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Prepared by Esme Taylor Associates

in collaboration with Pulse Redactor Co.

DIVISIONS OF TRANSPARANOIA

15: Near and far

Night so highWater fallingWater falling
Night so highWater fallingNight so highWater falling
Water fallingWater fallingNear and farWater falling
Near and farNight so highWater fallingWater falling

16: Dadmom sis

Driving in the black carDadmom sisSighting on the white line
Long come somethingIn a blinding lightLong gone somethingIn a blinding light
Dead all deadOooh all dead
Bloody footBloody head
Eat the nose for ChristmasEat the toes for LentEat the car for Eat-A-CarSend the bones to Kent

17: Roses roses never red

Sweet the buzzard sings
Tell me tell me tell meTime weather seasonsStory tellLesson giveMaiden words to learn
Being young restores the godThat eats itselfThat eats itselfBetter than the feast that endsWhen they pick us from their teeth
Tell me tell me tell meCloud that's makingLess of skyThat more of flyingTries to make
Down the wind it comesSomething flying down the wind
Time weather seasonsMaiden words to learn
Standing sittingStrip by stripI pick the skin from off my faceBecoming godBegin to glowBehead the rose
Better than the feast that endsWhen they pick us from their teeth
Tell me tell me tell meRoses roses never redSoft the vulture croons

18: I was born with all languages in my mouth

BabaBabaBabaBaba
This and thatEgramine and woeSandwords on mudHigh taljonics
Everything ever spoken shines from my teeth
BabaBabaBaba
Halda Ny WadjiHilda KrywickiMildred HayesBionongenics
Mambo magicOh oh oh ohMambo madnessOh oh oh oh
Dancing on a Latin balconySwaying to a starry symphonyMambo maniaOh oh oh oh
Undreamed grammars float in my spittle
BabaBabaBaba
Gadung gadung gadungUma childa noboDistiptics in wineInsane today
I was born with all languages in my mouth
BabaBabaBaba
Nothing-makerBut to blurt
But to singBaby god and goo
19: Nighttime comeMountain darkTreetop windMad dog bark
20: I know my toesOne to tenThis one's bigThis one's noBig one bigNo one noI know my toesOne to ten
I touch my handOne touch oneOne is touchingOne is touchedTouching touchingHand touch handI touch my handMy hand touch me
I smell my noseI smell my noseI know my toesI touch my handI smell my noseI close my mouth

DO NOT QUOTE WITHOUT PERMISSION

21

In a millennium or two, a seeming paradox of our civilization will be best understood by those men versed in the methods of counter-archaeology. They will study us not by digging into the earth but by climbing vast dunes of industrial rubble and mutilated steel, seeking to reach the tops of our buildings. Here they'll chip lovingly at our spires, mansards, turrets, parapets, belfries, water tanks, flower pots, pigeon lofts and chimneys.

I turned south on Broadway.

Scaling our masonry they will identify the encrustations of twentieth-century art and culture, decade by decade, each layer simple enough to compare with the detritus at ground level – our shattered bank vaults, cash registers, safes, locks, electrified alarm systems and armored vehicles. Back in their universities in the earth, the counter-archaeologists will sort their reasons for our demise, citing as prominent the fact that we stored our beauty in the air, for birds of prey to see, while placing at eye level nothing more edifying than hardware, machinery and the implements of torture.

Hanes was sitting in the last car on the downtown local. The package angled out of an airline bag between his feet. I sat next to him, drawing a tap on the wrist. The noise was devastating, a series of bending downriver screams. Conversing I tilted my head and spoke directly into his ear. There were four or five other people in the car. Hanes looked weak and sick, a reproduction of my image in the mirror when I first arrived at Great Jones and cut myself shaving.

"What do you want?" I said.

"There's a rumor you're in New York living in an old building on some obscure street. Seriously, that's the strongest rumor about you right now. I've been to enough places lately to know which rumors are current and choice. I've been through so many time zones I'm almost bodiless."

"What places?"

"Literally or figuratively?" he said. "Literally about fifteen cities in three countries. Thought I had a sure sale at one point. Not quite, as it turned out. Question of ethics, they said. Time zones nearly did me in. I couldn't write my name on a traveler's check. Ì couldn't add simple figures. That was the literal journey I took. Figuratively I lived in a lamasery in Tibet, being guided through the mysteries of the highest level of death. That's what my whole vacation was about. Death-in-life. A string of make-believings. I moved through progressions of passive trains of thought. Nobody wanted to use me. I was prepared to be used. I did everything but take out ads in the newspapers. It was all a mistake. I'm meant to ride elevators floor to floor. More than that requires the mettle of demigods like yourself. I'm meant to crouch in stairwells reading interoffice mail. There's a tremendous lure to becoming bodiless. I see it but fear it. It's like a junkie's death. A junkie's death is beautiful because it's so effortless."

Hanes insisted on changing trains every few stops. We spent the afternoon this way, shouting into each other's head, standing on platforms, hurrying through barren tunnels, altering our level of descent from train to train. In the last car again, somewhere beneath the ruck of Red Hook, we saw a boy and two girls steal a sleeping derelict's shoes. The man stirred, then curled more tightly into the bouncing seat. Opening the door between cars, the three children headed for the heart of the train.

"Too young to understand the dignity of shoes," Hanes said.

"Why did you call me?"

"I keep moving. I haven't stopped since I got back. Those people are not pleased with me. You'll have to intervene, Bucky. Return the product to Happy Valley with my deepest regrets for the delay involved. My vacation ends tomorrow morning. I'm due back at the office. Clearly I can't appear in such an obvious place with Bohack lathered up the way he undoubtedly is. What do I do then? I can't go to my apartment. I can't keep riding subways. I can't get on another plane and soar away. You'll have to intervene."

"No good," I said.

"You'll have to tell them you've got the product and it's theirs for the asking, no harm done, just show a little compassion toward Hanes, boys, he forgot himself and tried to turn dealer. His fatal taste for silver. But no harm done, right, boys?"

"You don't need me. Do it yourself. Just give it back and say you're sorry. I'm tired of that package. Don't want to see it anymore."