more compassionate not to have her there at all. As quickly as possible for her sake, the past had to be buried. Two thirds of her life, and the only part she had ever cared about until Nikolai, had just ended. Her life as a ballerina was over and gone.