“That would hardly be fair. After all, it was I who delivered Marten into your hands three years later, when – “
“Then you’ve controlled me.”
“In some ways, yes. But no more, gunslinger. Now comes the time of sharing. Then, in the morning, I will cast the runes. Dreams will come to you. And then your real quest must begin.”
“Walter,” the gunslinger repeated, stunned.
“Sit,” the man in black invited. “I tell you my story. Yours, I think, will be much longer. “
“I don’t talk of myself,” the gunslinger muttered.
“Yet tonight you must So that we may understand.”
“Understand what? My purpose? You know that To find the Tower is my purpose. I’m sworn.”
“Not your purpose, gunslinger. Your mind. Your slow, plodding, tenacious mind. There has never been one quite like it, in all the history of the world. Perhaps in the history of creation.
“This is the time of speaking. This is the time of histories.
“Then speak.”
The man in black shook the voluminous arm of his robe. A foil-wrapped package fell out and caught the dying embers in many reflective folds.
“Tobacco, gunslinger. Would you smoke?”
He had been able to resist the rabbit, but he could not resist this. He opened the foil with eager fingers. There was fine crumbled tobacco inside, and green leaves to wrap it in, amazingly moist. He had not seen such tobacco for ten years.
He rolled two cigarettes and bit the ends of each to release flavor. He offered one to the man in black, who took it. Each of them took a burning twig from the fire.
The gunslinger lit his cigarette and drew the aromatic smoke deep into his lungs, closing his eyes to concentrate the senses. He blew out with long, slow satisfaction.
“Is it good?” the man in black enquired.
“Yes. Very good.”
“Enjoy it. It may be the last smoke for you in a very long time.”
The gunslinger took this impassively.
“Very well,” the man in black said. “To begin then:
“You must understand that the Tower has always been, and there have always been boys who know of it and lust for it, more than power or riches or women.. “
There was talk then, a night’s worth of talk and God alone knew how much more, but the Gunslinger remembered little of it later. . . and to his oddly practical mind, little of it seemed to matter. The man in black told him that he must go to the sea, which lay no more than twenty easy miles to the west, and there he would be invested with the power of drawing.
“But that’s not exactly right, either,” the man in black said, pitching his cigarette into the remains of the campfire. “No one wants to invest you with a power of any kind, gunslinger; it is simply in you, and I am compelled to tell you, partly because of the sacrifice of the boy, and partly because it is the law; the natural law of things. Water must run downhill, and you must be told. You will draw three, I understand… but I don’t really care, and I don’t really want to know.”
“The three,” the gunslinger murmured, thinking of the Oracle.
“And then the fun begins. But, by then, I’ll be long gone. Good-bye, gunslinger. My part is done now. The chain is still in your hands. Beware it doesn’t wrap itself around your neck.”
Compelled by something outside him, Roland said, “You have one more thing to say, don’t you?”
“Yes,” the man in black said, and he smiled at the gunslinger with his depthless eyes and stretched one of his hands out toward him. “Let there be light.”
And there was light.
Roland awoke by the ruins of the campfire to find himself ten years older. His black hair had thinned at the temples and gone the gray of cobwebs at the end of autumn. The lines in his face were deeper, his skin rougher.
The remains of the wood he had carried had turned to ironwood, and the man in black was a laughing skeleton in a rotting black robe, more bones in this place of bones, one more skull in Golgotha.
The gunslinger stood up and looked around. He looked at the light and saw that the light was good.
With a sudden quick gesture he reached toward the remains of his companion of the night before.., a night that had somehow lasted ten years. He broke off Walter’s jawbone and jammed it carelessly into the left hip pocket of his jeans – a fitting enough replacement for the one lost under the mountains.
The Tower. Somewhere ahead, it waited for him – the nexus of Time, the nexus of Size.
He began west again, his back set against the sunrise, heading toward the ocean, realizing that a great passage of his life had come and gone. “I loved you, Jake,” he said aloud.
The stiffness wore out of his body and he began to walk more rapidly. By that evening he had come to the end of the land. He sat on a beach which stretched left and right forever, deserted. The waves beat endlessly against the shore, pounding and pounding. The setting sun painted the water in a wide strip of fool’s gold.
There the gunslinger sat, his face turned up into the fading light. He dreamed his dreams and watched as the stars came out; his purpose did not flag, nor did his heart falter; his hair, finer now and gray, blew around his head, and the sandalwood-inlaid guns of his father lay smooth and deadly against his hips, and he was lonely but did not find loneliness in any way a bad or ignoble thing. The dark came down on the world and the world moved on. The gunslinger waited for the time of the drawing and dreamed his long dreams of the Dark Tower, to which he would some day come at dusk and approach, winding his horn, to do some unimaginable final battle.
Afterword
The foregoing tale, which is almost (but not quite!) complete in itself, is the first stanza in a much longer work called The Dark Tower. Some of the work beyond this segment has been completed, but there is much more to be done
– my brief synopsis of the action to follow suggests a length approaching 3000 pages, perhaps more. That probably sounds as if my plans for the story have passed beyond mere ambition and into the land of lunacy… but ask your favorite English teacher sometime to tell you about the plans Chaucer had for The Canterbury Tales – now Chaucer might have been crazy.
At the speed which the work entire has progressed so far, I would have to live approximately 300 years to complete the tale of the Tower; this segment, “The Gunslinger and the Dark Tower,” was written over a period of twelve years. It is by far the longest I’ve taken with any work… and it might be more honest to put it another way: it is the longest that any of my unfinished works has remained alive and viable in my own mind, and if a book is not alive in the writer's mind, it is as dead as year-old horse shit even if words continue to march across the page.
The Dark Tower began, I think, because I inherited a ream of paper in the spring semester of my senior year in college. It wasn’t a ream of your ordinary garden-variety
bond paper, not even a ream of those colorful “second sheets” that many struggling writers use because those reams of colored sheets (often with large chunks of undissolved wood floating in them) are three or four dollars cheaper.
The ream of paper I inherited was bright green, nearly as thick as cardboard, and of an extremely eccentric size– about seven inches wide by about ten inches long, as I recall. I was working at the University of Maine library at the time, and several reams of this stuff, in various hues, turned up one day, totally unexplained and unaccounted for. My wife-to-be, the then Tabitha Spruce, took one of these reams of paper (robin’s egg blue) home with her; the fellow she was then going with took home another (Roadrunner yellow). I got the green stuff.
As it happened, all three of us turned out to be real writers—a coincidence almost too large to be termed mere coincidence in a society where literally tens of thousands (maybe hundreds of thousands) of college students aspire to the writer’s trade and where bare hundreds actually break through. I’ve gone on to publish half a dozen novels or so, my wife has published one (Small World) and is hard at work on an even better one, and the fellow she was going with back then, David Lyons, has developed into a fine poet and the founder of Lynx Press in Massachusetts.