"What is she like? Describe her to me in your own words."
"Well, she's sort of betwixt and between in colouring. Rather washed out looking. Quiet and ladylike, but not much spirits or life to her. What you'd call rather a well, an earnest type of girl."
"And the ring turned up again in Miss Hobhouse's plate of soup. Who is Miss Hobhouse?"
"Valerie Hobhouse? She's a clever dark girl with rather a sarcastic way of talking. She works in a beauty parlour. Sabrina Fair-I suppose you have heard of it."
"Are these two girls friendly?" Mrs. Hubbard considered.
"I should say so-yes. They don't have much to do with each other. Patricia gets on well with everybody, I should say, without being particularly popular or anything like that. Valerie Hobhouse has her enemies, her tongue being what it is-but she's got quite a following too, If you know what I mean."
"I think I know," said Poirot.
So Patricia Lane was nice but dull, and Valerie Hobhouse had personality. He resumed his study of the list of thefts.
"What is so intriguing is all the different categories represented here. There are the small trifles that would tempt a girl who was both vain and hard up, the lipstick, the costume jewelry, a powder compact-bath salts-the box of chocolates, perhaps. Then we have the stethoscope, a more likely theft for a man who would know just where to sell it or pawn it. Who did it belong to?"
"It belonged to Mr. Batesonhe's a big friendly young man."
"A medical student?"
"Yes."
"Was he very angry?"
"He was absolutely livid, Mr. Poirot. He's got one of those flaring up tempers-say anything at the time, but it's soon over. He's not the sort who'd take kindly to having his things pinched."
"Does anyone?"
"Well, there's Mr. Gopal Ram, one of our Indian students. He smiles at everything. He waves his hand and says material possessions do not matter."
"Has anything been stolen from him?"
"No."
"Ah! Who did the flannel trousers belong to?"
"Mr. McNabb. Very old they were, and anyone else would say they were done for, but Mr. McNabb is very attached to his old clothes and he never throws anything away."
"So we have come to the things that it would seem were not worth stealing-old flannel trousers, electric light bulbs, boracic powder, bath salts-a cookery book. They may be important, more likely they are not. The boracie was probably removed by error, someone may have removed a dead bulb and intended to replace it, but forgot-the cookery book may have been borrowed and not returned. Some charwoman may have taken away the trousers."
"We employ two very reliable cleaning women. I'm sure they would neither of them have done such a thing without asking first."
"You may be right. Then there is the evening shoe, one of a new pair, I understand? Who do they belong to?"
"Sally Finch. She's an American girl studying over here on a Fulbright scholarship."
"Are you sure that the shoe has not simply been mislaid? I cannot conceive what use one shoe could be to anyone."
"It wasn't mislaid, Mr. Poirot. We all had a terrific hunt. You see Miss Finch was going out to a party in what she calls 'formal dress'-evening dress and the shoes were really vital-they were her only good ones."
"It caused her inconvenience-and annoyanceyes... yes, I wonder. Perhaps there is something there..." He was silent for a moment or two and then went on.
"And there are two more items-a rucksack cut to pieces and a silk scarf in the same state. Here we have something that is neither vanity, nor profit-instead we have something that is deliberately vindictive. Who did the rucksack belong to?"
"Nearly all the students have rucksacks-they all hitchhike a lot, you know. And a great many of the rucksacks are the same-bought at the same place, so it's hard to identify one from the other. But it seems fairly certain that this one belonged to Leonard Bateson or Colin McNabb."
"And the silk scarf that was also cut about. To whom did that belong?"
"To Valerie Hobhouse. She had it as a Christmas present-it was emerald green and really good quality."
"Miss Hobhouse… I see." Poirot closed his eyes. What he perceived mentally was a kaleidoscope, no more, no less.
Pieces of cut up scarves and rucksacks, cookery books, lipsticks, bath salts; names and thumb nail sketches of odd students. Nowhere was there cohesion or form. Unrelated incidents and people whirled round in space. But Poirot knew quite well that somehow and somewhere there must be a pattern.
Possibly several patterns. Possibly each time one shook the kaleidoscope one got a different pattern… But one of the patterns would be the right pattern. The question was where to start...
He opened his eyes.
"This is a matter that needs some reflection. A good deal of reflection."
"Oh, I'm sure it does, Mr. Poirot," assented Mrs. Hubbard eagerly. "And I'm sure I didn't want to trouble you-"
"You are not troubling me. I am intrigued. But whilst I am reflecting, we might make a start on the practical side. A start… The shoe, the evening shoe… yes, we might make a start there, Miss Lemon."
"Yes, Mr. Poirot?" Miss Lemon banished filing from her thoughts, sat even more upright, and reached automatically for pad and pencil.
"Mrs. Hubbard will obtain for you, perhaps, the remaining shoe. Then go to Baker Street station, to the lost property department. The loss occurred-when?" Mrs. Hubbard considered.
"Well, I can't remember exactly now, Mr. Poirot. Perhaps two months ago. I can't get nearer than that. But I could find out from Sally Finch the date of the party."
"Yes. Well-" He turned once more to Miss Lemon. "You can be a little vague. You will say you left a shoe in an Inner Circle train-that is the most likely or you may have left it in some other train. Or possibly a bus. How many buses serve the neighbourhood of Hickory Road?"
"Two only, Mr. Poirot."
"Good. If you get no results from Baker Street, try Scotland Yard and say it was left in a taxi."
"Lambeth," corrected Miss Lemon efficiently.
Poirot waved a hand.
"You always know these things."
"But why do you think-" began Mrs. Hubbard.
Poirot interrupted her.
"Let us see first what results we get. Then, if they are negative or positive, you and I, Miss Hubbard, must consult again. You will tell me then those things which it is necessary that I should know."
"I really think I've told you everything I can."
"No, no. I disagree. Here we have young people herded together, of varying texmperaments, of different sexes. A loves B, but B loves C, and D and E are at daggers drawn because of A perhaps. It is all that that I need to know. The interplay of human emotions. The quarrels, the jealousies, the friendships, the malice and all uncharitableness."
"I'm sure," said Mrs. Hubbard, uncomfortably, "I don't know anything about that sort of thing. I don't mix at all. I just run the place and see to the catering and all that."
"But you are interested in people. You have told me so. You like young people. You took this post, not because it was of much interest financially, but because it would bring you in contact with human problems. There will be those of the students that you like and some that you do not like so well, or indeed at all, perhaps. You will tell me-yes, you will tell me! Because you are worried-not about what has been happening-you could go to the police about that-"
"Mrs. Nicoletis wouldn't like to have the police in, I assure you." Poirot swept on, disregarding the interruption.
"No, you are worried about someone-someone who you think may have been responsible or at least mixed up in this. Someone, therefore, that you like."
"Really, Mr. Poirot."
"Yes, really. And I think you are right to be worried. For that silk scarf cut to pieces, it is not nice. And the slashed rucksack, that also is not nice. For the rest it seems childishness-and yet-I am not sure. No, I am not sure at all!"