i1.19 © Horace Bristol/CORBIS
i1.20 United States Patent Office, Patent #2292387
i1.21 AP Photo
i1.22 Used with permission from Stars and Stripes, © 1945, 2011 Stars and Stripes
i1.23 ESA/P. Carril
i1.24 mptvimages.com
Hedy Kiesler (Lamarr), shown here at six, was born to wealth and privilege in Vienna in 1914. (illustration credit i1.1)
At sixteen, Hedy skipped school and talked her way into work at Vienna’s largest film studio. Bit parts followed. (illustration credit i1.4)
A first starring role in the 1933 Hungarian art film Ecstasy gave Hedy a controversial breakthrough. (illustration credit i1.5)
Arms merchant Fritz Mandl, the third-richest man in Austria, married Hedy in 1933. The marriage soon soured. (illustration credit i1.6)
When arson destroyed his family’s factories, Mandl rebuilt and sold munitions to Italy and Nazi Germany. (illustration credit i1.7)
Mandl’s power intrigued Hedy, but his possessiveness made her feel locked in a golden prison. (illustration credit i1.8)
While hosting German experts at this Mandl hunting lodge, Hedy heard talk of torpedo technology—and remembered it. (illustration credit i1.9)
Antheil scored his notorious Ballet mécanique for bells, sirens, an airplane propeller, and synchronized Pianolas. (illustration credit i1.12)
Now in Hollywood and horrified by German sinking of transports carrying British children, Hedy determined to invent a counter-weapon: a radio-controlled torpedo that would randomly switch frequencies to avoid jamming. (illustration credit i1.16)
George Antheil helped Hedy develop her frequency-hopping idea (left to right: unknown, Boski Antheil in striped dress, Hedy, George, unknown). (illustration credit i1.17)
From his player-piano experience, Antheil proposed using a punched “ribbon” to program frequency hopping. (illustration credit i1.18)
U.S. torpedoes were plagued with accuracy problems until late in the war. In 1942, 60 percent were duds. (illustration credit i1.19)
Despite its torpedo problems, the U.S. Navy rejected Hedy and George’s guidance system—too bulky, the navy brass said. (illustration credit i1.20)
Hedy volunteered weekly at the Hollywood Canteen. In two weeks on tour in 1942 she sold $25 million in war bonds. (illustration credit i1.21)
Stars and Stripes made gentle fun of Hedy’s invention, but within a decade it became basic military technology. (illustration credit i1.22)
Today Hedy’s invention serves millions through GPS, Galileo, and GLONASS satellites, Bluetooth, cell-phone, and digital wireless systems. (illustration credit i1.23)
Hedy (here at forty-six with her son and daughter, Anthony and Denise Loder) finally received recognition for her fundamental invention in 1997. (illustration credit i1.24)
The Twilight of the Bombs
Arsenals of Folly
John James Audubon
Masters of Death
Why They Kill
Visions of Technology
Deadly Feasts
Trying to Get Some Dignity (with Ginger Rhodes)
Dark Sun
How to Write
Nuclear Renewal
Making Love
A Hole in the World
The Making of the Atomic Bomb
Looking for America
Sons of Earth
The Last Safari
Holy Secrets
The Ungodly
The Inland Ground
Copyright © 2011 by Richard Rhodes
All rights reserved. Published in the United States by Doubleday, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto.
www.doubleday.com
DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Random House, Inc.
Grateful acknowledgment is made to the following for permission to reprint previously published and unpublished materiaclass="underline"
The Estate of George Antheiclass="underline" Excerpts from Bad Boy of Music by George Antheil (Doubleday, Doran & Company, Inc., 1945) and excerpts from the unpublished writings and correspondence of George and Boski Antheil (Library of Congress Antheil Collection). Reprinted by permission of The Estate of George Antheil, administered by Charles Amirkhanian.
Viking Penguin, a division of Penguin Group (USA) Inc., and Williams Verlag AG: Excerpts from The World of Yesterday by Stefan Zweig, translated by Helmut Ripperger and Ben Huebsch, copyright © 1943 by the Viking Press, Inc. Rights to the underlying work, copyright © 1977 by William Verlag AG, Zurich. Reprinted by permission of Viking Penguin, a division of Penguin Group (USA) Inc., and Williams Verlag AG.