– But my dear, c’est la Femme-Crampon! The clutching woman. Or, as you’d say, the Old Woman of the Sea! The Vieillarde herself!
He clutched his sides in agonies of mirth. (I sat ashen-faced and silent. There were times when Deggle frightened me.)
– It’s all true, he burst out between uncontrollable spasms. She’s old enough. She’s ugly enough. She lives for sea-travel. She picks up wandering youths like yourself, though you’re not as young as you look. And now she’s got you in her clutches, to squeeze and tighten and constrict until there’s no breath left in your body. Livia Cramm, the terror of voyagers! Why, she’s even taught you to love the sea to make it easier to rule you! Poor sailor, poor pretty-faced matelot that you are. You’re no more than a walking corpse with the Old Woman on your back, her legs gripping tightly, tightly, like the knot that tightens as you wrestle with it, tightly round your, ha ha, windpipe.
I wouldn’t even bother to struggle, he finished, wiping away the tears.
And this was another conversation with Nicholas Deggle:
– Have you ever wondered about old Oscar Cramm?
– Not really, said Flapping Eagle. He had had too many other things to wonder about.
– He never had a chance with that old man-eater, said Deggle. They say he passed on while making love to her, you know. I wonder if there were any bite-marks in his neck.
– Are you saying… began Flapping Eagle.
– Possibly I am, smiled Deggle. He wasn’t all that old, you know. Now if Livia were to think that you were getting on a bit yourself, she might begin to fancy a change.
– You have absolutely no reason… began Flapping Eagle, but Deggle interrupted again. It was quite remarkable how few of his sentences Flapping Eagle ever finished when in conversation with this dark smiler.
– I merely mean, said Deggle, that for some unknown reason I feel quite attached to you, I shouldn’t like to see you come to any harm, pretty-face.
After this conversation Flapping Eagle found himself watching Mrs Cramm; and when her legs constricted or her arms squeezed him, he remembered the passing of Oscar Cramm and became nervous. Which hampered his sexual duties on more than one occasion, and on these occasions he saw Livia Cramm frown thoughtfully and purse her lips before assuring him that it didn’t matter. She would sip from the jug of water that always sat by her bedside, surrounded by her army of pills, and turn away from him to sleep.
One night, Flapping Eagle had a curious dream. Livia Cramm had both her attenuated hands fixed vice-like around his throat and was pushing, pushing with her thumbs. He was sleeping in his dream and awoke in it to find his life being squeezed away. He wrestled then, wrestled for his life, and as he did so she changed continually into all manner of wet, stinking, shapeless, slippery things. He could not grip her and all the time her hold was tightening. Just before he fainted he forced out these words:
– You are old, Livia. Old hag. You’ll never find another.
All of a sudden (he could see nothing now: it was black inside his eyes) the hold relaxed. He heard Livia’s voice say: -Yes, my eagle, my soaring bird. Yes.
When he awoke, he found Livia Cramm dead as a stone, both hands fixed clawingly about her own neck. The jug of water was upset; her army of pills was substantially diminished.
It was only later that morning that Flapping Eagle discovered that his own precious bottle, the phial with the blue, release-giving liquid, had disappeared. He went to confront Deggle, who reclined as usual on the brocaded sofa in the drawing-room, his habitual dark clothing for once appropriate.
– Livia didn’t seem the sort to commit suicide, he said.
– What sort is that, foolish boy? asked Deggle. She was old.
– You don’t know about a certain bottle disappearing, do you? asked Flapping Eagle.
– You’re overwrought, said Deggle. I like you, you know. What you need, my boy, is to get away from all this. Take the yacht. Sail into the, ha ha, blue.
What can you say to a man who may or may not be a murderer, who may or may not have saved your life?
– You really are remarkably well-preserved, smiled Deggle. You must have a guardian angel.
Flapping Eagle thought: Or devil
The will left me the money but it left Deggle the yacht. The verdict was suicide.
Since Deggle didn’t want the yacht, and since I wanted desperately to get away, I accepted his offer and set sail, alone for the first time in a quarter of a century, for ports unknown.
VI Voyages
He was the leopard who changed his spots, he was the worm that turned. He was the shifting sands and the ebbing tide. He was moody as the sky, circular as the seasons, nameless as glass. He was Chameleon, changeling, all things to all men and nothing to any man. He had become his enemies and eaten his friends. He was all of them and none of them.
He was the eagle, prince of birds; and he was also the albatross. She clung round his neck and died, and the mariner became the albatross.
Having little option, he survived, wheeling his craft from shore to unsung shore, earning his keep, filling the empty hours of the hollow days of the vacant years. Contentment without contents, achievement without goal, these were the paradoxes that swallowed him.
He saw things most men miss in a mere lifetime. He saw:
A beach on which a maiden had been staked out, naked, as giant ants moved up her thighs towards their goal; he heard her screams and sailed on by.
A man rehearsing voices on a cliff top: high whining voices, low gravelly voices, subtle insinuating voices, raucous strident voices, voices honeyed with pain, voices glinting with laughter, the voices of the birds and of the fishes. He asked the man what he was doing (as he sailed by). The man called back-and each word was the word of a different being: -I am looking for a suitable voice to speak in. As he called, he leaned forward, lost his balance and fell. The cry was in a single voice; but the rocks on the shore cut it and shredded it for him again.
A beggar shaking with starvation on a raft, and the fish that leapt from the ocean into his begging bowl and died for him.
Whales making love.
And many other things; but nowhere in the seas, for all the solace of the waters, for all the wonders beyond the curved liquid horizon, could he see or sniff or feel his own death.
Death: a blue fluid, blue like the sea, vanished down a monster’s throat. All that remained was to survive. Stripped of his past, forsaking the language of his ancestors for the languages of the archipelagoes of the world, forsaking the ways of his ancestors for those of the places he drifted to, forsaking any hope of ideals in the face of the changing and contradicting ideals he encountered, he lived, doing what he was given to do, thinking what he was instructed to think, being what it was most desirable to be, hoping only for what was permitted, and doing it so skilfully, with such natural aptitude, that the men he encountered thought he was thus of his own free will and liked him for it. He loved many women-being so easily able to adapt to the needs and pleasures of any woman.
Several times he changed the name he gave to people. His face was such, his skin was such, that in many places he could pass for local; and pass he did, using what had once been his curse to his advantage. The change of name was necessary, if his immortality was not to be noticed. This immortality kept him moving, too: always seeking out places where he was unknown or forgotten.
For a tyrant, he slew rebels; in a free state, he denounced tyranny.