As the point of his pencil touched the paper of the Address, Mr. Thorpe started from his chair.
"What am I to understand, sir, by this conduct?" he began haughtily, stretching out his hand to possess himself of the Address.
Mat looked up with the serpent-glitter in his eyes, and the angry red tinge glowing in the scars on his cheek. "Sit down," he said, "I'm not quick at writing. Sit down, and wait till I'm done."
Mr. Thorpe's face began to look a little agitated. He took a step towards the fireplace, intending to ring the bell.
"Sit down, and wait," Mat reiterated, in quick, fierce, quietly uttered tones of command, rising from his own chair, and pointing peremptorily to the seat just vacated by the master of the house.
A sudden doubt crossed Mr. Thorpe's mind, and made him pause before he touched the bell. Could this man be in his right senses? His actions were entirely unaccountable—his words and his way of uttering them were alike strange—his scarred, scowling face looked hardly human at that moment. Would it be well to summon help? No, worse than useless. Except the page, who was a mere boy, there were none but women servants in the house. When he remembered this, he sat down again, and at the same moment Mat began, clumsily and slowly, to write on the blank space beneath the last signature attached to the Address.
The sky was still darkening apace, the rain was falling heavily and more heavily, as he traced the final letter, and then handed the paper to Mr. Thorpe, bearing inscribed on it the name of MARY GRICE.
"Read that name," said Mat.
Mr. Thorpe looked at the characters traced by the pencil. His face changed instantly—he sank down into the chair—one faint cry burst from his lips—then he was silent.
Low, stifled, momentary as it was, that cry proclaimed him to be the man. He was self-denounced by it even before he cowered down, shuddering in the chair, with both his hands pressed convulsively over his face.
Mat rose to his feet and spoke; eyeing him pitilessly from head to foot.
"Not a friend of all of 'em," he said, pointing down at the Address, "put such affectionate trust in you, as she did. When first I see her grave in the strange churchyard, I said I'd be even with the man who laid her in it. I'm here to-day to be even with you. Carr or Thorpe, whichever you call yourself; I know how you used her from first to last! Her father was my father; her name is my name: you were her worst enemy three-and-twenty year ago; you are my worst enemy now. I'm her brother, Matthew Grice!"
The hands of the shuddering figure beneath him suddenly dropped—the ghastly uncovered face looked up at him, with such a panic stare in the eyes, such a fearful quivering and distortion of all the features, that it tried even his firmness of nerve to look at it steadily. In spite of himself; he went back to his chair, and sat down doggedly by the table, and was silent.
A low murmuring and moaning, amid which a few disconnected words made themselves faintly distinguishable, caused him to look round again. He saw that the ghastly face was once more hidden. He heard the disconnected words reiterated, always in the same stifled wailing tones. Now and then, a half finished phrase was audible from behind the withered hands, still clasped over the face, He heard such fragments of sentences as these:—"Have pity on my wife"—"accept the remorse of many years"—"spare me the disgrace—"
After those four last words, he listened for no more. The merciless spirit was roused in him again the moment he heard them.
"Spare you the disgrace?" he repeated, starting to his feet. "Did you spare her?—Not you!"
Once more the hands dropped; once more the ghastly face slowly and horribly confronted him. But this time he never recoiled from it. There was no mercy in him—none in his looks, none in his tones—as he went on.
"What! it would disgrace you, would it? Then disgraced you shall be! You've kep' it a secret, have you? You shall tell that secret to every soul that comes about the house! You shall own Mary's disgrace, Mary's death, and Mary's child before every man who's put his name down on that bit of paper!—You shall, as soon as to-morrow if I like! You shall, if I have to bring your child with me to make you; if I have to stand up, hand in hand along with her, here on your own hearthstone."
He stopped. The cowering figure was struggling upward from the chair: one of the withered hands, slowly raised, was stretching itself out towards him; the panic-stricken eyes were growing less vacant, and were staring straight into his with a fearful meaning in their look; the pale lips were muttering rapidly—at first he could not tell what; then he succeeded in catching the two words, "Mary's child?" quickly, faintly, incessantly reiterated, until he spoke again,
"Yes," he said, pitiless as ever. "Yes: Mary's child. Your child. Haven't you seen her? Is it that you're staring and trembling about? Go and look at her: she lives within gunshot of you. Ask Zack's friend, the Painter-Man, to show you the deaf and dumb girl he picked up among the horse-riders. Look here—look at this bracelet! Do you remember your own hair in it? The hands that brought up Mary's child, took that bracelet from Mary's pocket. Look at it again! Look at it as close as you like—"
Once more he stopped. The frail figure which had been feebly rising out of the chair, while he held up the Hair Bracelet, suddenly and heavily sank back in it—he saw the eyelids half close, and a great stillness pass over the face—he heard one deep-drawn breath: but no cry now, no moaning, no murmuring—no sound whatever, except the steady splash of the fast-falling rain on the pavement outside.
Dead?
A thought of Zack welled up into his heart, and troubled it.
He hesitated for a moment, then bent over the chair, and put his hand on the bosom of the deathly figure reclining in it. A faint fluttering was still to be felt; and the pulse, when he tried that next, was beating feebly. It was not death he looked on now, but the swoon that is near neighbor to it.
For a minute or two, he stood with his eyes fixed on the white calm face beneath him, thinking. "If me and Zack," he whispered to himself; "hadn't been brothers together—" He left the sentence unfinished, took his hat quickly, and quitted the room.
In the passage down-stairs, he met one of the female servants, who opened the street-door for him.
"Your master wants you," he said, with an effort. He spoke those words, passed by her, and left the house.
CHAPTER XVII. MATTHEW GRICE'S REVENGE.
Neither looking to the right nor the left, neither knowing nor caring whither he went, Matthew Grice took the first turning he came to, which led him out of Baregrove Square. It happened to be the street communicating with the long suburban road, at the remote extremity of which Mr. Blyth lived. Mat followed this road mechanically, not casting a glance at the painter's abode when he passed it, and taking no notice of a cab, with luggage on the roof; which drew up, as he walked by, at the garden gate. If he had only looked round at the vehicle for a moment, he must have seen Valentine sitting inside it, and counting out the money for his fare.
But he still went on—straight on, looking aside at nothing. He fronted the wind and the clearing quarter of the sky as he walked. The shower was now fast subsiding; and the first rays of returning sunlight, as they streamed through mist and cloud, fell tenderly and warmly on his face.
Though he did not show it outwardly, there was strife and trouble within him. The name of Zack was often on his lips, and he varied constantly in his rate of walking; now quickening, now slackening his pace at irregular intervals. It was evening before he turned back towards home—night, before he sat down again in the chair by young Thorpe's bedside.