What I found was hardly the best solution, but it was the only way out. Near the Pillar of Deep Intentions there was a cluster of pipes that led down. The pipes were cold, leading in from somewhere deeper in the Church before heading under the floor. Where they disappeared, there was a long axle, a camshaft that spun slowly around. With each revolution I could see far down, to a stone floor at the bottom. There was light there, and ladder rungs were built into the shaft-way. Maintenance access, probably. I just needed to stop the cams.
I moved Emily closer to the tunnel, then dragged the family pew over. From the direction of the door I could hear machines and heavy footsteps. I was sweating, gods, I was sweating a river. I leaned the pew on its end, the weight almost too much to bear, but I had to do it. Emily started to bleed again. I walked the precariously balanced pew to the lip of the shaft-way. One chance, I suppose. When the shaft cleared the cam, I pushed the pew forward and dropped it straight down into the duct.
It fell about three feet before the cam came back, crushing the wood. The remainder of the pew splintered and fell. The cams ate it up, shattering and scattering bits of wood and leather all over the room. I fell over Emily. Splinters stung my back. There was a lurch, then quiet. I looked up.
The remnants of the pew were lodged in the camshaft’s workings. The whole mechanism moaned under the strain. Nearby cogs pinged and fell out of cycle, teeth grinding against their drive shafts. The shaft-way was clear, but not for long. I wasn’t sure I could make it down all the way. I looked at Emily, at the door, down the shaft. No choice.
I hefted Emily over one shoulder, ignoring her moans and the blood on her chest. I took the rungs three at a time, more falling than climbing. It reminded me of the obstacle courses at the Academy, only much more difficult, with higher stakes. My shoulders were popping in protest.
Some of the pew slipped, and the cams started again. I flinched against the wall, but the cam roared at me, the wide metal face of the thing oily and flat, a hammer to the face, a tidal wave of force and energy. It stopped, inches short of me. I looked up and saw a Wright, looking down.
“Come on up, son,” he yelled. “We can work this out.”
Something loomed behind him. It was a rough parody of a man, ten feet tall with arms of latticed steel and wire. Its clenched fists like barrels.
I let go and dropped. I hit first, cradling Emily. Pain went through my legs and back as I rolled, keeping her off the stone. I was bleeding now. As I hit, the axle lurched, the pew finally shattered, and the camshaft whirred into life. The Wright looked down at me, the cams blurring as they sped up. He shook his head and disappeared.
I stood, picked up Emily, and tried to run down the corridor. The world was roaring in my head. Emily opened her eyes, briefly, and stared at me.
“It’s okay, it’s okay,” I hissed. “Everything’s okay.”
She coughed blood, then closed her eyes and shivered. I ran faster, faster, blind into the dark tunnels beneath the Church of the Algorithm.
Chapter Twelve
The tunnels below the Church weren’t meant for escape routes, and they weren’t built to accommodate carrying an unconscious person. They were tiny, clogged with machinery and oil-slick. I was lost, I was tired, and Emily was dying. The Wrights kept getting closer, their frictionlamps stuttering in the period of whirling cog walls, their voices drowned in hammering machines. I almost gave up.
Eventually I dropped into an open space, a room that was built like a trench, the ground narrow and the ceiling wide. The walls slanted away from me. Here at the end the ceiling was close, but twenty feet on, the trench opened up. I couldn’t see its height in the darkness, but the air was damp and my footsteps echoed as I went forward. The walls were cut stone, or something very similar. Dull gray veins ran through the rock. We were deep beneath the Church. How were these tunnels kept so dry? Anything this far below the city should be drowned in the rivers.
I ventured down the trenchway. When the low ceiling ended, the darkness stretched above me. It was an unsettled darkness. Something moved far above me. It looked like storm clouds seen at night, indistinct shreds of cloud ripping across a muffled moon. There was a sound like a river of smooth stones tumbling in the distance. I struggled forward under that barely seen, buried sky, carrying Emily close to my chest.
There was a door at the end of the path. It was a simple door, wood, the brass handle smudged with use. The sound of that river of stones came from somewhere beyond it.
The room behind the door was a funnel. Its wide mouth was high above me, the lower tip about twenty feet below. Pipes entered the room on all sides, wide and narrow, iron and brass. I realized that the barely glimpsed movement in the ceiling behind me was a single enormous conduit, glass bound in steel, that carried murky quicksilver. Shapes moved within the confines, twitching and lurching in the current.
All the pipes, regardless of their origin or size, led down to the tip of the funnel. They branched and narrowed until they reached an intricate caged sphere. The room was hot and loud, a cacophony echoing off the sloped walls and distant ceiling. The pipes sweated a black liquid, thinner than oil but darker.
A set of stairs led down. They were lovingly worked, shiny wood that would not have been out of place in the loftiest manor. Though the rest of the room stank of oil and engines, there wasn’t a drop of grime on these stairs. The banisters were tightly carved in the holy symbols of the Algorithm. Ancient, but beautifully maintained.
I stumbled down the stairs. When I got to the floor, I registered a terrible cold in my feet. The floor glittered with frost, the freezeline melting quickly along the wall about three inches up. The frost crackled under my feet like tiny shards of glass. I was careful as I walked. Emily was getting heavier.
There was one pipe that was not a pipe, I realized as I got closer to the cage. A single brilliant column twisted up into the ceiling from the center of the intricate sphere. It hummed, and as I approached I saw that it was the Pillar of Deep Intentions from the Church, far above. It spun rapidly. I shuddered to think how long that axle must be, that led from here to that mystical cog on the surface.
I shuffled closer, to see where the pillar led, and looking for a place to set Emily. The shaft plunged into the center of the spherical cage. There was something inside. Closer, and I saw that the sphere was little more than a hollow cage, bars supporting pipework, much smaller tubes continuing in. Leading to a girl.
She was held in place by a complexity of iron fittings, wires and pipes and axles that sprouted from her fingers or hooked to her bones. Again, closer and I saw that she was no girl, but a machine in the form of a girl. Much of her was missing. Her arms were stripped to the bone, the occasional fleck of porcelain skin pinned in place like an unfinished mosaic. Her fingers were long and thin, the tendons nothing more than wire and pulley. One hand was missing. She had no legs. Her torso was little more than framework, the bones matte pewter, her ribs spread or snipped away to reveal the engines of her inner workings. Her heart was a void, the spine glistening through. The column that traveled from such a height down to this chamber narrowed as it approached her, then evolved into a whirring spindle that meshed with her spine. The sound and speed was a high pitched ticking that hovered at the edge of hearing.
Her shoulders were slumped but largely intact. The skin there was pale white and smooth, very like the shoulders of any normal girl. Where it ended over her ravaged chest, the edges flaked like mica. It looked as though the flakes squirmed, blind inchworms looking for the next blade of grass.