“Will,” Edmund asked, “what’s Will Parker doing here?”
Will shook his head. “I don’t know. He’s Baron Monteagle now, though – ” And Essex’s man, knighted by him in Ireland along with the rest of the useless retinue.
“Who’s Will Parker?” asked Fletcher, blinking.
“Francis Tresham’s brother‑in‑law. Which makes him Edmund’s and my cousin by marriage,” Will said, and somehow despite his limp outpaced Fletcher and Edmund enough that when he bowed before Parker the other two were half a step behind him. “Lord Monteagle.”
“Cousin,” Monteagle addressed him, in that rich dark voice that the player in Will had always envied. “I have a business proposition for you and your partners in the Globe. Perhaps we could discuss it in private?”
“A business proposition?” Will smiled, the fearful tautness in his chest easing. For one mad moment he had thought something had gone terribly wrong, but if it was only a favor to a relative, even if he was a peer –“We have a patron, cousin.”
Catesby fell in beside them as they turned. Edmund led Fletcher aside, and Will caught Burbage’s eye, and Will Sly’s, and summoned them over with a stagy jerk of his head.
Monteagle laughed. “Oh, no. It’s just, I had planned a party tomorrow for a friend, and the arrangements. Well. Your Globe rents for performances, does it not? ”
Burbage joined them, Sly a half step behind. Will opened the door to one of the private dining rooms at the back of the Mermaid and poked his head inside; a quiet conversation broke up and a group of players made themselves scarce for the unexpected appearance of a peer. Places were exchanged, and Sly shut the door firmly.
“Can you three speak for the Lord Chamberlain’s Men, Master Players?” Catesby, his voice not so rich and refined as Monteagle’s, but clearly precise. Monteagle wandered away, trailing a white‑gloved finger along the woodwork like a master of servants in search of dust.
“I can,” Burbage said, with a smile that softened it. “As much as can any man speak for a parcel of rogues.”
Will exchanged glances with the other two players. “What do you need, Master Catesby? ”
He cleared his throat as if to answer, but it was Monteagle who spoke, cleaning his fingertips daintily on a lace‑edged handkerchief as he turned back. “A command performance? On a bit of an extreme schedule, I’m afraid.”
“Extreme?” Burbage, in charge.
“Tomorrow,” Catesby clarified, looking uncomfortable. “The facilities we had planned to use became unavailable.”
“Tomorrow!” Sly touched his lips with his fingertips, and cleared his throat. “I mean, sirs, it would be a challenge, may it please my lord.”
“It would have to be a play in repertory,” Burbage said thoughtfully.
“Richard the Second.”
“Oh.”
Will laid a hand on Burbage’s shoulder. “The Master of Revels–cousin, Her Majesty has let it be known that she is not overfond of that play– ”
The Baron smiled. “The Earl of Southampton will be in attendance, dear cousin, and he is very fond of Richard the Second.Surely, for our family’s sake, you could see your way to a private performance.”
And will a gang of players, sturdy villains all, deny a request on behalf of an Earl?Burbage moved a half step back; Will recognized the gesture. Richard was giving him the floor.
“Cousin. We could play something fashionable, and give better value.”
Monteagle smiled. “It’s Harry.” Meaning Southampton, of course. “You know how he is when he has his heart set on something.”
“We’ll pay forty shillings more than your ordinary fee, cousin,” Catesby added.
Again the look, Burbage to Sly to Will.
An Earl and a Baron. There’s no way to refuse without risking the company.
For forty pieces of silver.
Indeed.
“All right,” Will said, and Burbage nodded.
It wasn’t until Catesby had counted the silver into Will’s hand that Monteagle added, “Of course, you must include the scene in which Richard loses his crown.”
Act IV, scene xviii
I know sir, what it is to kill a man,
It works remorse of conscience in me,
I take no pleasure to be murderous,
Nor care for blood when wine will quench my thirst.
–Christopher Marlowe,
Tamburlaine the Great,Part II, Act IV, scene i
Mary Poley’s voice had never been musical. It was as gypsy‑wild as her mad black hair, but she leaned close to Kit now and leveled it as she laid a hand on his arm. “Thou didst send Will to look after us, Master Marlin.”
I told Will this was a bad idea.He turned to look her in the eye, his back to the gallery railing. “Mistress Poley, I’m not certain I take your meaning–”
She looked up at him and shook her head. “Can’t fool old Tom Watson’s sister, Kitling. Shall I kiss each of thy scars to prove I know thy body well?”
She dropped her gaze from his eyes and seemed to be looking past him, but he didn’t turn to see where. “Mary–”
“Hush, Kit. I’m grateful. And Robin is too. He’s courting his master’s daughter, you know. She’s to go in service at the end of the year, but I do think he’ll marry her when she returns and his apprenticeship is done.”
“He seems a fine lad.”
“For all his looks, Kit, he’s a sweet soul. More like thee than my husband, damn him to hell.”
“I’m working on it,” Kit answered dryly. She laughed, and closed her hand around his arm. “Thou hast nothing to justify to me, Mary.”
“Not all men would see it so. Why didst thou not get me word thou hadst lived? I hope it was not that thou hadst no trust in Robert Poley’s wife.”
“I told no one. I was on the Oueen’s business.”
“And now art home?” There was hope in it, like a razor dragged lightly over Kit’s skin. He lifted her chin and looked into her eyes. She blinked. “Christ. Thou hast aged not an hour.”
“Not home,” he said. “Christofer Marley is as dead as Tom Watson, I fear.”
“Then why hast thou returned?”
The railing was rough against his back. He turned to lean forward, looking down over the Mermaid, the bustle of poets and players and drunks. He rubbed fingers over the time‑polished dark wood of the railing and lost an argument with a frown. “To say good‑bye.”
“Ah.” She stepped up beside him and snuggled close, a compactly elfin warmth. No great beauty, Mary Poley, but a comforting sort of fey. He bent and kissed the top of her head; there weren’t many women Kit was tall enough to perform that office upon. “Wilt pass Will somewhat of interest for me, Kitling? I’ve had no luck in cutting him out of the crowd for a privy conversation.”
“Aye, I will.” Will.A name that still had the power to stop his breath. Aye, and I’d traffic with Hell for thee all over again, for moments such as this.Kit searched the crowd below, but there was no sign of Will. Or, come to think of it, Burbage. There stood Edmund Shakespeare, talking with Henslowe and Alleyn, John Fletcher watching with interest. Ben Jonson had finally arrived and was carrying on a conversation with Chapman that looked at once animated and hushed, involving much waving about of hands.