"Pretty much the kind of welcome I'd expected," I said, when I could finally get a word in edgeways. "Can you take us to the Lord of Thorns?"
"Is life really that bad?" said the bargeman. "There are easier ways to kill yourself, and most of them are a lot less painful."
"The Lord of Thorns," I said firmly. "Yes or no?"
"Very well, my friends. Climb aboard. Don't fall in the water. The natives are restless, and very hungry."
We all boarded his barge very carefully, and it hardly rocked at all under our weight. The bargeman pushed his silver pole into the water and started us on our way with one long, effortless movement. There was more to him than there seemed, but then, there would have to be. Surrounded by the golden glow of the barge, Pretty Poison doused her hell-fire, and we all relaxed a little. The barge moved silently and easily on into the enveloping dark. The bargeman stared straight ahead, but whatever he saw with his single eye, he kept to himself.
"Don't get many tourists down here these days," he said, his voice quite distinct behind the pale mask. "Not that we ever did have many visitors, and for the most part we like it that way. Peace and quiet's a wonderful thing, you know? Are any of you famous? I don't keep up on the gossip like I used to."
"This is Sinner," I said. "This is Pretty Poison, and that is Madman. I am John Taylor."
The bargeman shook his head. "No. Sorry. Means nothing to me. I had that Julien Advent in my barge once. A real gentleman, he was."
"How long have you been down here?" I asked.
"I have no idea. And don't tell me, because I don't want to know. It was the beginning of the twentieth century when I first came to the Nightside, boarding the newly opened subway from Paris with a howling mob hot on my heels. I soon found my way down here. I'd had enough of the hurly-burly of city life, and wished only solitude. I do miss the opera, though ... Still! I provide a service here, to keep myself occupied, and as a small act of penance for the days of my hot-headed youth."
"What can you tell us about the World Beneath?" said Sinner.
"Parts of it are as old as any other part of the Nightside, and as dangerous. It started out as a collection of sewers, canals, and offshoots of the Thames, covered over by the growing city, running through and around a huge system of catacombs built by the Romans, so they could do things down here that the world above wouldn't approve of. Very practical people, the Romans. They believed that if the gods couldn't see what you were doing, it didn't count. Lot of people in the World Beneath still think that way, though of course I use the term people very loosely. We have quite a population down here, these days. Solitudes, of course; religious types sitting in dark stone cells for the good of their souls. Then there's the odd type who just can't get on with anyone, even in the Nightside. And those on the run, like my good self. The Subterraneans have been down here for centuries, making their own little city out of the catacombs. Don't bother them, and they won't sacrifice you to their gods. Then there's vampires and ghouls and various offshoots of the Elder Spawn... We get all sorts down here. But don't you worry yourself about them, my friends. My barge and I are protected, by old custom. You sit tight, and I'll bring you right to the Gate of the Lord of Thorns' domain. And after that—may God have mercy on your souls, because it's a safe bet the Lord of Thorns won't."
"Have you ever met him?" said Sinner.
The bargeman snorted loudly behind his mask. "No. And the odds are you won't get to, either. He is very well guarded."
He poled us along the canal for some time, singing snatches of grand opera and saucy French drinking songs in a fine baritone voice. Madman's sound track joined in, producing perfect harmonies and descants. Things came and went in the dark waters, occasionally bumping against the sides of the barge, but never breaking the surface of the water. The golden glow surrounding the boat was just bright enough for me to make out the strange astronomical symbols carved into the curving stone ceiling above us. Star systems never seen from earth, in this or any other time. Pretty Poison snuggled in close beside Sinner, ignoring the surroundings to murmur in his ear. He didn't respond, except to sometimes shake his head.
The barge finally slowed to a halt beside a section of the canal bank that at first glimpse seemed no different from any other. The masked bargeman leaned on his pole, and looked thoughtfully about him.
"This is as far as I can take you. A bad place, my friends. I would say au revoir; but I doubt we'll meet again."
They disembarked, and he pushed the barge away from the bank and set off back the way we'd come. He wasn't singing any more. The golden glow departed with the barge, replaced by a sullen red glare emanating from a high archway set into the dark stone wall. Ancient Greek characters had been etched into the cracked and pitted stone slabs that made up the arch. We all looked at each other for a while, then Pretty Poison tutted loudly.
"No-one studies the classics any more. Allow me. Translating very freely, it says, Meat is Murder."
"Wonderful," said Sinner. "We have fallen among vegetarians."
"Somehow I rather doubt it," said Pretty Poison. "I can smell rot and decay and the corruption of living things. And the smell is wafting out of this archway."
I could smell it, too. A heavy, noxious smell that left a bad taste in the mouth. Like a charnel-house left to simmer in a hot sun. It was definitely drifting out of the open archway, even though there was no trace of movement in the air. A warning, perhaps ... or a threat. It didn't make any difference. There was nowhere else for us to go, except back. I led the way in, and the others followed reluctantly after me.
A short tunnel, its curving stone walls beaded with sweat, soon gave way to a fair-sized cavern hollowed out of the living rock. Big enough to hold a fair-sized congregation, but not of any church you'd choose to visit. Butcher's tools hung down from the ceiling on wires, saws and knives and skewers, all of them stained with old, dried blood. At the far end of the cavern was a crude throne, made up of slabs of meat, some of it fresh, most clearly spoiled, all of it surrounded by a great cloud of buzzing flies. And all the walls of the cavern were covered in people's names, drawn spikily in blood, from a wide variety of languages and cultures.
"The names of those who came before us?" wondered Sinner.
"I don't know if anyone else has noticed," said Pretty Poison. "But there doesn't seem to be any other way out of here."
"I'd noticed," I said.
"This isn't at all how I'd pictured the Lord of Thorns' domain," said Sinner. "I think there is a strong possibility that we've been had, people."
"I don't think so," Pretty Poison said slowly. "We're not alone here."
The cloud of flies rose up suddenly from the meat throne, buzzing angrily. They swirled around the cavern horribly quickly, while we ducked our heads and swatted at them with flailing hands, then the cloud returned to the meat throne, swelled in size and took on a roughly human shape. It stood on stocky legs, a dark blocky shape towering over us, its unfinished head brushing against the cavern ceiling. And then it sat down abruptly on the meat throne, and the heavy buzzing gradually resolved itself into something like human speech. It sounded foul and hostile, a mockery of language.
"Welcome, dear travellers," said the flies. "You have found your way to the entrance to the domain of the Lord of Thorns. And this is as far as you go. He does not wish to be disturbed. And so he has set me here, a demon summoned up out of Hell and bound to this place, just to ensure he gets his rest. A Prince of the Pit, damned to obey a servant of Heaven, until the Nightside is destroyed or Time itself runs out. Sometimes I think the whole universe runs on irony. Still, the eating's good. Hello, Pretty Poison. It's been a while. How do you like my place? It's not much, but it has some of the comforts of home."