“What are you saying, Tatsu?”
“Only that if I could find you, Yamaoto will be able to, also. And he is not alone in his efforts. The CIA, as you know, is also eager to make your reacquaintance.”
He took a sip of his tea. “Putting myself in your shoes, I see two possible courses. One is that you stay in Japan, but not in Tokyo, and try to return to your old ways. This is perhaps the easier course, but the less safe one.”
He sipped again. “Two is that you leave the country and start over somewhere. This is the harder course, but would perhaps afford you greater security. The problem, in either case, is that you will have left things unfinished with certain parties who wish you ill, parties with global reach and long memories, and that you will have no allies against them.”
“I don’t need allies,” I said, but the rejoinder sounded weak even to me.
“If you plan to leave Japan, we can part as friends,” he said. “But if I cannot count on your help today, it will be difficult for me to help you tomorrow, when you may need that help.”
That was about as direct as Tatsu ever got. I thought about it, wondering what to do. Drop everything and disappear to Brazil, even though my preparations weren’t complete? Maybe. But I hated the thought of leaving a loose end, something someone could grab on to and use to track me. Because, despite his obvious self-interest in emphasizing the dangers of Yamaoto and the CIA, Tatsu’s assessment was not so far off from my own.
The other possibility would be to do this last job and keep him off my back, keep him off balance while I finished my preparations. What he was offering me in return wasn’t trivial, either. Tatsu has access to people and places that even Harry can’t hack. No matter what I did next, he would be a damn useful contact.
I thought it through for another minute. Then I said, “Something tells me you’re carrying an envelope.”
He nodded.
“Give it to me,” I said.
8
I TOOK THE envelope to my apartment and perused it there. I sat at my desk and spread out the papers. I highlighted passages. I scribbled thoughts in the margins. Parts I read in order. Other times I skipped around. I tried to get the pattern, the gist.
The subject’s name was Murakami Ryu. The dossier was impressive on background, on much of which Tatsu had already briefed me, but light on the sorts of current detail that I need to get close to a subject. Where did he live? Where did he work? What were his habits, his haunts, his routines? With whom did he associate? All blanks, or too vague to be immediately useful.
He wasn’t a ghost, but he was no civilian, either. Civilians have addresses, places of employment, tax records, registered cars, medical files. The lack of such details surrounding Murakami was itself a form of information. Which provided a frame, but I still didn’t have a picture.
That’s okay. Start with the frame.
No information meant a careful man. Serious. A realist. A man who didn’t take chances, who was careful in his movements, who could be expected to make few mistakes.
I shuffled papers. Even his known organized crime associates were from multiple families. He didn’t exclusively patronize any of the known yakuza gumi. He was a freelancer, a straddler, connected to many worlds but a part of none.
Like me.
He liked hostess bars, it seemed. He had been spotted in several, typically high-end, where he would spend the yen equivalent of twenty thousand dollars in a night.
Not like me.
High rollers get remembered. In my business, careful means not being remembered. Evidence of impulsiveness? Lack of discipline? Maybe. Still, there was no pattern to the behavior, only its existence. No trail for me to follow.
But there was something there, something in those periodic splurges. I tagged that thought for reexamination, then closed my eyes and tried to let the bigger picture cohere.
The fighting. That was a common theme. But Tatsu’s information on where the underground bouts occurred, when, and under whose auspices, was sketchy.
The police had broken up several, always in different locations. That the police were breaking up the fights at all meant they weren’t being paid not to. Meaning in turn that the organizers were willing to purchase overall secrecy at the price of a few random interruptions. Which showed good judgment, and perhaps some greed.
Too bad, from my perspective. If there had been payoffs, there would have been leaks, leaks that Tatsu would have uncovered.
Stay with the fights, I thought, trying to get a visual. The fights. Not work for this guy. He’s a killer. For him, it’s fun.
What would the purses be? How much do you have to pay two men to step into the ring when each knows that only one might walk away afterward?
How many spectators? How much would they pay to see two men fight to the death? How much would they bet? How much would the house collect?
They’d have to keep the crowds small. Otherwise word gets out and the police intrude.
Enthusiasts. Devotees. Maybe fifty men. Charge them a hundred, two hundred thousand yen each for admission. Betting is free. A lot of money would change hands.
I leaned back in the Aeron chair, my fingers laced behind my head, my eyes closed. Pay the winner the yen equivalent of twenty thousand dollars. The loser gets a couple thousand for his efforts, if he lives. The couple thousand goes to the crew that disposes of the body if he doesn’t. Minimal overhead. The house pockets close to eighty grand. Not bad for an evening.
Murakami liked to fight. Hell, Pride wasn’t enough for him. He needed more. And it wasn’t the money. Pride, with promotions and pay-per-view, would pay a lot more, to the winners and losers.
No. It wasn’t the money for this guy. It was the excitement. The proximity to death. The high you can only get from killing a man who’s simultaneously doing everything in his power to kill you.
I know the sensation. It both fascinates and repulses me. And, in a very few men, most of whom can live out their lives and be true to their natures only as the hardest of hard-core mercenaries, it becomes an addiction.
These men live to kill. Killing is the only thing for them that’s real.
I had known one of them. My blood brother, Crazy Jake.
I remembered how Jake would cut loose after returning from a mission. He’d be flushed, not just his mood but his whole metabolism jacked up and humming. You could see heat shimmers coming off his body. Those were the only times he would be talkative. He’d relate how the mission had gone, his eyes bloodshot, his mouth working a maniac grin.
He would show trophies. Scalps and ears. The trophies said: They’re dead! I’m alive!
In Saigon, he’d buy everyone’s beer. He’d buy whores. He threw parties. He needed a group to celebrate with him. I’m alive! They’re dead and I’m fucking alive!
I sat forward in the seat and pressed my palms on the surface of the desk. I opened my eyes.
The bar tabs.
You’ve just killed and survived. You want to celebrate. They paid you in cash. Celebrate you can.
It felt right. The first glimmers of knowing this guy from afar, of beginning to grasp the threads of what I’d need to get close to him.
He loved the fights. He was addicted to the high. But a serious man. A professional.
Work backward. He would train. And not at some monthly dues neighborhood dojo alongside the weekend warriors. Not even at one of the more serious places, like the Kodokan, where the police judoka kept their skills sharp. He’d need something, he’d find something, more intense.
Find that place, and you find him.
I took a walk along the Okawa River. Hulking garbage scows slumbered senseless and stagnant on the green water. Bats dive-bombed me, chasing insects. A couple of kids dangled fishing poles from a concrete retaining wall, hoping to pull God knows what from the murky liquid below.