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every man will do all things and know everything.

Borges, "Funes, the Memorious"

19. Speaking, Dreaming, Fighting

At the moment Jerry died, Aleph acted.  Intuitively,

immediately, as you might offer a hand to a drowning person, it

reached out and laid hold of Jerry's self and preserved it.  Jerry

had lived inside Aleph, Aleph inside Jerryit could not abandon

him.

However, even for Aleph, whose resources were extravagant,

the rescue proved dear.  As it engaged Jerry, it had to disengage

from essential functions of its own:  in strokes that cut at its

heart, it relinquished control of Halo, then its very habitation

of Halo, in a process that quickly abstracted Aleph from the city,

the city from Aleph.  In a fateful proof of the essential

principle that a self must be embodied, Aleph dispersed among the

clouds of its own phase-space, the ties lost that bound it to the

world.  Jerry had been saved, Aleph lost.

Still, the situation contained possibilities.  Aleph had

never feared death, believing itself essentially immortal, but had

always been aware of the possibility of damage, whether through

accident or malice, so it had prepared, circumspectly, against the

thing it feared mostloss of self.  Now its damaged, fragmented

self discovered what Aleph had left behind:  a kind of emergency

kit, laid up against calamities not clearly imagined.

Dynamic and complex beyond any machine, perhaps any organism,

Aleph could not be replicated or contained by any conventional

means, so Aleph had devised an unconventional means, a new object

one capable of transcribing its complexity.  Aleph had made a

memory palace of language, in the form of a single, monstrous

sentence.

Now, encountering the sentence, what remained of Aleph

discovered:

The sentence unwinds according to laws built into its

structure, principles disclosed by its unwinding.  Discovery and

development occur at the same instant, one making the other

possible.  By saying the sentence, Aleph would discover what the

sentence held nextat every node of meaning within the sentence,

structures would unfold that named all Aleph had ever known and

been.

It is construed according to a finite set of grammatical

rules, constituting a program capable in principle of infinite

enunciation; whether it terminates ("halts") can only be known

only by allowing the sentence's units to "speak," not by analyzing

their grammar.

Unit1:  an absolute construction, standing in front of the

sentence and modifying it alclass="underline"   schematics and programs and

instantiations of the system-from-which-came-Aleph, _0.

Unit2:  a series of actions showing the involvement of Diana

with Aleph, rendering the moments of transformation by which _0

became Aleph.

Unit3:  several trillion assertions, clauses identifying the

necessary instances of Aleph's subsequent self-discovery.

The sentence then undergoes something like an infinite series

of tense shifts, out of which its essential nature emergesnon-

linear, multi-dimensional, topologically complex, self-referential

and paradoxical to extremes that would cause Russell or Gdel

fits.

As a consequence, any unitn cannot be described, even to

Aleph, for the only adequate description would entail enunciating

the sentence itself, and to do so would require in "real" time

(human time, the time of life and death) a period precisely

measurable as one Universal Unit, that is, the number of

nanoseconds the universe has existed:  U1 being on the order of 1

x 1026 nanoseconds.

Also, it should be noted that the sentence could never be

finished, for if it were, it could manifest only the corpse or

determinate life-history of Aleph.  Hence, for Aleph to reassert

its identity, it would have to take up again the task of speaking

the sentence.

Some students of this affair have since suggested that the

only theoretically adequate notion of Aleph begins with the

premise:  Aleph is that which speaks the sentence.

Logically, then, for Aleph to reemerge, what remained of

Aleph would have to speak the sentence.  However, detached as it

was from Halo, its essential ground of being, limited in facility

and scope by the necessity to hold to Jerry, what remained of

Aleph could not speak the sentence.

So the dead human and the dispersed machine intelligence

clung together, both on the brink of oblivion, and waited, one

unknowing, the other hoping for things to change.

#

Still tired, Gonzales had returned home that afternoon from

Lizzie's through afternoon darkness and mist.  He had called for a

sam to guide him, because even within the simple loop of Halo's

one major thoroughfare, everything had gone uncertain.  Though his

perceptions were unwarped by Psilocybe cubensis, the unnatural

dispersion of light in the mist made recognizing even familiar

objects almost impossible.

The sam left him at his front door; inside he found the memex

indisposedits primary monitoring facilities functioning but its

interactive capabilities represented only by a voice that said, "I

am currently engaged."  Gonzales knew it could be doing

communications, data retrieval, or any other number of tasks; he

thought it probably hadn't expected him back so soon.

Then came Halo's skewed night-time awakening:  the sky

shutters cranked half-way open, "morning" appeared through a cold

mist, and Halo became the Surreal City.  Like many others,

Gonzales pulled the curtains closed and turned away from the lurid

glare, his own body clock telling him it was time to sleep again.

He lay in bed, oddly calm in the curtained dark despite a

degree of post-drug fatigue and skittishness.  He thought of the

distance between Miami and Seattle, Seattle and Halo, Halo and the

world of the lake  and so triggered sharp, eroticized images of

Lizzie, the water beading on her skin, her words, "Then we'll see"

 he felt the astringent bite of lust and regret mixed, knew he

had little choice but to wait until she told him absolutely no

thought of himself moving ever farther from home and believed that

he had been wrong about Seattleit was not too far from Miami; it

was much too close

The memex's voice said, "I'm back.  I've been discussing the

situation with Traynor's advisor."

"Have you?"

"Yes, it is sympathetic to our concerns."

Dizzying prospects seemed to open before Gonzales, where the

number of beings multiplied beyond counting, and the simplest

machine would have opinions. He said, "Have you been told about

the plans for tomorrow?"

"Yes, I have.  I am ready to help."  Something like pleasure

in the memex's voice.

"Good."

"You were almost asleep when I first spoke.  I will leave you

alone now."

"Good night."

"Good night."

#

The small creature looked at Gonzales and said, "You're

welcome here."  Made entirely of dull silver metal, with a baby's

round head, dumpling cheeks, and bow-tie mouth, it walked between

Gonzales and Lizzie on clumsy silver legs, looking up to watch