The audience is starting to turn nasty. We've stood together and watched in disbelief but now people are starting to react to what they're seeing. Many of the people right down at the front are trying to push their way out, a small minority are cheering on the violence and are trying to get closer chanting 'Swill, Swill...' and egging him on. Most of us are just stood staring at the stage. I look up again and I can hardly believe what I'm seeing. Swill is standing centre-stage again now, swinging a metal microphone stand around in a wide arc. Simmonds is flat on his back in what's left of the drum kit and he's not moving. McGuire's crawling across the stage on his hands and knees, trying to get to him. Now two roadies have rushed Swill. One of them catches the full force of a swipe with the mike stand right across his chest, the other dives and wraps himself around the musician's waist and tries to grapple him down. He's having none of it. He kicks and punches him off and tries to scramble away. He trips over the monitors and disappears down into the dark pit between the stage and the security barriers. There's a wail of feedback that sounds like a scream.
Lost him.
Can't see him.
Suddenly he appears again. He's pushed his way out through the barriers and is running into the crowd. His MAG T-shirt is ripped and now hangs round his neck like a rag. The audience react with a strange mixture of fear and adulation. Some people run away from him, others run towards him.
'Let's go,' Lizzie shouts to me.
'What?'
'I want to go,' she says again. 'Now, Danny, please. I want to go.'
People are starting to try and move away from the stage area in large numbers. The house lights come up and everyone's speed suddenly seems to increase now that they can see where they're going. We're pushed and jostled towards the exits by shocked and frightened people criss-crossing in every direction, trying to get away from the trouble before it gets any worse. In the middle of the hall the fighting starts to look like a fully-fledged riot. I can't see what's happened to Swill but scores of fans who are either pissed or stoned or who just enjoy a good fight have dived into the middle of the chaos with their fists-flying.
There's already a bottleneck forming where the bulk of the crowd is struggling to get out of the venue. I grab Lizzie's hand and pull her towards the nearest exit. We're surrounded by people and our speed reduces to a painfully-slow shuffle. A mass of huge, shaven-headed security guards push their way into the hall through another door to our left. I'm not sure whether they're here to try and stop the fighting or just to join in. I don't want to wait around to find out.
Through the double-doors, down a short, steep, stone staircase and we finally push our way out onto the street. It's pouring with rain and there are people everywhere running in all directions.
I have no idea what just happened in there.
'You okay?' I ask Lizzie. She nods. She looks shocked and scared.
'I'm all right,' she answers. 'I just want to go home.'
I grab her hand tighter still and pull her through the bemused crowds. Some people are hanging around the front of the venue but most seem to be leaving. I'm really fucking angry but I'm trying not to show it. That's just typical of how things seem to be working out for me at the moment. Why does everything have to be so difficult? I just wanted to relax and switch off and enjoy myself for once, but what happens? A long-time musical hero loses all his credibility and fucks up my first night out with Liz in months. Fucking typical. Bloody primadonna.
We slip down a side street and run back to the car.
SATURDAY
5
Half past six and the alarm clock wakes me up with its usual grating groan. I reach out and fumble around in the darkness to switch it off. I have to think for a minute to try and remember what day it is. Do I have to get up? I'm sure it's Saturday and I just forgot to cancel the alarm. I lie still for a second and try and work back through yesterday and last night. I can remember another dull day at the office with Tina Murray taking me into one of the interview rooms and ripping into me because of my attitude. I remember the gig and the fight and running away from the venue. Christ, what exactly did happen there last night? Doesn't matter now. All that's important is that it's Saturday and I don't have to get up and go to work.
I roll over onto my side and put my arm around Lizzie. She seemed happier yesterday than she has been for a while. It did us both good to get out and spend some time together. Shame it had to end the way it did. When we got back to the flat I had to drive Harry home. After that we opened a couple of cans of beer and sat in front of the TV watching a dumb action film, numbing our brains.
I shuffle a little closer to Liz and then wait for her to react. When she doesn't respond I move a little closer again and press myself up tight against her. We never seem to have chance to be intimate these days. Long gone are the times when we could be free and jump into bed at the drop of a hat. These days there's always something do or someone to look after first. Having kids has changed everything. I wish I'd been allowed to borrow someone else's for a while before we had our own. I never appreciated just how much having children can screw up your previously simple and uncomplicated life.
I can feel Lizzie's skin through the cloth of her pyjamas. She feels beautifully soft and warm. If it wasn't so early I might take a chance and try and slip my hand inside her top. Sometimes, if I'm careful and gentle enough, a move like that might start something. At this time of the day, though, she's more likely to kick me than caress me. But I can remember a time a couple of weeks back when we were both in the kitchen. She'd brushed up against me while I was standing at the sink doing the washing up. I stopped and turned around and she just looked at me like she does sometimes. I kissed her and I couldn't help myself. I grabbed her with wet hands and pushed her back onto the table. She took off her top and…
'I want my breakfast, Daddy,' Ellis pipes up from somewhere in the darkness at the side of the bed. Christ, she scared me half to death. I had no idea she was there. My suddenly semi-formed erection quickly droops back down to nothing.
'It's too early,' I mumble. 'Go back to bed.'
'I'm hungry, Daddy,' she says, undeterred.
'In a bit.'
'I'm hungry now. I can't wait.'
'Later.'
'Now,' she demands with more force and insistence in her voice than I would ever have expected from a four-and-a-half year old. She's not going anywhere. I'll have to try a different tack.
'Why don't you get into bed with Mummy and me for a while, sweetheart,' I suggest hopefully, quickly giving up all thoughts of sex. 'We'll get up and get your breakfast in a few minutes.' An hour or so with Ellis in the bed seems a much better option than getting up now. I expect a little resistance but, to my surprise, she agrees. She drags herself up onto the bed, steps over my head and then wriggles between Lizzie and I. Christ her feet are cold. Lizzie angrily mumbles something unintelligible when they touch her.
Thirty seconds of silence and she starts on me again.
'I want toast please, Daddy,' she says. I have to give her her due, she might be irritating but at least she's polite.
'In a minute,' I yawn, rolling over onto my side again, grabbing back some duvet and twisting and contorting my body to avoid contact with her icy feet. 'Let's just stay in bed for a little longer, shall we…?'
She agrees but she talks. And she talks. And she keeps talking. I screw my eyes shut and pull the duvet over my head.