Digby poked the flat of his hand in the bad character’s face and I came at him like a kamikaze, mindless, raging, stung with humiliation — the whole thing, from the initial boot in the chin to this murderous primal instant involving no more than sixty hyperventilating, gland-flooding seconds — I came at him and brought the tire iron down across his ear. The effect was instantaneous, astonishing. He was a stunt man and this was Hollywood, he was a big grimacing toothy balloon and I was a man with a straight pin. He collapsed. Wet his pants. Went loose in his boots.
A single second, big as a zeppelin, floated by. We were standing over him in a circle, gritting our teeth, jerking our necks, our limbs and hands and feet twitching with glandular discharges. No one said anything. We just stared down at the guy, the car freak, the lover, the bad greasy character laid low. Digby looked at me; so did Jeff. I was still holding the tire iron, a tuft of hair clinging to the crook like dandelion fluff, like down. Rattled, I dropped it in the dirt, already envisioning the headlines, the pitted faces of the police inquisitors, the gleam of handcuffs, clank of bars, the big black shadows rising from the back of the cell. . when suddenly a raw torn shriek cut through me like all the juice in all the electric chairs in the country.
It was the fox. She was short, barefoot, dressed in panties and a man’s shirt. “Animals!” she screamed, running at us with her fists clenched and wisps of blow-dried hair in her face. There was a silver chain round her ankle, and her toenails flashed in the glare of the headlights. I think it was the toenails that did it. Sure, the gin and the cannabis and even the Kentucky Fried may have had a hand in it, but it was the sight of those flaming toes that set us off — the toad emerging from the loaf in Virgin Spring, lipstick smeared on a child: she was already tainted. We were on her like Bergman’s deranged brothers — see no evil, hear none, speak none — panting, wheezing, tearing at her clothes, grabbing for flesh. We were bad characters, and we were scared and hot and three steps over the line — anything could have happened.
It didn’t.
Before we could pin her to the hood of the car, our eyes masked with lust and greed and the purest primal badness, a pair of headlights swung into the lot. There we were, dirty, bloody, guilty, dissociated from humanity and civilization, the first of the Urcrimes behind us, the second in progress, shreds of nylon panty and spandex brassiere dangling from our fingers, our flies open, lips licked — there we were, caught in the spotlight. Nailed.
We bolted. First for the car, and then, realizing we had no way of starting it, for the woods. I thought nothing. I thought escape. The headlights came at me like accusing fingers. I was gone.
Ram-bam-bam, across the parking lot, past the chopper and into the feculent undergrowth at the lake’s edge, insects flying up in my face, weeds whipping, frogs and snakes and red-eyed turtles splashing off into the night: I was already ankle-deep in muck and tepid water and still going strong. Behind me, the girl’s screams rose in intensity, disconsolate, incriminating, the screams of the Sabine women, the Christian martyrs, Anne Frank dragged from the garret. I kept going, pursued by those cries, imagining cops and bloodhounds. The water was up to my knees when I realized what I was doing: I was going to swim for it. Swim the breadth of Greasy Lake and hide myself in the thick clot of woods on the far side. They’d never find me there.
I was breathing in sobs, in gasps. The water lapped at my waist as I looked out over the moon-burnished ripples, the mats of algae that clung to the surface like scabs. Digby and Jeff had vanished. I paused. Listened. The girl was quieter now, screams tapering to sobs, but there were male voices, angry, excited, and the high-pitched ticking of the second car’s engine. I waded deeper, stealthy, hunted, the ooze sucking at my sneakers. As I was about to take the plunge — at the very instant I dropped my shoulder for the first slashing stroke — I blundered into something. Something unspeakable, obscene, something soft, wet, moss-grown. A patch of weed? A log? When I reached out to touch it, it gave like a rubber duck, it gave like flesh.
In one of those nasty little epiphanies for which we are prepared by films and TV and childhood visits to the funeral home to ponder the shrunken painted forms of dead grandparents, I understood what it was that bobbed there so inadmissibly in the dark. Understood, and stumbled back in horror and revulsion, my mind yanked in six different directions (I was nineteen, a mere child, an infant, and here in the space of five minutes I’d struck down one greasy character and blundered into the waterlogged carcass of a second), thinking, The keys, the keys, why did I have to go and lose the keys? I stumbled back, but the muck took hold of my feet — a sneaker snagged, balance lost — and suddenly I was pitching face forward into the buoyant black mass, throwing out my hands in desperation while simultaneously conjuring the image of reeking frogs and muskrats revolving in slicks of their own deliquescing juices. AAAAArrrgh! I shot from the water like a torpedo, the dead man rotating to expose a mossy beard and eyes cold as the moon. I must have shouted out, thrashing around in the weeds, because the voices behind me suddenly became animated.
“What was that?”
“It’s them, it’s them: they tried to, tried to. . rape me!” Sobs.
A man’s voice, flat Midwestern accent. “You sons a bitches, we’ll kill you!”
Frogs, crickets.
Then another voice, harsh, r-less, Lower East Side: “Motherfucker!” I recognized the verbal virtuosity of the bad greasy character in the engineer boots. Tooth chipped, sneakers gone, coated in mud and slime and worse, crouching breathless in the weeds waiting to have my ass thoroughly and definitively kicked and fresh from the hideous stinking embrace of a three-days-dead-corpse, I suddenly felt a rush of joy and vindication: the son of a bitch was alive! Just as quickly, my bowels turned to ice. “Come on out of there, you pansy motherfuckers!” the bad greasy character was screaming. He shouted curses till he was out of breath.
The crickets started up again, then the frogs. I held my breath. All at once there was a sound in the reeds, a swishing, a splash: thunk-a-thunk. They were throwing rocks. The frogs fell silent. I cradled my head. Swish, swish, thunk-a-thunk. A wedge of feldspar the size of a cue ball glanced off my knee. I bit my finger.
It was then that they turned to the car. I heard a door slam, a curse, and then the sound of the headlights shattering — almost a good-natured sound, celebratory, like corks popping from the necks of bottles. This was succeeded by the dull booming of the fenders, metal on metal, and then the icy crash of the windshield. I inched forward, elbows and knees, my belly pressed to the muck, thinking of guerrillas and commandos and The Naked and the Dead. I parted the weeds and squinted the length of the parking lot.
The second car — it was a Trans-Am — was still running, its high beams washing the scene in a lurid stagy light. Tire iron flailing, the greasy bad character was laying into the side of my mother’s Bel Air like an avenging demon, his shadow riding up the trunks of the trees. Whomp. Whomp. Whomp-whomp. The other two guys — blond types, in fraternity jackets — were helping out with tree branches and skull-sized boulders. One of them was gathering up bottles, rocks, muck, candy wrappers, used condoms, pop-tops, and other refuse and pitching it through the window on the driver’s side. I could see the fox, a white bulb behind the windshield of the ‘57 Chevy. “Bobbie,” she whined over the thumping, “come on. ” The greasy character paused a moment, took one good swipe at the left taillight, and then heaved the tire iron halfway across the lake. Then he fired up the ’57 and was gone.