John Dickson Carr was famed for the "miracle crime" the impossible disappearance and the locked-room murder; indeed he found so many ways to explain tricks and impossibilities that as Anthony Boucher remarked, "his own career seems a miraculous event demanding some rational explanation." The seeming impossibilities in HAG'S NOOK are handled subtly, more hinted at than proclaimed. Few tales so perfectly combine atmosphere, mystery, ingenuity, and an extraordinarily well-concealed murderer.
Douglas G. Greene
Norfolk, Virginia April, 1985
Acknowledgements:
I am grateful to Dr. James E. Keirans and to the late Larry L. French for material on Dr. Fell which appears in this introduction.
Series Consultant Douglas G. Greene is Director of the Institute of Humanities at Old Dominion University. Dr. Greene is working on a multi-volume history of the detective story. He has edited two anthologies of John Dickson Carr's work, and is widely recognized as the authority on that writer.
Chapter 1
The old lexicographer's study ran the length of his small house. It was a raftered room, sunk a few feet below the level of the door; the latticed windows at the rear were shaded by a yew tree, through which the late afternoon sun was striking now.
There is something spectral about the deep and drowsy beauty of the English countryside; in the lush dark grass, the evergreens, the grey church-spire and the meandering white road. To an American, who remembers his own brisk concrete highways clogged with red filling-stations and the fumes of traffic, it is particularly pleasant. It suggests a place where people really can walk without seeming incongruous, even in the middle of the road. Tad Rampole watched the sun through the latticed windows, and the dull red berries glistening in the yew tree, with a feeling which can haunt the traveller only in the British Isles. A feeling that the earth is old and enchanted; a sense of reality in all the flashing images which are conjured up by that one word "merrie." For France changes, like a fashion, and seems no older than last season's hat. In Germany even the legends have a bustling clockwork freshness, like a walking toy from Nuremberg. But this English earth seems (incredibly) even older than its ivy-bearded towers. The bells at twilight seem to be bells across the centuries; there is a great stillness, through which ghosts step, and Robin Hood has not strayed from it even yet.
Tad Rampole glanced across at his host. Filling a deep leather chair with his bulk, Dr. Gideon Fell was tapping tobacco into a pipe and seemed to be musing genially over something the pipe had just told him. Dr. Fell was not too old, but he was indubitably a part of this room. A room — his guest thought — like an illustration out of Dickens. Under the oak rafters, with smoke-blackened plaster between, it was large and dusky; there were diamond-paned windows above great oak mausoleums of bookshelves, and in this room, you felt, all the books were friendly. There was a smell of dusty leather and old paper, as though all those stately old-time books had hung up their tall hats and prepared to stay.
Dr. Fell wheezed a little, even with the exertion of filling his pipe. He was very stout, and walked, as a rule, with two canes. Against the light from the front windows his big mop of dark hair, streaked with a white plume, waved like a war-banner. Immense and aggressive, it went blowing before him through life. His face was large and round and ruddy, and had a twitching smile somewhere above several chins. But what you noticed there was the twinkle in his eye. He wore eyeglasses on a broad black ribbon, and the small eyes twinkled over them as he bent his big head forward; he could be fiercely combative or slyly chuckling, and somehow he contrived to be both at the same time.
"You've got to pay Fell a visit," Professor Melson had told Rampole. "First, because he's my oldest friend, and, second, because he's one of the great institutions of England. The man has more obscure, useless, and fascinating information than any person I ever met. He'll ply you with food and whisky until your head reels; he'll talk interminably, on any subject whatever, but particularly on the glories and sports of old-time England. He likes band music, melodrama, beer, and slapstick comedies; he's a great old boy, and you'll like him."
There was no denying this. There was a heartiness, a naivete, an absolute absence of affectation about his host which made Rampole at home five minutes after he had met him. Even before, the American had to admit. Professor Melson had already written to Gideon Fell before Rampole sailed-and received an almost indecipherable reply decorated with little drawings of a hilarious nature and concluding with some verses about prohibition. Then there had been the chance meeting on the train, before Rampole arrived at Chatterham. Chatterham, in Lincolnshire, is some hundred and twenty-odd miles from London, and only a short distance away from Lincoln itself. When Rampole boarded the train at dusk, he had been more than a little depressed. This great dun-coloured London, with its smoke and its heavy-footed traffic, was lonely enough. There was loneliness in wandering through the grimy station, full of grit and the iron coughing of engines, and blurred by streams of hurrying commuters. The waitingrooms looked dingy, and the commuters, snatching a drink at the wet-smelling bar before train time, looked dingier still. Frayed and patched, they seemed, under dull lights as uninteresting as. themselves.
Tap Rampole was just out of college, and he was, therefore, desperately afraid of being provincial. He had done a great deal of travelling in Europe, but only under careful parental supervision on the value-received plan, and told when to look. It had consisted in a sort of living peep-show at the things you see on post cards, with lectures. Alone he found himself bewildered, depressed, and rather resentful. To his horror, he found himself comparing this station unfavourably with Grand Central — such comparisons, according to the Better American Novelists, being a sin.
Oh, well, damn it!…
He grinned, buying a thriller at the bookstall and wandering towards his train. There was always the difficulty in juggling that money; it seemed to consist of a bewildering variety of coins, all of inordinate dimensions. Computing the right sum was like putting together a picture puzzle; it couldn't be done in a hurry. And, since any delay seemed to him to savour of the awkward or loutish, he usually handed over a bank note for the smallest purchase, and let the other person do the thinking. As a result, he was so laden with change that he jingled audibly at every step.
That was when he ran into the girl in grey.
He literally ran into her. It was due to his discomfort at sounding so much like an itinerant cash-register. He had tried jamming his hands into his pockets, holding them up from underneath, walking with a sort of crab-like motion, and becoming generally so preoccupied that he failed to notice where he was going. He bumped into somebody with a startling thud; he heard somebody gasp, and an "Oh!" beneath his shoulder.
His pockets overflowed. Dimly he heard a shower of coins tinkle on the wooden platform. Fiery with embarrassment, he found himself holding to two small aims and looking down into a face. If he had been able to say anything, it would have been, "Gug!" Then he recovered himself to notice the face. Light from the first-class carriage beside which they stood shone down upon it — a small face, with eyebrows raised quizzically. It was as though she were looking at him from a distance, mockingly, but with a sympathetic pout of her lips. A hat was pulled down anyhow, in a sort of rakish good-humour, on her very black, very glossy hair; and her eyes were of so dark a blue that they seemed almost black, too. The collar of her rough grey coat was drawn up, but it did not hide the expression of her lips.