‘There was a Marmora’s warbler at Deepden a few days ago. I gave Clive a lift back to town. He told me then. As if I should be pleased with him. I was horrified.’
‘Not sufficiently horrified to tell us what had happened, though.’ Her voice was deceptively calm. ‘There could have been another victim. But still you kept your mouth shut. Why was that, Dr Calvert? A warped sense of loyalty? Or were you scared Clive would implicate you in the murders?’
‘I don’t have to listen to this, Inspector. As you said, you can’t charge me.’
He got up from his seat and walked out through the open door. Vera watched him cross the meadow, and stop to blow a reassuring kiss to his wife, who must still have been looking from the window.
At ten that morning Ashworth’s wife went into labour. He phoned the office at teatime, to tell her they’d had a boy. Jack Alexander. He’d been nearly ten pounds, a real bruiser. Vera was just about to leave the station for bed, but she agreed to meet up with him for a drink. She found it hard to celebrate other people’s babies but she’d rather have a few drinks with Joe than go back completely sober to an empty house. In the end, she suggested he come to the old station master’s house on his way through. She knew she’d not be able to stick at a couple of halves and it’d save her having to drive. On the way home she stopped at the supermarket and got a bottle of champagne and a huge bunch of flowers for Sarah. She thought Ashworth would appreciate the gesture. Also in the trolley she put a ready-cook Indian meal and a bottle of Grouse. She’d need something to get her to sleep.
Ashworth arrived just five minutes after her. From her kitchen window she saw him leap out of the car, bleary-eyed and beaming. She’d already had a large Scotch. She rinsed out the glass and put it back on the tray, so he wouldn’t know.
They sat outside. The house was even more untidy than usual and she didn’t want him seeing it. She couldn’t bear it if he started feeling sorry for her. She was light-headed through lack of sleep. Their conversation was punctuated by the sound of her neighbours’ animals – sheep, goats, the inevitable cockerel.
‘You were right, then,’ she said. ‘Stringer was a nutter.’
‘You knew it was him, though, didn’t you?’
‘I thought it was a possibility.’
‘You didn’t let on.’
‘No proof. And I met a few lads like Clive Stringer when I was growing up. Obsessives. Loners. They didn’t all turn into serial killers.’
‘Why did he?’
‘He was a romantic,’ she said. ‘He believed in happy families.’
‘That’s no kind of motive.’
‘It made sense to him,’ she said. ‘It had a weird sort of logic.’ Looking into the distance, she thought the hills seemed very sharp and close this evening. She wouldn’t be surprised if the weather didn’t break soon.
‘You’ll have to spell it out.’ Joe believed in happy families too, had done even before he got one of his own. But then he’d grown up in one. She caught him looking at her as if she was daft.
‘Clive was a loner,’ Vera said. ‘No dad. No friends. Only that witch of a mother who tried to suck the life out of him. He had two surrogate families – the Sharps and Peter Calvert’s birdwatchers. Both murders were committed to protect them. He was very close to Tom Sharp, looked out for him when he was a kid, blamed Luke for his death. The Calverts were his idea of a perfect couple. He idolized Peter and fancied himself in love with Felicity. He didn’t want her hurt by news of her husband’s affair.’
‘We’ll never really know what was going through his mind, will we?’ Ashworth looked up from his glass. She could tell his head was full of the wonder of his new son, wrinkled and red and screaming. She’d had to hear all the details of the birth before he’d let her start talking about the murders. About how brave Sarah had been. ‘All she had was a couple of puffs of gas and air’ He didn’t care why Clive Stringer had murdered two people and kidnapped a third. Not tonight. Nutter was good enough for him.
But Vera cared. And she knew.
‘Peter Calvert was his hero. Clive was doing what Peter wanted, saving his marriage, getting rid of Lily Marsh for good. Do you remember, we asked Clive in the museum if he’d keep quiet if he’d found out one of his friends had committed murder? He said of course he would. We should have asked him if he’d commit murder for his friend.’
She spoke almost to herself. The sun and the whisky and the lack of sleep had sent her into a sort of trance. ‘If he’d kept it simple he might have got away with it.’
Joe looked up from his drink, his attention caught at last. ‘What do you mean?’
‘Lily Marsh was his first target. She was threatening to make life difficult for Calvert. We know she was starting to get awkward. That was why she turned up with James to look at the cottage. She assumed Felicity would tell her husband Lily had been there and he’d realize it was a threat. Take me back or I’ll tell your wife. She was phoning Calvert at work. She’d even convinced herself she was pregnant. Calvert confided in Stringer. They met up for lunch every week. He knew he was Stringer’s hero, has the sort of ego to allow him to believe a friend would commit murder on his behalf. We’ll never be able to charge him with it, of course.’
She imagined Clive in the bungalow in North Shields, Calvert’s words rattling around in his head, planning the murders while his mother watched television game shows in the other room. Obsessing about it, as he obsessed about birds and friendship. ‘He played chess,’ she said. ‘He used to play with the Calvert boy. He worked out the moves in this drama well in advance.’
‘So why Luke Armstrong? And why was he killed first?’
‘He had to be. Stringer didn’t want Calvert implicated in any way with the murders. By making Luke Armstrong the first victim, he thought we’d concentrate on the boy in our search for a motive.’
‘So the first victim could have been anyone? Stringer chose him at random to throw us off the scent?’
‘No. It wasn’t random. Stringer would never have worked himself up to commit murder unless he’d convinced himself that Calvert needed him, but I think he was glad of an excuse to kill Luke. He blamed him for Tom Sharp’s death. Lots of people did. He looked on Tom as a brother. As I said the Sharps were his surrogate family. And he was there when Gary was talking about his plans to go out with Julie, so he knew she wouldn’t be in the house that Wednesday night. Perhaps he saw it as a sign, decided it was time for him to make a move. He didn’t know about Laura, though, didn’t know she was there when Luke let him in. Gary told him later that Luke had a sister and she’d been in the house.’
‘So that’s why he abducted her?’
‘Nah,’ Vera said. ‘He’d started to enjoy it. Being in control for the first time in his life.’
‘And he got the idea for the flowers from Tom Sharp’s memorial on the Tyne?’
‘Maybe. He knew the best way to keep Calvert out of the frame was if the police considered the two murders as one case, the random killings of a madman. They had to be linked. That was the reason for the flowers, the water. I don’t see Stringer as naturally theatrical. The posed bodies and the dressing of the scene was part of the plan.’
‘You wouldn’t think he’d have that much imagination,’ Joe said.
‘Well, he didn’t dream it all up himself, did he, pet?’ Vera poured herself another drink, hoped Joe was too distracted with thoughts of the baby to notice. ‘He got the idea from that bloody story. Parr’s story. The one that almost had us convinced he was the murderer. In that the victim was strangled. How did Parr describe it? “Like an embrace”? And then the corpse was laid out in water. Clive had the book in his room when I visited the house. But it was in paperback. A different edition from the one I’d borrowed from the library. A different jacket. I didn’t take it in at the time. He took his mother’s bath oil to put in the water in the Armstrongs’ house. When I looked round the Stringers’ bungalow there were only male toiletries in the bathroom. I should have noticed.’