She took his elbow lightly and walked with him toward the playhouse. Will was conscious of Kit a few steps behind and several yards off to the side, seemingly out of earshot and varying his distance to look unassociated. “My father thought highly of you. And I have been unable to speak to my cousin–”
Tom, of course.Will nodded, brushing beads of sweat from his forehead with his gloved left hand. “You know something the Queen needs to hear?”
“Aye,” she said. “The Earl of Essex plans a rebellion tomorrow. He means to ride through London in a grand procession, if you can credit it, and exhort the people to rise and make him King. Your play, of course, will make them ready to accept his glorious reign–”
Will snorted laughter, and regained himself only with effort. “And he thinks this will work?”
“He thinks it will work. Southampton, Richard Baines, and Robert Catesby convinced him it would work. That their– magic”–as if the word filthied her mouth– “would ensure it.”
“Christ on the cross,” Will swore. “That’s insanity. He’ll be beheaded.”
“I know,” she said. “And you will be imprisoned at the least, and very likely hanged, unless you have resources of which I am not aware.”
“I have Tom,” Will said, and turned his head to cough thickly.
The Countess of Essex squeezed his arm. “Tom might suffice. And you might have Cecil as well, and perhaps the Lord Chamberlain. I’d say you have me, but as I am shortly to be widowed a second time”–there was no regret in her voice when she said it, only a kind of military firmness, and Will remembered her iron control as she bent over her father’s deathbed– “I believe mine energies will be quite well spent in keeping mine own head.”
“See that you do,” Will answered, feeling a sudden rush of affection for this woman. “Do you know what Baines and so forth are about?”
She shook her head, already moving away. “My husband’s downfall is a blind for something; he’s a stalking horse, as well as a peacock. Where, and what, I have no better information than I have given you. And now, Master Shakespeare, I have three children and one unborn who very much need not be in London when the sun rises.”
“Godspeed,” he said, because there was nothing else to say. She turned and walked away, and stopped a few short strides up the verge.
“Master Shakespeare?”
“Yes, Mistress Sidney?”
“Did you really see the Devil by my father’s deathbed?”
He sorted and discarded answers long enough that her eyebrow rose. He gave it up for a bad business and spread flat the hand that did not hold his cane. “Yes, madam.”
She tilted her head charmingly. Her eyes were large and dark, dewy and doelike: the eyes of a young and beautiful girl. “Hmm,” she said, turned her back on him, and walked away without another glance.
Will sighed on a long ragged breath, and turned to Kit as he came up. “Is that what Tom Walsingham does to you?”
Kit grinned and shook his head, very slightly. “Hedoes it without trying, damn his eyes. Come on–” He tugged Will’s sleeve, very slightly.
“What?”
“I contrived to eavesdrop, and make sure no one else was doing so. You have a play to perform. And we have an appointment with history, my love.”
The performance, to neither poet’s reassurance, went off without a bobble. When the body of the players retired to the Mermaid Tavern, Will–coughing–pled pain and exhaustion and Kit excused himself with an invention about a long ride home to Canterbury on the morrow. Later that evening they presented themselves to Sir Thomas Walsingham with news that all three men deemed of interest to the Queen.
“Thank you, my dears,” Tom said, and seated himself right before them in order to pen a hasty message to Cecil.
Accounts varied as to whether three hundred men rode through London with Essex or only one hundred, but Robert Catesby and the Baron Monteagle were indubitably among them. Will himself could not attest. Kit had returned to Faerie via the mirror in Tom Walsingham’s study, and Tom–over Will’s feeble protests–had put the playmaker to bed in a spare room. Will’s brother Edmund came to help nurse him in the morning, for there Will remained, sick with a fever and a heavy cough.
Act IV, scene xx
View but his picture, in this tragic glass,
And then applaud his fortunes as you please
Christopher Marlowe, Tamburlaine the Great,Part I, lines 7‑8
Kit had come to think of the Darkling Glass as a sort of convenience, reliable as a faithful hound, and it annoyed him to no end to find the thing suddenly misbehaving. He’d long ago ascertained that it couldn’t be used to spy over the shoulders of Richard Baines or Robert Poley, who must have warded themselves from its power somehow. Nor was it useful in the Presence of Elizabeth herself, or in any of her palaces–a wise precaution, he thought, and one he wished to apply himself to solving when he found a quiet moment.
He was accustomed to its vagaries, and resigned to them. But today, when he needed it most, the thing’s damnable unwillingness to hold a single steady image frustrated him to swearing, and he had to restrain himself when he would have driven his fist against the glass. He hit the wall instead, which was less satisfying and hurt more, but had the advantage of not putting a priceless magical artifact at risk.
A priceless magical artifact which gave him nothing,except the useless information that Will was still abed in a darkened room, and Edmund and Jonson and Tom talking quietly in the withdrawing room hard by it. He looked for Baines, Catesby, Poley–and got only flickering darkness and useless pictures. A flock of ravens circling the Tower of London–a cold chill touched him at the image so reminiscent of his dreams–the sound of chanting men, and a swirling flicker that resolved into the streets of London strangely silent, every ear tuned to the ringing hoofbeats of some hundred or hundred and fifty horse. Essex, all in white, was unmistakable at their head.
They vanished as they headed for the palace and the Queen, and Kit’s vision resolved on the old monastery, later playhouse, currently vacant hall of Blackfriars on the west end of London, just inside the city walls. Men filed into it, men in monk’s robes, as they should not have been in Protestant London. As they should not have been in the second playhouse owned by the sharers of the Lord Chamberlain’s Men, which those Men had never been able to use as a theatre because of the opposition of its neighbors, although Ben Jonson’s plays were performed regularly by the boy players at Paul’s.
And isn’t that a little odd?Kit asked himself. That there was no such opposition to another such establishment almost across the street?Kit pressed both hands against the glass as the image swam again. He pushed it back toward Blackfriars, but it slid through his control like the reins of a fractious horse, leaving him grasping after nothing.
Baines must be there. This is whatever Essex’s stupidity is intended to conceal. It is a juggler’s flourish: while all eyes are on the Earl, Richard Baines sweeps a treasure into his pocket. And odd that Will should come down hard sick this day of all days.
And anything at Blackfriars, which should be closed tight and all but abandoned, is another chain linking the Lord Chamberlain’s Men to Essex. Layers and layers deep, this: better than anything Poley could have managed on his best day.