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His grandmother had come up once that first night, gasping on the stairs. She apologized for the clutter. “All this mess,” she said sadly. “When Mama Lucille died we put all her stuff up here. So this is your family, Michael. See? This was your great-grandfather’s rolltop desk. That big old bed belonged to my parents …”

The bed had sat for so long in this room, and was so massive, that the floorboards had curved around it. His mother aired the sheets and pillowcases for him, but the bed retained a characteristic odor, not unpleasant, of ancient down and ticking, of whole lives lived between its sheets. Sleeping there these last few nights Michael had wished he could make windows into past time as well as across worlds: that he could gaze back down the years and maybe discover the secret of his strangeness. Wished this old bed could talk.

He spent a lot of time up here. Considering the situation in the house, it was better to be alone. And, anyway, he liked to be by himself. Alone, he could let his thoughts roam freely. Nothing to fear up here, no Gray Man, only these old high corniced rooms with their ripply windowpanes and the winter sky showing through; only the trickle of the water in the radiator grills. Lying here, suspended in down and history, he could allow himself to feel (but faintly, carefully) the rush of secret power in himself, the wheels of possibility spinning in him; to contemplate a step sideways out of Polger Valley and time itself; to wonder whether Aunt Laura’s instincts might not have been correct all those years ago, maybe there was a better world somewhere, a truly better world, and maybe he could reach it: maybe it was only a quarter step away down some hidden axis… maybe it was a door he could learn to open.

He thought about it often.

Downstairs, things were different. A week in this house had not inured Michael to all the silence and indignities.

His grandmother insisted on cooking. Every evening he helped her with the heavy china platters: chicken and gravy, roast beef and potatoes, meat loaf and boiled peas relayed steaming from the tiny kitchen to the dining room. Jeanne Fauve was overweight but not really fat; she was the kind of nervous woman whose metabolism runs fast. She was constantly in motion but the motion was inhibited, no large gestures but a lot of fluttering. Her hands moved like birds; her eyes darted like a bird’s eyes. She wore her hair in white spring curls bound tightly to her head. Michael kind of liked her and he thought she might like him—she would stare thoughtfully at him when she thought he didn’t notice. But if he looked directly at her, her eyes would dart away.

Tonight Michael helped her carry in a pot roast from the oven. Everything was in place: linen tablecloth, the china, the tarnished silverware. Everybody in their chair except Michael’s grandfather. Michael sat down at the foot of the table. He was hungry and the roast smelled wonderful, but he had learned to be patient. He put his hands in his lap; the mantel clock ticked. His mother whispered something to Aunt Laura.

Then, finally, Willis Fauve came ambling in from the downstairs bathroom, where he had washed his hands. Willis was not really a large man, Michael thought, but he was a big presence in the room. His forearms were big and he wore polyester pants cinched over his expansive belly and a starched white shirt open at the collar. He had a small face set in a large head, blunt features concentrated around heavy bifocals. He wore his hair in a bristly Marine cut and his thick eyebrows made him seem to be always frowning. Most of the time he was frowning. Certainly he did not ever seem happy.

Sometimes he would come to the table drunk. Not loudly or conspicuously drunk, but his walk would be unsteady and he would talk more than he normally did: mainly complaints about the neighbors. He would sit opposite Michael, and his acrid breath would waft across the table. Willis Fauve was a beer drinker. Beer, he said, was a food. It had food value.

Tonight Willis was just detectably drunk. Michael thought of him as “Willis” because he could not imagine calling this man “Grandfather.” Michael was acquainted with grandfathers mainly from TV: kindly, grizzled men in bib overalls. But Willis was not kindly; he was not even friendly. He had made it obvious that he regarded this visit as an intrusion and that he would not be happy until his privacy was restored. Sometimes—if he’d had enough to drink—he would come out and say so.

Willis sat down wheezing. Without looking at anyone he folded his hands in his lap and closed his eyes. Michael was supposed to do the same, but he kept his eyes open. “Thank you, Lord,” Willis Fauve intoned, “for this food which you have seen fit to set before us. Amen.”

Michael’s grandmother echoed the “Amen.” Willis began to circulate the pot roast. Michael took modest helpings.

He felt his grandfather’s attention on him while he ate. He kept his eyes on his plate, worked his knife and fork mechanically. But he felt Willis watching him. His grandmother tried to make some conversation, the shopping she’d done, what the hairdresser had said, but nobody could think of anything to add and the talk ran out of gas. Michael had pretty much cleared his plate and was looking forward to the end of the meal when his grandfather said, too loudly, “You know what I call that shirt?”

Michael’s shirt, he meant. Michael was wearing a Talking Heads T-shirt he’d carried with him from Toronto. Black T with a red-and-white graphic. Nothing spectacular, but he was moderately proud of the way he looked in it.

Nobody wanted to answer the question but Willis himself. Willis said brightly, “I call that a fuck shirt.”

Michael regarded his grandfather with bewilderment.

“I see these kids,” Willis said. “I drive by the high school every morning. I see the way they dress. You know why they dress like that? It’s like sticking up their middle finger. It’s an insult. It’s ‘fuck you.’ They’re saying that with their clothes.”

Michael had observed that Willis, who complained about profane language on TV, loosened up in that regard when he was drinking.

Karen said, “Michael forgot to change before dinner.”

Michael looked at his mother sharply. She returned the look, a warning: Don’t say anything… not now.

“A fuck shirt,” Willis repeated.

“Michael,” Karen said, “go change.” When he didn’t move, she whispered, “Please!”

He stood up sullenly.

At the stairs Michael paused a second to look back at the dinner table, at the quiet tableau of the women with their heads contritely bowed, Willis Fauve still regarding him, frowning. They locked gazes briefly.

It was Willis who looked away. He said to Michael’s mother, “You let him dress like that?”

Michael moved on up the stairs.

“A fuck shirt,” Willis marveled, “at my dinner table.”

But Michael understood the significance of Willis’s complaint. It’s not the shirt, he thought. You know it, I know it. It’s not the shirt you’re afraid of.

In his room Michael thought about Willis and about the silence at the dinner table.

This attic room looked out over the rooftops of Polger Valley toward the river and the mill. The mill dominated the valley like a black, crouched animal. The chimney flues were black and smokeless against a hard gray dusk. Michael put his hand to the window and the glass felt icy under his fingers. Snow soon, he thought.

He kept his T-shirt on.

It wasn’t the shirt, of course; it was the power in him. Willis must have sensed that. Michael thought about what Laura had told him, some of the hints his mother had dropped. He understood that the T-shirt was itself irrelevant; that Willis might as easily have objected to his haircut, his shoes, the way he held his fork. What he really meant was: here is this new person under my roof and I don’t control him and I don’t like that.

Michael understood because the house in Toronto had operated the same way, though without the implied threat of violence. He recognized in Willis the shadow of his mother’s cryptic silences. He had grown up in that silence. The vacancy of unpronounced words. This wasn’t a new thing with Willis, only louder and more frightening.