Part V
Chapter 13
What shall Cordelia speak? Love and be silent.
Cordelia loved King Lear as much as Jane loved her father, but Cordelia was a better daughter. He kicked her out and she came to his rescue. Jane didn’t think she wanted to rescue her father, even if she could. Jane had two older sisters, also. One said to her, I like you better when you’re fat. You’re nicer. Jane didn’t think of herself as nice, and began to refer to herself as she when making entries in her diary. Jimmy told her that when she died he’d publish them and everyone would cry because she was dead. Jane didn’t want them published. The thought of it made her sick.
She is a player in his world. It is good and evil, and he tells her she’s evil. He also tells her he loves her. She’s four years old and she’s hiding in the bathroom. She made him angry. She did something to make Frank angry. Jane scratched that out. She didn’t want Frank in her diary anymore. She didn’t have to see him because she was back in college. She felt lucky to have met Maria, someone to talk to. Jane went to the phone and dialed her number, but it was busy. She arouses the devil in him. She arouses in him the devil. Lois would’ve liked being in college, she would’ve gotten something out of it. She is passing time or is suspended in it. In the front of Jane’s very first diary was a picture of her dead friend, taken when they were ten, at a party when they barely knew each other. Lois is grinning, no idea of death, nothing like this shows no matter how long one stares. Maurice had once quoted Duchamp: “After all it is always the other person who dies.” Jane forgot who wrote it, but her imperfect memory had recorded that this appeared on somebody’s tombstone. Maurice told Jimmy he was sick of her imperfections.
Jane wasn’t perfect, as Felix predicted she might be. Even with sex. Though now that she wasn’t innocent of it and not considered innocent, life was different. It was as if a door had been opened and once it was open, it couldn’t be shut. You know that old worry that they can tell you’re not a virgin, that it shows. It does. But not on your face. It’s in your body, out of your body, and it’s in your mind. She had been entered.
Jane fell in love with a guy who lived with someone else and told her they were breaking up. He moves toward her and she feels something never felt before. A shudder. He’s tall and sandy-haired. They’re introduced while watching a fire on St. Mark’s Place. It’s a wonderful way to meet, they agree. They walk away, toward the west. She takes two steps to his one. They sit opposite each other in an old diner with booths and a great jukebox. She’s never felt this way before and she thinks it’s the real thing. She decides not to sleep with him until some time passes. Then it’ll be right, it’ll mean more. It’s a kind of empty terrain she feels herself in: pale eyes, long legs, the shudder, the sense of being looked at nourishing her. This shifts into her being swallowed, taken in through the eye and the mouth, devoured without being touched. She swallows longing.
We have this hour a constant will to publish our daughter’s several dowers, so that future strife may be prevented now.
Uncle Larry wanted to see Jane. Business was so bad he and her father were trying to sell, if they could find a buyer. Both men had wanted to leave the business to their children, all girls. The eldest sister wondered what would have happened had there been a boy. But as it was, all girls and nothing to inherit. Larry and Jane were walking in Central Park, heading for the cafeteria and frankfurters and milk, to feed Larry’s ulcer. He was talking about how it was in the office, with no customers. Just bolts of material around, neatly stacked and colorful. The salesmen had been let go, then one died of a heart attack. She pictured her father, bent over a piece of fabric, the magnifying glass to his eye. “We just walk around the office or look at each other. Sometimes that Filipino comes in with his pretty wife, but we don’t have anything to sell him. He’s polite and leaves and your father gets humiliated and I try to cheer him up. He takes everything so hard.” The monkeys jumped, the gorilla stared, and the orangutan and her child sat in a corner, picking bugs from each other. “You always forget,” Larry said, “how ugly zoos are until you see them again. Kids see animals on television, they don’t need to see real ones.” The seals were being fed. They were leaping out of the water, grabbing a fish from the keeper’s hand, diving back down again, all one continuous movement, clean and deliberate. Larry thought that the seals looked all right. Small children squealed each time a seal rose out of the water, a miracle. A child was crying and Jane watched her. Her mother had walked away, leaving her with another child who was slightly older. As soon as the mother’s hand had left hers, the child screamed. Her face got red and her eyes rolled around. She screamed and screamed and screamed. Jane watched. She was angry at the child for screaming. It had done something wrong. It was being too demanding. It deserved it. Why couldn’t she leave her mother alone? Jane wondered if you could scream and breathe at the same time. Watching, she felt suspended in it. It was like being at and in the movies simultaneously. “We haven’t looked at the home movies lately,” she said to Larry when the mother came back to the child. Larry asked her if she was remembering the first time they took her here. “Sort of,” Jane answered.
Jane was the keeper of the family home movies. She’d watched them by herself when she was no more than seven. Getting out the 8mm projector, setting it up, making the room dark. The family before she was born. The family after she was born. Everyone running toward the camera when Daddy yelled action. Daddy said he liked to get movement into everything. The trip to West Point before she was born. The trip to Canada when she was eight. The sister, as an adolescent, who hates being photographed. That sister, a baby, a cherub who smiles at the camera, Daddy. The other sister crying, sunlight on her shiny hair. She sits in a stuffed chair, mostly in shadow, tears running down her face, her red mouth loose with fatigue. The fight between sister and Mom. Mom waving the camera away, jerking her head to the side. Daddy tan from a trip he made alone to Bermuda when Mom was pregnant with her. Shots of that pregnancy. She lumbers slowly toward the camera, her daughters running to her side, jumping in front of her. They’re small and active, she’s big, her movement contained, labored. When slowed down the movements and gestures will of course reveal more, as if Proust had his hand in it and not just technology. Jane doesn’t slow down the projector when she’s a little girl. At full speed she watched herself, six months old, being given the bottle by Mom, who’s looking at the camera, Daddy, so that the bottle doesn’t go into Jane’s mouth but waves near it.
She sees him for two weeks. Nearly three weeks. Jane moves the coffee cup to her mouth and remembers his eyes above his coffee cup. The other woman he’s with is older than she is and older than him. He’s an actor and in a play and for two weeks she walks him to his rehearsals and watches him disappear behind a wooden door. She won’t sleep with him until everything is right and he’s left the woman. He kisses her and swings her in the air. Jane is pretending the brim of the cup is his mouth touching her mouth. She watches him move his leg. His leg touches hers as his lips touch hers. Words come out of his mouth. He tells her he loves her and that he’ll always love her. She wants his words to be physical. The scene repeats. He moves his leg, he kisses her, he loves her. Jane tells Maria about him and Maria laughs. “You believe that line. You middle-class girls. Jesus.” Jane wants to walk away from her friend and sit alone in the cafeteria, but she doesn’t. She drinks more coffee and they talk about King Lear. Jane said in class that Lear wanted Cordelia sexually and the girl in front of her turned, her hand raised, as if to hit her. The teacher, a man, intervened. “Now, now,” he said. “Now, now, girls.” But she didn’t give her father what he wanted. She didn’t say what he wanted to hear, that she’d love him more than anyone, even her husband. “Cordelia’s a goody-goody,” Maria said, watching Jane’s reaction. “I like Regan and Goneril.”’ “But they’re horrible,” Jane said. “Lear must’ve done something to them. Goneril says,’He may hold our lives in mercy.’ Remember? They were scared of him.” “Why wasn’t Cordelia?” “She believed him,” Maria answered.