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"The key," Antoine Whispered, his voice ringing in my ears.

I was already on my way. I leaped over the struggling men, clearing the pit and landing next to the altar. On the floor, the mandala and starburst pattern of script glowed heavily in the thick air. At the center of the pattern was the twisted knob of the key, and I pulled at it, but nothing happened. The key was stuck; it wouldn't come out.

The air in the chapel gusted suddenly, a wave of pressure sweeping into the room. The stone wall behind the altar wept fat tears, beads of clear jelly that welled up from the cracks between the stones.

"You need the ring," Antoine Whispered. "The ring commands the key."

Henri snapped his head forward, smacking Antoine on the forehead. Antoine's focus wavered, and Henri pulled himself halfway free of the silver snare. The metal stretched between them, and I could see Henri's fingers straining for the shaft of the Spear. Antoine snarled and the strands of silver twisted into strands of barbed thorns, tearing at Henri's jacket and arm.

Behind them, the hall started to fill with a radiant glow as the walls reacted to the flood of energy coming back. Marielle was standing next to Charles' sprawled corpse, and she became outlined in light.

Steam rose off Henri's frame as he tried to find energy in the surrounding stone. Antoine held on, his left hand grasping for Henri's face. The light glittered off the band on his ring finger.

There wasn't any time. Not to separate them enough to get the ring from Antoine.

The Chorus filled my hand as I made a fist, and I slammed them against the stone floor. I couldn't get the key out, but maybe I didn't need to. Maybe I didn't need to worry about opening this hole ever again. If I could disrupt the magick of the key, then perhaps its purpose could be co-opted. If the key was acting as a shim that broke the integrity of the ward, then if I could shift it, the ward would seal again. I didn't need to command the key; I only needed to break it.

My knuckles shrieked as I played unstoppable force to the mandala's immovable object. My bones were the most fragile object in the collision and some of them shattered.

Antoine thrust his silver arm below the rim of the pit, hauling Henri closer to the edge. Henri slipped across the floor, and his shoulder and head passed the plane of the pit's opening.

The key broke too, and the ward snapped back. The last thing I saw was Antoine, caught in the stone floor, and Henri, his body twitching, with nothing left above his clavicle; then the storm reached ground zero and everything went white as the world imploded.

THE FOURTH WORK

". . down they fell,

Driven headlong from the pitch of Heaven, down

Into this deep, and in the general fall

I also; at which time this powerful key

Into my hand was given, with charge to keep

These gates forever shut, which none can pass

Without my opening."

— John Milton, Paradise Lost

XXIII

Once upon a time, in the Old Kingdom of Egypt, the sun god Ra was bitten by a serpent. Not the normal sort of serpent one finds in the garden, hidden among the trailing vines, but one with a malicious bite (a distant cousin to the sharp-toothed one who wound itself around the Tree in the Garden, in fact). When the serpent bites Ra, he is mystified as to why one of his creatures would wound him so. He kneels on the path and lifts up the tortured snake and asks, Why do you inflict yourself upon me?

The answer is, of course, an allegorical riddle: Because it is my nature. The snake knows no other way. It is narrow and perfect in its focus, and there are no diversions or branches on the path it knows. Ouroboros, the great Norse serpent, is the symbol for the re-occurring nature of the cosmological cycle, and he is drawn biting his own tail. Why? Because it is his nature, too.

Ra does not understand the snake's answer and so falls ill. Enter Isis, Osiris' wife, who-let's be honest-is the archetypal symbol for the Great Healer. She did, after all, piece together all the pieces of Osiris' body after his brother Set dismembered him and cast the pieces to every corner of the known world. Isis comes to Ra's bed where he lies stricken, and asks, What ails you, my King?

I have fallen ill, Ra says, but I do not know the cause of my sickness.

I can heal you, my Lord, but I ask a boon.

What is it that you wish? Ra replies.

I wish to know your secret name.

No man may know that secret, he says.

Isis opens the drapes of the tent in which Ra lies and shows him the darkness and sickness that has come over the land as the poison has come over him. The land, locked in the shadow of a perpetual solar eclipse.

The Land languishes, my Lord, and with it, your people, she says. Do you not wish to save them?

This poison will pass, Ra says, I will be well again.

As you wish, Isis demurs.

But he doesn't get better. The poison ruins his veins, causing him to weep internally, blood and pus flowing into his chest cavity. It ravages his lungs and he cannot breathe. It devours his stomach and he is assailed by an impossible hunger. It descends into his groin and he loses the power to create life.

Isis is summoned by her sister, Nuit, who is equally consumed with despair. Heal him, she begs Isis. Bring him back.

Isis bends over the ruins of the god, who does not recognize her as the poison has blocked the path light follows from the eyes to the brain, and whispers into his ear. I only ask a small thing, my lord. Just one tiny word.

Deep in his madness, some part of Ra hears her, and in the shrunken nut of all that remains of his glory, knows that, without Isis' aid, the light that is Ra will go out. He calls forth the only spark remaining in his heart and binds it to the last breath in his lungs. This chariot and cargo fly through the ravaged cavity of his chest, up through a hole in his throat and into his mouth. When it reaches his lips, the spark is transformed into a single word, and Isis, her ear next his lips, is the only one who hears it.

Empowered by the perfection of this word, made glorious by the presence of Ra's secret name, Isis opens her heart and releases her healing magic. Her love drives out the serpent's poison, and she builds him a new stomach, repositions his ribs, and even reaches down into his groin to warm the cold stone of his sex. She brings him back, and when he wakes, the sun is born again and the river flows once more. The Land continues on.

But she knows his secret name now. That can never be taken back.

As for who gave the serpent the secret of poison? Well, that detail may or may not be revealed by the storyteller. He may leave it up to the imagination of the audience, or he may dismiss all inquiries as to the identity of this miscreant. It does not matter, he may say. The serpent is villain enough. For many centuries, the initiates claimed it was Isis who gave the serpent its fangs.

I believe it was Ra himself.

When I opened my eyes, the light was all wrong, and I gradually realized it was soft and ambient and altogether normal. Daylight. I turned my head and discovered I was lying in bed. Next to Marielle.

I had been dreaming. A rocky spur, exposed by the wind from the vast sea of sand surrounding it, had wept water long enough for a verdant oasis to grow around this artesian upwelling. I had been sitting in the shade of palm trees, listening to Philippe tell stories. Cristobel and Lafoutain had been there too; all three were dressed in white-the reflective garb of desert nomads. Nearby, several camels had been contentedly chewing while Detective John Nicols-dressed in a similar fashion-fussed with the high saddles and bags.