Micklewhite's door was open. The frame and edge of the door had been splintered. I looked into the room. She was sitting on a sofa watching television. I knocked on the door frame and she looked up.
"I told them go scratch your ass with a broken bottle. Go scratch your heinie, I told them. I wasn't afraid of them. Them or nobody else. Breaking in my door like that and coming in here to smack me around. I don't take that. Don't come in here and give me that. I ain't afraid of you punks and bums. I told them, mister. I don't take smacking around. You want to rob me, one thing. Smack me around, whole different thing. My husband was here, they'd see. He'd of cut them up good. I'm telling you, mister. Good thing for them he's dead and buried."
"How many?" I said.
"There was four come in here and some more out in the hall that never even made it in. Smash, they come right through the door. Then when they got out of here they went upstairs, the whole bunch. I heard them on three, making noise with the mister up on three. Breaking through the door, smash. Crazy people. Say nothing, do nothing, take nothing. Crumbums, I told them, go scratch your heinie."
"Did they hurt you?"
"It was him that stopped them," she said. "They seen him there and that stopped them cold. He was right there on the chair and when they seen that, they went charging upstairs, taking over the whole building. They came in here to smack me around. Then they seen him on the chair and they went flying out. Good thing for them I got no more husband. He was good and sneaky in a fight. He was just a skinny-melink but he made up for it with sneaki-ness. Little as he was he'd sneak-fight bigger men right into the crash ward. He'd jap them when they weren't ready. He'd go for the family jewels. That was the only thing in the world he was good at. Japping bigger men. He put many a bigger man out of commission. Sneakiest s.o.b. you'd ever want to meet."
I stepped into the room. Her son was on a chair in the corner. His own special chair, it seemed. No upholstery. Wood frame, binding, springs, two bed pillows. He wasn't sitting or reclining; he was stored there, his head slowly rolling side to side, arms and legs stunted. Because of his disfigurement, everything about him was pervasively real and I was struck by a panic that went far beyond what my eyes had registered. His face seemed to have the consistency of pounded mud. The head was full of bulges and incurvatures, scant of hair, a soft curious object that seemed to belong in a greenish jar. Useless pair of club-hands. Arms about three-quarters normal size. Legs perhaps less than that. The boy was unforgettable in the sheer organic power of his presence. Standing before him was like witnessing the progress of some impossible mutation, bird to brown worm, but of course he'd been merely deposited there, wet, white and unchanging, completely stagnant, and I began to feel that I myself was the other point of the progression. The sense of shock and panic hadn't left me yet and I understood why the marauders were not eager to browse in this particular room. One felt nearly displaced by the hint of structural transposition; he was what we'd always feared, ourselves in radical divestment, scrawled across the dark. Instead of leaving I went closer, drawn into what I felt was his ascendancy, the helpless strength of his entrapment in tepid flesh, in the reductions of being. I lowered myself to one knee and sought to trace some sightline or bearing in his pale stare. With my left hand I raised his head, finding nothing in the eyes beyond a rhythmic blink. I must have seemed a shadow to him, thin liquid, incidental to the block of light he lived in. For the first time I began to note his embryonic beauty. The blank eyes ticked. The mouth opened slightly, closing on loomed mucus. I'd thought the fear of being peeled to this limp circumstance had caused my panic, the astonishment of blood pausing in the body. But maybe it was something else as well, the possibility that such a circumstance concludes in beauty. There was a lure to the boy, an unsettling lunar pull, and I moved my hand over the moist surface of his face. Beauty is dangerous in narrow times, a knife in the slender neck of the rational man, and only those who live between the layers of these strange days can know its name and shape. When I took my hand from his face, the head resumed its metronomic roll. I was still afraid of him, more than ever in fact, but willing now to breathe his air, to smell the bland gases coming off him, to work myself into his consciousness, whatever there was of that. It would have been better (and even cheering) to think of him as some kind of super-crustacean or diabolic boiled vegetable. But he was too human for that, adhering to me as though by suction or sticky filaments. Mouth opened and closed. Eyes blinked at precise intervals. Head moved from side to side. Micklewhite adjusted the sound on her TV set.
"Careful, he bites," she said.
I went upstairs to see Fenig. The door was almost off, leaning from the lower hinge. He was seated at his typewriter, looking into the keys. Bandages, tape and gauze were all over the floor. He tapped out a few characters, then turned toward the door and gave me a small wave. His face was full of bruises. There were bloodstains all over his clothes. Both brows were puffed up, his lower lip cut open, thick with dried blood. He hadn't applied bandages or gauze to his wounds, at least not in exposed areas. I stood there watching him type a line or two, very slowly, his fingers merely pecking at the keys prior to each actual assault, the moment in which the words moved through his hands and found the page. He looked my way a second time.
"Magazines keep folding. It's not so good. I've spent a lot of time lately worrying about whether or not I've lost the essential spark. It's not me I should have been concerned about. It's the market. The market is getting smaller every day. The bright lights are dimming. The sounds and echoes are fading. The great elliptical arc is spinning ever slower."
"Did they take anything?" I said.
"They just cuffed me around and stomped me a little bit. I was lucky. They were in the room probably only sixty seconds. They made a lot of noise coming up the stairs and a lot of noise going back down the stairs. I think that was the biggest part of their operation. The idea of taking over a building. The idea of breaking and entering. The idea of domination. It could have been a whole lot worse. I was lucky. I can't get over how lucky I was. I know people who'd give almost anything to be as lucky as I was."
"Do you want me to help you clean up this mess?"
"You mean the bandages and stuff. I'm the one who flung the bandages and stuff. They didn't do that. I'm the one who did that. After they left I got all this stuff out of my medicine chest. The Band-Aid plastic strips. The safety gauze. The nonstick sterile pads. The first-aid tape. The absorbent cotton. I got it all out. I laid it out on the table and looked at it. I looked especially hard at the tan bandages with the clever little air vents. Then I swept the whole thing right off the table. What good's gauze and cotton against the idea of domination? What good's a sterile compress against the idea of domination? So I'll bleed. So I'll experience discomfort for a few days. I don't think about that because right now, as I sit in this chair talking to you, I'm in the midst of work on a whole new genre. Fi-nance. Financial writing. Books and articles for millionaires and potential millionaires. The floodgates are opened and the words are pouring out. Financial literature. Handled right it's a goddamn gold mine, relatively speaking."