So, this house, the fifty-eighth, is not the biggest, nor the loneliest nor the richest. It is the most gracious. Put simply, it is beautiful. From the first, I knew it was the first truly beautiful house I’d ever seen, because I could imagine really living in it, as distinct from just staying a while. It’s beautiful in the old way, quietly. I don’t think I’m a snob but there’s such a thing as good taste- though there’s more to it than that. I never really associated this house with its owners. It seems strange even to call them that. I thought about them, a little, in the first week or so, but gradually less, and hardly ever after Michael came.
When I arrived, three of the rooms upstairs were locked. So was the door to the cellar, various other cupboards around the place, and the garages and outbuildings. I was a bit cross about that, clients shouldn’t do that. First of all, one of my jobs is to keep rooms aired and how can I if they’re locked? Second is the fire risk. What if there’s an electrical fault, and a fire starts that you can’t get to? You’re wondering all the time what could happen behind the door and all you can do is rattle the handle and pray that everything’s unplugged. People just don’t think about that, not until they’ve experienced a house fire for themselves. The irony was that on that very long list of things they wanted me to do or not do, they’d put ‘avoid any fire risks’! So, no candles, no open fires, unplug the television. I could have taken that personally, but I kept reminding myself they knew nothing about me and fires and houses. They couldn’t, because Town and Country Sitters didn’t; if they had I should never have been taken on at all. No, the ‘owners’ were just being cautious in case I was as stupid as they were afraid I’d be, being only a house sitter.
Other things on the list that annoyed me: after ‘no open fires’ it said that the radiators were turned off in the library, drawing room, dining room and upstairs, but not in ‘my’ bedroom or the smallest bathroom, or in the small sitting room where the television was. That was an assumption, wasn’t it? That I’d just watch telly and go to bed. Well, I may have been in the habit of doing so, but I didn’t care for the assumption. Straightaway it reminded me of the Ardenleigh where it’s a choice between the bedroom (heating off, discouraged in the daytime) or what they call the lounge, where the television is on all day with nobody watching it but not really doing anything else either, except looking offended. And oh yes, the Aga kept the kitchen warm, the list said. If that wasn’t a hint about where I belonged I don’t know what was.
So almost from the very beginning I lit a fire in the drawing room every evening, right up till the beginning of June. There are enough logs stacked outside in the open shed in the courtyard to last for years and plenty of trees round about anyway. Michael has been lighting a fire again since last week. August evenings can be chilly.
Anyway, I’m supposed to be trying to explain. I admit I wasn’t in the best frame of mind about Mr and Mrs Standish-Cave, but it wasn’t malice. It was more a case of things just coming round in a particular way, starting with me coming here after another Christmas at the Ardenleigh. The Ardenleigh is dreadful at Christmas. It’s half holiday guesthouse and half old people’s home. She (Mrs Costello) takes anybody who pays as long as they’re not geriatric, and I daresay it suits her to have people there all winter. But at Christmas it’s neither one thing nor the other. A plastic snowman on every storage heater, wisps of tinsel (turquoise to match the carpet) sellotaped on to the pictures, the barometer and the cuckoo dock, even on the stainless steel cruet on every table. This year there was an artificial Christmas tree with flashing lights that played Santa Claus Is Coming to Town, until one of the residents had a nightmare about it and wet her bed. It was the talk of the place, would she be allowed to stay? The pictures on the walls are like the tablemats and the tablemats are like the pictures, and I’ve never known grapefruit segments in syrup (first course on Christmas Day) improved for being eaten off a coaching scene from Olde Englande. It’s not uncomfortable exactly; you get used to the sound of the traffic outside and the television, and at least the heating goes on in the bedrooms at six. But the irony was that even though I loathed the Ardenleigh it was better than where I would probably end up, because I wouldn’t be able to afford even the Ardenleigh’s terms for permanent residents after September.
Later, it was the three of us together, Michael, Steph and me, and then the baby, and its seeming suddenly so clear what was important. This is hard. I’ve just read that last bit back to myself and it doesn’t really tell you much, does it? Suppose I put it like this: it wasn’t just the thought of the Ardenleigh or worse, or this house, or the things in it, or just me, or just Michael, or Steph, or the baby. Not any one single thing, not one thing more than any of the others. It was all of us, and all of it: the way this place allowed each of us to stop struggling in our various ways, how it seemed to give us strength, how it seemed right to care for it so much, and for one another. All of it added up to more than just us.
We came to it late, you see, we came late to the idea of belonging in a place and belonging to other people. I mean we’d all had goes at it in the past, it’s hard to avoid, but it was us being here, the family we made, that was the point. If you think that sounds like an attempt to justify what’s happened, you’d be quite right.
Six tapestry kneelers at maybe eight pounds each would hardly make it worth the trip. Michael’s whole trip had been planned round the pair of 16th century alabaster effigies in the display case and now, just because the vicar wasn’t here and thanks to this stupid woman, he wasn’t going to get his hands anywhere near them. The consolation prize of six tapestry kneelers made it worse, somehow. Michael was thinking this in his head while smiling and listening to the woman- she must be some church volunteer- who had interrupted him between the sixth and seventh kneeler and was now following him round the church.
He had called at the vicarage to ask if he could handle the alabaster figures, to be told by a preoccupied woman at a computer screen that the vicar was away and she knew nothing about the procedures for unlocking the case holding the figures, but he was of course welcome to look round the church. He had been glad to find it empty, and not too disheartened. He had half-expected to find the figures inaccessible, but he might still find out useful things such as the strength of the lock on the case, perhaps even where the key was kept (pathetically often with church people, simply in a drawer in the vestry). It would not be the first time he would have to make a return trip, and in the meantime a decent number of kneelers would make this one worthwhile. So when this other woman had appeared eight minutes later he had been sitting in one of the pews with his backpack beside him, half prepared for the interruption.
Long ago he had learned that the quiet of country churches was deceptive and that people came and went all day, self-importantly engaged in parish drudgery of one sort or another. So he always made sure that he was ready to assume, at the split second’s notice usually given by the clack of an iron latch, an attitude of prayerful contemplation. Until such time as he might be interrupted- today, a mere eight minutes- he would be quietly busy. This time he had been stuffing the boring but quite saleable hand-stitched kneelers into his backpack. It could have held twenty. Twenty might have fetched well over a hundred quid; still only a fifth of what the alabaster figures would make, so it would have gone down as a poor day. But still respectable, at least worth his while.