"Surely it's just a coincidence," Felicia said, finally, looking at me as though I were delusional. "You don't think… you can't imagine that someone created such an elaborate plot? How could someone have put Tabitha there, and then find you, get you here, make sure you found Tabitha? That's just incredible."
We all spent a second or two staring at each other. Art was looking from me to Felicia, as if we were playing Ping-Pong.
"I agree," I said. "But I can't make sense out of any other scenario. Actually, there's not much sense in that one."
"We have to issue some kind of statement to the press," Art said, when he realized the conversation had reached a stalemate. "It has to be a statement that treads a fine line. We can't rule anything out, like Diane just did. We can't make any fantastic claims, like Harper did. We have to regret everything and admit nothing about our personal feelings about what might have happened."
Tolliver was the only one who nodded his head in agreement.
"You know, our own lawyer is downstairs," Diane murmured.
At the same moment Joel erupted. "No!" he said. "No! We have to condemn whoever did this to our daughter in the strongest possible terms!" Diane and Felicia both nodded their agreement.
"Oh, of course," Art said. "Naturally, that, too."
four
WE turned on the television in the living room of the suite to watch Art meet the news cameras. There were three stations in Memphis, and all three had sent representatives to the press conference, which was held on the sidewalk outside the Cleveland. By that time, the Morgenstern family lawyer, a chic fortyish woman named Blythe Benson, had arrived on the scene. Joel and Diane had told us that Benson had insisted on the Morgenstern family issuing their own separate-but-equal statement. The local lawyer and Art made an impressive duo. Art had that older-man gravitas thing going, and Blythe was cool and blond and WASP-y to the nth degree.
Blythe had consulted with the Morgensterns at their home about what she was going to say on their behalf, Diane told us. Felicia shot me a glance as Diane said this, and I wondered what was coming. Felicia Hart, as I've said, seemed way smarter than Diane. It made me wonder what Felicia's sister, Joel's first wife, had been like.
Downstairs and outside, Blythe Benson prepared to make the first statement. The family was most important, we had all agreed.
"Diane and Joel Morgenstern are devastated at the news that the body that may be that of their child, Tabitha, has been found in St. Margaret's cemetery. Though closure is something they have sought for many months, Diane and Joel Morgenstern had hoped that closure would come with the return of their living daughter. Instead, they have recovered what may well be her body." The blonde lawyer paused for effect. The newscasters were fairly quivering with the desire to ask questions, but Blythe plowed on. "The Morgenstern family would like to urge anyone who may have knowledge of the disappearance of Tabitha to come forward at this time. Though the reward for the discovery of her body is most likely out of consideration now, there is still a reward standing for the submission of facts about Tabitha's abduction."
I wasn't sure what that meant. I hadn't known there was a reward, since we hadn't maintained contact with the Morgensterns (naturally) after our failure to locate their daughter in Nashville.
Thinking that was the end of the statement, I'd turned to look at Tolliver to get his reaction when I heard Blythe Benson's precise voice continue. I looked back at the screen.
"As to what police have termed an 'amazing coincidence'—that the psychic Diane and Joel Morgenstern hired to find Tabitha's body actually did find the body, though in a different location…"
She's losing control of that sentence, I thought.
"The fact remains that there are coincidences in life, and this is one of them. Diane and Joel Morgenstern did not hire Harper Connelly to come to Memphis. They have not seen her or her manager since Miss Connelly arrived in Memphis. They did not know that Miss Connelly was scheduled to give a demonstration at the old cemetery of St. Margaret's this morning. Neither of the Morgensterns attended Bingham College. Neither has ever been connected with the college department that arranged Harper Connelly's visit to St. Margaret's cemetery. In fact, no member of the Morgenstern family has contacted Harper Connelly or her brother and manager, Tolliver Lang, since her unsuccessful attempt to find Tabitha over eighteen months ago. Thank you."
Though Art hadn't moved physically, the cameras caught him staring at Blythe Benson as though she'd just sprouted horns, and I didn't blame him for the look.
Just for openers, Benson's voice had emphasized "psychic" and "giving a demonstration" as if they were words for something far nastier and more disreputable. Then she'd gone on to sever her clients from us in every possible way. She'd all but said we were implicated somehow in the death of the girl.
We'd been hung out to dry.
As one, Tolliver and I turned to look at the couple on the couch. The Morgensterns seemed oblivious to the implications of the speech Blythe Benson had just read. They were staring at the television, waiting for Art's speech, in a kind of numb silence. Behind them, Felicia gave us a significant look that meant, "Ha! I told you so!" I exchanged a look with Tolliver, a look of sheer incredulity. He half-opened his mouth, and I reached over to touch his arm. "Not now," I said, very quietly.
I wasn't sure why I chose to be quiet, rather than confront Joel and Diane. God knows, even Diane was smart enough to realize that they'd just dumped us publicly, while sitting in our very own (temporarily) living room. They'd said, in effect, "Whatever these people claim, we're not responsible for it. We don't know them, we haven't seen them, we'd never collaborate with them, and they failed the first time we asked them to find our child."
Art took his place before the microphones. It's just strange seeing someone you know on television, not that it's an experience I've had often. The fact that the person who was just in the room with you is now on-camera, for the moment an icon, is weird and unsettling. It's as if they've become translated by the screen into another being—someone less flawed and more knowledgeable, someone smoother and smarter.
Art had our statement, the one Tolliver and I had written, but he was doing yet another rewrite in his head at just this minute; a hasty and public one. I could see it in the long downward focus of his eyes before he began speaking.
"My client, Harper Connelly, is astounded and grieved by the events of the day. At this moment Ms. Connelly is with Tabitha's parents, who came here to thank Harper, from their hearts, for her part in the discovery of a body we believe to be that of their missing daughter."
Ha! Ball in your court, Blythe!
"Ms. Connelly is deeply saddened by the tragic end to her search for Tabitha Morgenstern. Though she did not maintain any contact whatsoever with the family during the months since her original employment, and though she had no knowledge that the Morgenstern family had moved to Memphis, Ms. Connelly is glad that circumstances brought about the discovery of the long-lost child the Morgensterns have been seeking. Perhaps, thanks to my client, the Morgensterns' long time of uncertainty has come to an end."
"When will Harper Connelly meet with us?" said a reporter, in a voice that was not awfully loud, but extremely piercing.
Art gave the reporter a wonderful look; it combined reproof with resignation. "Ms. Connelly does not talk to reporters," he said, as if that were a well-known fact. "Ms. Connelly lives a very private life."
"Is it true…" began a familiar voice, and the camera swung around to frame the shining Shellie Quail.
"For God's sake," I said. "She's everywhere."
Tolliver smiled. He thought the reporter's doggedness was a little funny, maybe even admirable.