They left' an embarrassed Finley and a preoccupied Trueblood. Charles took her arm. She drew away. On the walk to the hotel, he repeatedly tried to start a conversation. Each time she shook her head, or said no, or once, "Please don't. I'm sick to death of your bloodthirsty talk."
In bed they neither made love nor touched after a perfunctory goodnight kiss. Charles slept poorly. In the morning both apologized for bad temper, though neither apologized for anything else. He felt resentful about the need to apologize at all.
His river packet left at five. After a late-morning rehearsal, Willa pleaded a headache and wanted to return to the hotel. Charles drew her to a quiet corner backstage. "This might be the last time we meet for a while. Grierson's sending C Company into the field."
Angry tears welling, she said, "I hope you find every ounce of blood you're looking for — though why you're looking at all after four years of war, God knows."
"Willa, I've explained."
"Never mind. Just never mind, Charles. It's probably good that you're leaving your little boy for a time. He's too young to be taught how to hate."
Charles seized her wrist. "There is very good reason for my —"
"There is never a good reason for barbarity." She backed up, struggling, wrenching, until he released her. "Not for the barbarity of the men who killed your friends, nor for yours either. Goodbye, Charles."
Stunned, he watched her whirl and leave. He heard the loud slam of the door to Olive Street.
Turbulent anger mixed with his remorse. He was raking a match on the sole of his boot when Trump waddled from the dark, a stained towel over his bare, pale shoulder.
"I heard a bit of the quarrel. The Indian question again."
"She absolutely doesn't understand —"
"She understands her own position, and she's very serious about it. You've known that for many months. You pushed her too far and forced a choice. Got the one you didn't expect, eh?" The old actor wiped a dab of powder from his cheek. "At least I'm spared the necessity of knocking you down. You hurt her, but you got your punishment."
"Don't talk like a damn fool, Sam. I love her."
"Is that right? Then why do you drive her away?"
He sent a searching look at Charles, and then he walked off.
Charles leaned on the packet's rail, watching the lamps of St. Louis recede in the spring dusk. Water cascaded noisily over the stern paddles.
He had done what Trump said, hadn't he? Driven her away deliberately.
Why? Was it because he feared a greater hurt if the relationship went on? Or was it really because she hated his obsession with the Cheyennes? Hell, he didn't know. Though they were distinct reasons, he kept mixing them up somehow.
He thought of her eyes and hair. Of her passion and her tenderness. Of her wit and her idealism, so energetic and still unmarred by time and reality. She was as fine in her own way as Augusta Barclay, whom he'd also driven off. He saw himself repeating the pattern, scored himself, then tried to deaden the guilt with memories of Wooden Foot, Boy, Fen.
I'm right, God damn it. She isn't a realist. Never will be.
And yet, gazing at a far sparkling constellation overhead, something in him grieved.
Hancock set a watch on the village. Shortly after nine o'clock ... it was discovered that the Indians were abandoning it ... Custer was ordered to take his command — about six hundred men of the Seventh Cavalry — and surround the village, but not to enter it, or attack the Indians. The surrounding was effected with great celerity; no noise whatever could be heard in the village; and closer examination revealed ... that the Indians had abandoned it and moved northward toward the Smoky Hill ... Custer was ordered to have his command ready to move at daylight, for the purpose of overtaking the Indians and forcing them to return. He moved with the greatest rapidity, and reached Lookout Station on the Smoky Hill while the station was still burning. There he discovered the half-consumed bodies of the station-men among a pile of ashes. He at once dispatched a messenger to Hancock stating these facts. ... Upon the receipt of the intelligence, Hancock ordered Smith to burn the Indian village. ...
29
"Son of a bitch," said Ike Barnes, stomping in.
"Me?" Charles asked, sliding the February Harper's Monthly into the desk. It had been passed all over Leavenworth because of a G. W. Nichols article about Hickok. Nichols had chronicled Hickok's exploits as a scout for General Sam Curtis in the Southwest, as a Union soldier at Wilson's Creek and Pea Ridge, and as a pistol artist without peer. He credited "Wild Bill," as he called him, with slaying at least ten men. Although no one seemed to know where Hickok got his nickname, Charles had no doubt after reading the article that it would soon be known all over America.
"No, not you, don't try to be funny," Barnes said. "The son of a bitch I'm referring to is that son of a bitch Hoffman. When we leave for Riley tomorrow, we can't take our laundresses."
That roused Floyd Hook from a doze; he was a fastidious dresser. "Why the hell not, Captain?"
"Hoffman said so, that's why not. The women are ordered not to leave the post in the wagons of C Company."
Charles scratched his chin, reflecting. "Well, if that's the order, let's obey it. Let's ask the ladies to meet us outside the gate."
The old man blinked. "Damn. Charlie, you've been mean as a mad dog since you came back from St. Louis. But I'm glad I kept you around."
Charles spent the evening with Brigadier Duncan and little Gus. He romped and wrestled with his son, who giggled with delight and then gave his father a long hug before he turned over to go to sleep.
Duncan asked about Willa. "You haven't mentioned her once."
"She's fine. Busy with a new cause." There, unexplained, he dropped it.
The next day dawned clear and perfect. The seventy-two men, three officers, and two wives of C Company prepared to leave the Fort Leavenworth reservation. Grierson shook each officer's hand in turn. "I'm proud of this company and this regiment. I just want to last long enough to lead you men in the field. If I don't get out from under Hoffman by autumn, I'll take the Grand Bounce myself."
"Don't do that, sir," Hook said. "We'll send Lieutenant August to shoot Hoffman for you. He's eager to shoot somebody. Anybody."
Feeling mean as a wolf, Charles didn't dispute it.
The company started to move out. Standing with Satan, patting him, Charles watched the troopers walk their horses past in column of fours. They'd heeded the old man's lecture on a field uniform. Charles saw a variety of shirts of faded gray cotton, yellow kersey, green silk. He saw cavalry pants, jeans pants, Indian leggings. He saw kepis, fur hats, straw hats, even a Mexican sombrero. And he saw many new bowie knives and hand guns.
Charles himself was comfortably dressed in yellow-and-black striped trousers and a soft deerskin shirt. He'd jammed his Army blues into his travel trunk along with his gypsy robe and a new sheepskin-lined winter coat. To get the coat and his new flat-crowned black hat with yellow cord, he'd traded away his caped overcoat.
Magic Magee rode by wearing a black derby with a wild turkey feather in the band. He saw Charles and whipped off a smart salute. The second his hand touched his forehead, the queen of diamonds snapped out between his index and middle fingers. He shoved the card under his left arm, where it disappeared. He rode on, flashing that wonderful smile.
A horseman appeared in the dust cloud billowing behind the wagon carrying Lovetta Barnes, Floyd Hook's haggard young wife, Dolores, and the Hooks' small daughter. Charles tensed, slipping his hand to his Spencer in the saddle scabbard.