CHAPTER XLIII
Margaret lay where she had fallen. The strength had gone out of her. She lay quite still and strained for any sound beyond the bolted door. There wasn’t any sound. She could not hear Freddy’s retreating footsteps or the opening and closing of the wine-cellar door. She could not hear anything at all. The place was soundless, lightless, utterly cut off. The warm, heavy air weighed on her with a deadening pressure. She kept her eyes shut so that she could not see how dark it was. Minutes passed.
It was a very little thing that roused her. Her left hand lay on a sharp point in the uneven floor, and a good part of her weight rested on this hand. The pressure became unbearable. She moved, shuddered, and sat up.
Instantly she wished that she had not moved, that she had let the sharp point prick her to the bone. The darkness of the place was dreadful. In every direction there was a gloom so dense that it seemed to forbid movement and breath as well as sight. Only thought remained. Charles-Was she to die alone in the dark? What had happened to Charles? Would she ever know? What was happening? The door and the darkness were between her and the answer to all the terrified throng of thoughts that clamoured to know.
She covered her face with her hands and bent her head upon her knees. She mustn’t let herself lose grip. Grey Mask couldn’t touch them really. Nothing could touch you as long as you held on-not darkness, nor silence, nor anything that anyone could do. She stopped minding the dark.
It seemed to be a very long time before a sound reached her. It came suddenly, harshly, as the bolts ran back and the door swung in.
She sat up, her heart beating violently, and saw the beam from Freddy’s torch cutting across the corner of the nearest packing-case. The wood was rough and splintered. The beam gave each splinter its own black shadow, then, shifting, touched Charles Moray’s foot. His ankles had been untied. He seemed to be leaning against the case. Behind him, Freddy spoke:
“Pride goes before a fall. Get down and get in! I haven’t any more time to spare for either of you. Get inside!”
Margaret was filled with a curious trembling joy. Charles was here. Whatever happened, they were going to be together. She drew back and saw him come through the low doorway bent double. Suddenly he pitched forward as Freddy thrust at him from behind.
Margaret gave a sharp cry of pain, and had the light flashed full upon her face.
“Well, well,” said Freddy Pelham, “you can now make the most of your time together. You can break your fingernails trying to undo my knots, and when you’ve got them undone, you’ll be just as far from getting out of this as you were before. It may save you a good deal of trouble if I tell you that this place is absolutely sound-proof. You won’t even hear me lock the wine-cellar door as I go out, and from the other side of that door I shouldn’t hear a sound if you were shouting through a megaphone. There are eight feet of earth between you and the garden, and six men couldn’t break down the door. I don’t know what old Joe Tunney used this cellar for; but I know what we’ve used it for, and it has stood the test every time. The ventilation is quite adequate and rather ingenious.”
He shifted the torch and allowed it to light up his wrist watch for an instant.
“I must be going. I have still a few things to do, and I have to be up early. Perhaps it may solace you tomorrow to think of my flying to Vienna. With any luck we shall get above the fog. You can think of me bathed in sunshine. There was an old-fashioned song which I remember an aunt of mine used to sing very charmingly;
“For I am content to abide in the shadow
So long as the sunshine falls brightly on thee.”
In Vienna -I have an account to square.” His voice had changed; the words came slowly; there were strange undertones of reluctance, effort, fear. Grey Mask’s one weakness was a weakness still. It was not the least of Esther Brandon’s many triumphs.
With a quick jerk Freddy Pelham slammed the door on them. The bolts were shot with violence.
Margaret listened as she had done before, and heard no further sound. She put out her hand and groped for Charles. And then a dreadful thought struck her rigid. Suppose Freddy hadn’t really gone? Suppose he were just waiting there on the other side of the door to see what they would do-listening, waiting, ready to break in on them and snatch away their little lingering hope.
She crept to the door, laid her ear against the crack, and listened with such intensity that it seemed to her as if she must hear every sound in the world.
She could hear nothing.
Then in the dark beside her Charles Moray moved, struggling into a sitting position. Instantly she forgot Freddy. Still on her knees, she turned; her arm flung out, struck against his shoulder and came about him in a movement astonishingly full of protecting strength. She began to whisper to him:
“Charles-are you all right? I’ll get this dreadful thing out of your mouth-if I were only sure he’d gone-do you think it’s safe? Wait-wait-just a minute-whilst I listen again. Are you all right? Move your head if you are.”
She felt it move, and turned back to the door. Not a sound-not one smallest sound. After all, why should he wait? He wouldn’t wait-he would want to get away.
She turned round again.
“I think it’s all right. He’d want to get away. I want you to lean against me-yes, like that-so that I can feel just where you are. I came straight from the shop, so I’ve got my scissors. I’ve been thinking of them all the time. I can cut that horrible bandage, only you must keep awfully still.”
The fingers of her right hand went to her coat, unbuttoning it. The scissors hung at her side, a good strong pair, really made for use. She cut through the ribbon that held them, and then, shielding the point with a very careful finger, guided them to where the bandage crossed his left ear. The gag had been tied on with a silk handkerchief. Once the point was under the tight fold, it was easily cut.
Charles had never experienced a more blessed relief. He coughed, spluttered, and spat out the gag-another handkerchief by the feel of it. Margaret was fingering the rope at his wrists. This was silk too-one of those heavy cords that are used to loop back the old-fashioned type of curtain. The knots might have defied her, but the strands were soon cut through.
“That’s great!”
He stretched his arms, then felt his head gingerly.
“Are you all right? Charles-”
“Right as rain.”
“Ssh! Perhaps he’s still there. He mustn’t hear you speak. Do you think he’s gone?”
“My dear, what does it matter?”
“He-why did you say that?”
Charles put his arm round her.
“We’d better face it, old girl. We’re through. If he came back and shot us, it would be quicker.”
She did not speak for a minute. She did not speak, because for a long minute she was too happy to speak. She leaned against Charles in the darkness and felt his arm about her, very strong, very steady. Nothing seemed to matter.
The arm about her tightened.
“Margaret!”
She turned her face to him.
“Margaret-we’re together!”
“Yes-” The word was a sighing breath.
“I’ve been an utter beast to you. I-I loved you all the time.”
He felt her draw away.
“I thought-you loved Greta.”
“Good Lord! I’m not a nursemaid! The creature’s about five years old! You didn’t really think so?”
“I did.”
“My darling idiot!”
He kissed her.
“Do you think so now-now-now? Why are you crying-Meg?”
Margaret hid her face against him.
“Because I’m so-happy.”
There was a blessed silence. The cellar, the darkness, the desperate, hopeless state in which they stood, were just the outer shadow which could not touch them. Margaret, at least, was in some joyful place of heart’s desire, the haven which she had longed for and never hoped to see.