Out, out, damned spot, I thought.
"Yes, that's the one," he agreed as if I'd spoken aloud. "I'll wait a few days to see if it wears off. But I'm not optimistic." He lifted his head and looked straight into my eyes. "Instant self-knowledge conveys a certain amount of wisdom, Lyra. Wisdom says I can't handle knowing what other people think. Let alone myself. You saw it—two minutes talking to you while I was holding the parrot, and I went berserk. Ugly. Very ugly.
"No," he said loudly, interrupting what I was going to say. "Don't, please. You were about to forgive me for hitting you. I'm in bad shape, and you feel guilty. Don't. Just don't. It's stupid. If you want to do something, stop using the parrot. That's why I asked you here. To warn you. Just stop."
"Okay, I'll stop."
He shook his head sadly. "You don't mean that. Deep down, you think I'm an unstable asshole. You think I can't handle telepathy, but you can. Well, you're half right. I can't handle it. It's too bleak. A while ago, when Alex and Helena were hovering over me, wondering if I'd had a heart attack or something…they're supposedly my two best friends in the world, and you know what they were thinking? Helena was going over names of other songwriters, trying to choose a replacement for me if I died. And Alex, he was scarcely there. I don't know where his mind was, but I couldn't pick it up. Stupid me, I expected some kind of sympathy…"
"You can't tell me Alex didn't care," I said. "I saw him, Roland. He was crying…he was truly worried."
"That's not what the parrot was broadcasting."
"Then maybe parrots don't broadcast everything. I saw Alex right there beside you while you were unconscious, and he was crying, holding your hands…"
I stopped suddenly.
"He was holding my hands?" Roland asked. "While they were still bloody?"
I remembered the brown stain I'd seen on Alex's hand when he'd come to get me in my hut.
"God, no," Roland murmured. "Not Alex." I shivered. "No. It's not Alex."
Outside, hurrying across the compound, I asked myself, So what? Alex or the Singer, he was just a person who recorded songs. He might come across like a lunatic, but so did half the other acts in the music industry. And even if he was dangerous, I was no delicate flower. Back when I was getting started, I'd sung in bars filled with street scum and run by organized crime. If the going got rough, I could handle myself.
So why was I terrified?
No time for terror—I had to tell Helena what was going on. How she dealt with the Singer I didn't know, but she'd kept him on a leash for years. If anyone could control the situation, she could.
Before I knocked on the door of her hut, I took a deep breath. It wouldn't be fun to confess I'd eavesdropped on her thoughts back earlier.
"Hello," I called. "Helena?"
"Come in…" Her voice sounded soft and uncertain. I opened the door slowly.
She was alone, sitting on the edge of the bed and looking at her hands. They dripped with brown blood.
"Alex was just in here," she said quietly. "He had one of those little animals, you know, the parrots? Only it was dead. Crushed. Someone had stepped on it; I could see boot treads on its body. The poor thing was all broken bones and blood, and Alex…he smeared it on my hands. Just wiped it all over…"
Her voice trailed off.
I shuddered.
She looked up at me sharply. "Did you say something?"
"Clean the blood off," I said quickly, grabbing her by the elbow and moving her toward the sink. Our camp was supposed to ration water, but I turned the hot tap on full and pushed her hands into the flow, keeping myself clear of the splash. Stringy bits of parrot meat washed down the drain, and the basin turned brown, with the blood rinsing off her fingers. Even so, her palms stayed discolored with dark stains. I poured soap onto her hands and said, "Scrub. Scrub."
"How can you be saying two things at once?" She made no effort to use the soap. "You're saying scrub but you're also afraid I'm going to hear…" She looked at my face, and her eyes focused on my mouth. "You aren't talking," she said in surprise.
I stared back at her for a moment, then turned off the water and quietly walked out of the hut. I really couldn't say what I was thinking or feeling at that moment; but I was sure Helena knew.
The parrot was no longer on the dressing table in my hut, but there was an ugly wet smear on the floor. I could guess where the Singer found the parrot that he'd used on Helena. He must have come back after taking me to Roland, then ground the poor beast under his heel.
A nasty Way to kill the little animal…but a safe one too. The Singer's boot protected him from the brain-flash that stunned Roland when the other parrot died. Even the Singer must fear instant self-knowledge.
But why kill the parrot at all? And why wipe the blood on Helena? A prank? Or an attack? Roland said the onslaught of voices made him want to commit suicide. Did the Singer want to drive Helena mad too?
And what about the other people in the camp?
Out into the night again—I rushed across the compound toward the main hut. I found myself trying to move quietly, hoping the Singer wouldn't hear me…as if the sound of my footsteps mattered when my thoughts were howling with fear. Bright girl, Lyra; but it was still a comfort to be stealthy.
The main hut was lit brightly and I could see in through the windows. Music still played, but not "Orange Puppy"—something much softer, the volume so low I couldn't identify the tune from outside the building.
The roadies had gathered in a circle to watch something in their midst, the way onlookers might surround two people arm-wrestling at a table. A few nights ago I'd seen the same thing, when our stage manager and my roommate Violette had challenged each other to a drinking contest: rum for rum, gin for gin, beer for beer, then back to rum again. We'd all crowded around, cheering and applauding. No one cheered tonight, but it was still comforting to see them together, up to their usual antics, and I was eager to join them…until I recognized the music.
"Ghost of the Tattered Heart." The title track.
I stopped cold, just outside the door. No roadie on the crew would ever admit to playing Alex's music for pleasure. Call it roadie pride—playing the boss's music is sucking up. Unprofessional. Not cool.
As I stood there, frozen with my hand stretched toward the door latch, every head in the hut turned in my direction. All of them, like puppets in a show. Each had a smear of brown parrot blood on the forehead.
The Singer stepped out from the middle of the group. He held up his hand and waved to me. A teardrop of brown trickled down his palm and dripped off his wrist.
I ran.
I ran through the night, wondering if they would chase me. Ugly images danced through my mind, all the roadies possessed by demons who were exactly like the Singer, howling after me in pursuit. "Lyra, you've been watching too many late-night broadcasts," I muttered, and kept running.
In time I had to slow to a hard-breathing trot. No one was following me, not the roadies, not the Singer. If the Singer wanted to blood me like the roadies, he didn't have to track me in the dark; he could just wait for me to return to camp. I'd go back eventually. I had no choice—Jerith's protein synthesizers made the only human-edible food on the planet.
And when I went back, the Singer would hear my thoughts coming.
Maybe it didn't matter, I tried to tell myself. If I got smeared with blood and started to hear people's thoughts, was that so bad?
Yes…when the thoughts belonged to the Singer. If his voice invaded my mind again, I truly might kill myself to get away.
Passing through a narrow gully between two hills, I heard a voice call, "Lyra?"