“Nothing kids do justifies abuse,” Donna Roman muttered under her breath, but I could hear her loud and clear. By now she was walking back toward the room where my parents were, and even though I was yelling, trying to get her to hear me, she wasn’t listening. “Mr. and Mrs. O’Keefe,” she said, “we’re putting your children into protective custody.”
“Why don’t we just go down to the station to talk?” the officer was saying to Dad.
Mom threw her arms around me. “Protective custody? What does that mean?”
With a firm hand-and the help of the police officer-Donna Roman tried to peel her away from me. “We’re just keeping the children safe until we can get this all cleared up. Willow will be here overnight.” She started to steer me out of the room, but I grabbed at the doorframe.
“Amelia?” my mother said, frantic. “What did you say?”
“I tried to tell her the truth!”
“Where are you taking my daughter?”
“Mom!” I shrieked, and I reached for her.
“Come on, sweetheart,” Donna Roman said, and she pulled at my hands until I had to let go, until I was being dragged out of the hospital kicking and screaming. I did this for five minutes, until I went totally numb. Until I understood why you didn’t cry, even though it hurt: there are kinds of pain you couldn’t speak out loud.
I’d seen and heard the words foster home before, in books that I read and television programs I watched. I figured that they were for orphans and inner-city kids, kids whose parents were drug dealers-not girls like me who lived in nice houses and got plenty of Christmas presents and never went to sleep hungry. As it turned out, though, Mrs. Ward, who ran this temporary foster home, could have been an ordinary mom. I guess she had been one, judging from the photos that plastered every surface like wallpaper. She met us at the door wearing a red bathrobe and slippers that looked like pink pigs. “You must be Amelia,” she said, and she opened the door a little wider.
I was expecting a posse of kids, but it turned out that I was the only one staying with Mrs. Ward. She took me into the kitchen, which smelled like dishwashing detergent and boiled noodles. She set a glass of milk and a stack of Oreo cookies in front of me. “You’re probably starving,” she said, and even though I was, I shook my head. I didn’t want to take anything from her; it felt like giving in.
My bedroom had a dresser, a small bed, and a comforter with cherries printed all over it. There was a television and a remote. My parents would never let me have a television in my room; my mother said it was the Root of All Evil. I told Mrs. Ward that, and she laughed. “Maybe so,” she said, “but then again, sometimes The Simpsons are the best medicine.” She opened a drawer and took out a clean towel and a nightgown that was a couple of sizes too big. I wondered where it had come from. I wondered how long the last girl who’d worn it had slept in this bed.
“I’m right down the hall if you need me,” Mrs. Ward said. “Is there anything else I can get you?”
My mother.
My father.
You.
Home.
“How long,” I managed, the first words I had said out loud in this house, “do I have to be here?”
Mrs. Ward smiled sadly. “I can’t say, Amelia.”
“Are my parents…are they in a foster home, too?”
She hesitated. “Something like that.”
“I want to see Willow.”
“First thing tomorrow,” Mrs. Ward said. “We’ll go up to the hospital. How’s that?”
I nodded. I wanted to believe her, so bad. With this promise tucked into my arms like my stuffed moose at home, I could sleep through the night. I could convince myself that everything was bound to get better.
I lay down, and tried to remember the useless bits of information you’d rattle off before we went to sleep, when I was always telling you to just shut up already: Frogs have to close their eyes to swallow. One pencil can draw a line thirty-five miles long. Cleveland, spelled backward, is DNA level C.
I was starting to see why you carried those stupid facts like other kids dragged around security blankets-if I repeated them over and over, it almost made me feel better. I just wasn’t sure if that was because it helped to know something, when the rest of my life seemed to be a big question mark, or because it reminded me of you.
I was still hungry, or empty, I couldn’t tell which. After Mrs. Ward had gone to her own bedroom, I tiptoed out of bed. I turned the light on in the hallway and went down to the kitchen. There, I opened up the refrigerator and let the light and cold fall over my bare feet. I stared at lunch meat, sealed into plastic packages; at a jumble of apples and peaches in a bin; at cartons of orange juice and milk lined up like soldiers. When I thought I heard a creak upstairs, I grabbed whatever I could: a loaf of bread, a Tupperware of cooked spaghetti, a handful of those Oreos. I ran back to my room and closed the door, spread my treasure out on the sheets in front of me.
At first, it was just the Oreos. But then my stomach rumbled and I ate all the spaghetti-with my fingers, because I had no fork. I had a piece of bread and another and then another, and before I knew it only the plastic wrapper was left. What is wrong with me? I thought, catching my reflection in the mirror. Who eats a whole loaf of bread? The outside of me was disgusting enough-boring brown hair that frizzed with crummy weather, eyes too far apart, that crooked front tooth, enough fat to muffin-top my jeans-but the inside of me was even worse. I pictured it as a big black hole, like the kind we learned about in science last year, that sucks everything into its center. A vacuum of nothingness, my teacher had called it.
Everything that had ever been good and kind in me, everything people imagined me to be, had been poisoned by the part of me that had wished, in the darkest crack of the night, that I could have a different family. The real me was a disgusting person who imagined a life where you had never been born. The real me had watched you being loaded into an ambulance and had let myself wish, for a half a second, that I could stay behind at Disney World. The real me was a bottomless soul who could eat a whole loaf of bread in ten minutes and still have room for more.
I hated myself.
I could not tell you what made me go into the bathroom that was attached to my room-wallpaper spotted with pink roses, shaped soaps curled in dishes next to the sink-and stick my finger down my throat. Maybe it was because I could feel the toxic stuff seeping into my bloodstream, and I wanted it out. Maybe it was punishment. Maybe it was because I wanted to control one part of me that had been uncontrollable, so the rest of me would fall into line. Rats can’t throw up, you’d told me once; it popped into my head now. With one hand holding up my hair, I vomited into the toilet until I was flushed and sweating and empty and relieved to learn that, yes, I could do this one thing right, even if it made me feel worse than I had before. With my stomach cinching and bile bitter on the back of my tongue, I felt horrible-but this time there was a physical reason I could point to.
Weak and wobbly, I stumbled back to my borrowed bed and reached for the television remote. My eyes felt like sandpaper and my throat ached, but I could not fall asleep. Instead I flipped through the cable channels, through home decorating shows and cartoons and late-night talk shows and Iron Chef cooking contests. It was on Nick at Nite, twenty-two minutes into The Dick Van Dyke Show, that the old Disney World commercial came on-like a joke, a tease, a warning. It felt like a punch in the gut: there was Tinker Bell, there were the happy people; there was the family that could have been us on the teacup ride.