The Mason his Father calling for Help rushed in the direction of the Pyramidde, where now Thomas lay, and the-Work men followed amaz'd. But he had expir'd at once. There was a contusion in his Head which I could not forebear from Noticing as I bent over the Body: the Blood ran out of his Mouth as out of a Bowl, and carne pouring upon the Ground. All those around stood stiff like a Figure, motionless and speechless, and I could hardly refrain from smiling at the Sight; but I hid my self with a woeful Countenance and advanc'd up to the Father who was ready to sink down with Grief (indeed the Death of his Son work'd hard upon his Bowels, and dragg'd him by degrees after him to the Grave). A littel Crowd of People was looking on with their What is the Matter? and Is he quite dead? and Poor creature, but I waved them away. Then I held fast to Mr Hill, and stayed silent to help Compose him: He has fled out of his Prison, said I at last, but he looked on me strangely and I stopp'd my self. The Mason was now quite stupid with Sorrow; he was alwaies a sullen and dogged Fellow but in his Grief he sett upon God and Heaven at a very foull rate, which pleased me mightily. I kept my Silence but this Reflection was rowling about my Mind as I gazed at the little Corse: He is pretty in Death because he did not feare it. Then the Father made to unbuckle his son's shooes, for I know not what Purpose, but I led him away and spoke to him gently.
At any rate, I said, give him leave to be buried where he fell and according to Custom: to which in his Agony he assented. Then he began to spew soundly.
And so all this was given to my Purpose: there is a certain ridiculous Maxim that The Church loves not Blood but this is nothing to the Case for the Eucharist must be mingled with Blood. Thus had I found the Sacrifice desir'd in the Spittle-Fields, and not at my own Hands: I had killed two Birds, as they say, and as I coached it from White-chappell I rejoyced exceedingly. I am in the Pitte, but I have gone so deep that I can see the brightness of the Starres at Noon.
AT NOON they were approaching the church in Spitalfields.
Their guide had stopped in front of its steps and was calling out, 'Come on! Come on!'. Then she turned to face them, her left eyelid fluttering nervously as she spoke: 'You have to use your imagination on a building like this. Do you see the decay? It should be lovely and clean, like the top.' She pointed vaguely at the steeple, before bending down to brush some dirt or dust off the edge of her white raincoat. 'What was that falling there?', one of the group asked, shielding his eyes with his right hand so that he might look more clearly at the sky around the church tower, but his voice was lost in the traffic noise which had only momentarily subsided: the roar of the lorries as they were driven out of the market in front of the church, and the sound of the drills blasting into the surface of the Commercial Road a little further off, shook the whole area so that it seemed to quiver beneath their feet.
The guide rubbed her fingers with a paper handkerchief before beckoning the group onwards; they hurried from the vicinity of the noise into the apparent chaos of streets and alleys beside the church, hardly noticing the people who stared at them incuriously. Then they stumbled into each other on the narrow pavement as their guide came suddenly to a halt and, in the relative quiet of this place, adopted a more intimate tone: 'Are there any Germans here?' and she went on without pausing for a reply, 'It was the great German poet, Heine, who said that London defies the imagination and breaks the heart'.
She looked down at her notes, and a murmur of voices could be heard from the houses closest to them. 'And yet there are other poets who have said of London that it contains something grand and everlasting.'
She glanced at her watch, and now the group could hear the other sounds of the street: the murmured voices were mixed with words from radio or television, and at the same time various kinds of music seemed to fill the street before ascending into the air above the roofs and chimneys. One song, in particular, could be heard coming from several shops and homes: it soared above the others before it, too, disappeared over the city.
'If we take our stand here and look south, ' -and she turned her back on them -'we will see where the Great Plague spread.' Some children nearby were calling out to each other, so she raised her voice. 'It's difficult to imagine, I suppose, but the disease carried off more than 7000 people in this neighbourhood alone, as well as 116 sextons and gravediggers.' She had remembered her lines, and knew that it was at this point they would laugh. 'And down there,' she continued, cutting them off, 'were the first houses.' They peered in the direction to which she was pointing and at first could see only the outline of a large office building, the cloudy surface of its mirror-glass reflecting the tower of Spitalfields church. The road was wet from a recent shower of rain and it reflected the light which at midday radiated from the neon shop-signs and from the interiors of offices and homes. The buildings themselves were variously coloured -in grey, light blue, orange and dark green -and there were slogans or drawings daubed upon some of them.
She could hear a train in the distance. 'And where we are standing now would have been open fields, where the dead and the dying came.' And as they looked at the site of the plague fields, they saw only the images on the advertising hoardings which surrounded them: a modern city photographed at night with the words HAVE ANOTHER BEFORE YOU GO glowing in the dark sky above it, an historical scene in washed-out sepia so that it resembled an illustration from an old volume of prints, and the enlarged face of a man smiling (although the building opposite this poster cast a deep shadow, which cut off the right side of the face). 'It has always been a very poor district,' she was saying when a group of four children, whose cries and whistles had already been heard, marched between them. They ignored the strangers and, looking straight ahead, chanted: What are you looking for in the hole?
A stone!
What will you do with the stone?
Sharpen a knife!
What will you do with the knife?
Cut off your head!
They marched on and then turned round to stare as the guide took her party forward, her enthusiasm now diminished as she tried to recall more facts about this neighbourhood: and if I can't remember any, she thought, I'll just have to invent them.
And the streets around the Spitalfields church were soon filled with the children who had come tumbling and laughing out of school, shouting out nonsense words to each other until a general cry of 'Join in the ring! Join in the ring!' was taken up. And the question became 'Who's it?' until the answer was given, 'You're it!' and a small boy was pushed into the centre of the ring, an old sock wound around his eyes, and he was spun three times on the spot. He kept very still and counted under his breath as the children danced around him and called out, 'Dead man arise! Dead man arise!'. Then quickly and unexpectedly he lunged forward with his arms held out in front of him, and the others ran away screaming with excitement and fear.
Some of those in flight ran towards the church, but none of them would have dared to enter its grounds.
Where now the boy, Thomas, half-crouched behind the small pyramid which had been erected at the same time as the church itself, was watching them. The late afternoon sun threw his shadow upon the rough discoloured stone, as he traced its hollows and striations with his finger -afraid to look directly at the children, and yet not wanting to miss any of their movements. Thomas could feel the pyramid quiver as the lorries turned roaring into the Commercial Road, sending clouds of dust into the air as they did so: he had once noticed with astonishment how above an open fire the air itself quivered, and now he always associated that movement with heat.