And in fact, everything turns out to be okay. And when she gets home and lets herself in — Salif had the wisdom not to set the house alarm, for she wouldn’t know how to disarm it — she can sense movement in their rooms. She wishes them good night before turning in herself.
9
Bella wakes with the sun in her eyes. She revels for a moment in the tropical warmth that she always relishes here, the open-ended feeling of the hour. Then the alarm of her iPhone goes off. At first she thinks it is someone else’s, someone with something urgent to attend to. Here, there is no worry that she might oversleep. So what is the hurry? She tries to go back to sleep.
And then she remembers where she is, and why — in the master bedroom of her dead brother’s house, the children in their respective rooms. A line from a poem by Dylan Thomas comes to her, uncalled: “After the first death, there is no other.” Of course, a great deal has happened since her arrival, some of it heartening to her, especially when it comes to her nephew and niece; some a little harrying, particularly when it comes to Valerie and her intentions. She remembers her evening with Padmini and Valerie, and how, ultimately, it disintegrated. Her throat feels tight as she wonders how much of Valerie and Padmini’s life she should share with the children, to whom it will probably be news that there is more to the two women’s partnership than business. She is sure, because he told her more than once, that Aar simply never bothered about telling the children more than they needed to know, especially because there was no way of knowing how they would react if they knew the truth about their mother’s sexuality. He once explained his difficulty dealing with this dilemma, saying, “At times, a child may direct undeserved hate toward the bearer of a message rather than toward the person the content of the message is about.” And because Valerie never communicated directly with Aar or the children, it was erroneously assumed that worrying about what to tell the children about their mother’s sexuality was unnecessary. Now — now it is up to Valerie to deal with it, Bella decides, as she has other matters of grave consequence to worry about. The children are now grown — and they and their mother can sort things out between themselves as articulate adults. Even so, Bella is aware that indiscretions such as last night’s will in no way bring them closer.
She gets out of bed naked and moves about the room soundlessly, as if there were someone else asleep in the room. And now she remembers her dream as well, a dream in which she shared a bed with HandsomeBoy Ngulu and they lay in each other’s embrace, her heart beating furiously, as if it wanted to break out and flee. She walks into the bathroom and stares hard into the mirror, berating herself for having such thoughts so soon after Aar’s passing. What sort of a person is she, giving in to desire when there is so much at stake, when there is a lot to be done?
The sight of her reflection surprises her. Her eyes are swollen and bruised looking, and she wonders if she cried in her sleep. She looks roughed up and sad, off-kilter on a morning when she needs to be efficient and at her faultless best. Despair is not an option. She scolds herself, speaking directly into the mirror, getting closer and closer until she can see a cloud of breath on the mirror’s surface.
She takes a selfie, a habit that dates to long before she had an iPhone. Whenever she was in a fix and unsure of how to proceed, she’d place herself at an angle to a mirror and take a photograph so that she could talk to it. Sometimes she would even tell herself folktales. It’s working, she sees, as she looks at the photo on her iPhone. There’s a little relief in her face, as if she’s starting to have faith in herself again.
—
Bella slips on a robe. In preparation for Valerie’s visit, Bella puts her belongings all around Aar’s room. She doesn’t want there to be any mistake about who’s in charge here. She puts her clothing in the closet and dresser, pushing aside Aar’s to make room and leaving her suitcases on the floor. She opens every drawer in the room, taking a quick inventory of the contents. Some things she buries away from Valerie’s prying eyes; others she locks away in Aar’s study, the key to which the children have given her and she stashes in one of her camera cases.
It strikes her how flat-footed sudden death catches its victims. Hurdo used to say that a woman must always be prepared for life’s surprises — her toenails trimmed, her hands manicured, her underpants clean, nothing left to chance. She may have had an exaggerated sense of preparedness, but Bella has to agree now that perhaps her mother had a point. She sees Aar’s unpreparedness everywhere — in the open documents in his study, in the packed suitcase he didn’t take with him.
It does not take her long to open the larger suitcase. She is pretty certain that he uses variants on her name, nickname, or date of birth as his secret code for almost all locks, bank accounts, and other such things, just as she uses his. Inside, she finds several shirts, jeans, and underwear, along with his extra Mac, a wallet bursting with cash in dollars and several credit cards, and next to it is a printout of an e-mail addressed to Gunilla and signed “With love.” In the letter, he explains that he is going to be in Mogadiscio for three months and asks Gunilla to please prepare all the legal documentation they’ve been discussing and have it initialed and then sent to him for signing before departure. He also requests that she make two copies of his “important documents,” keeping one set and sending the other to him. Bella can’t follow all the particulars — if anything, the state of affairs mirrors a general sense of lack of urgency — a man behaving as if he had all the time in the world and that he will be around for some time. These signs are what his belongings convey. At the same time, the discovery mirrors a sense Bella’s had since Istanbul that he’d been confiding in someone else. That someone else appears to be Gunilla. Bella has come to Nairobi prepared with all the legal documentation that she might need to prove her identity. On top of all this, she has a signed and notarized document attesting to the fact that she, Aar’s sister, is also his one and only executor. But it is Gunilla who has in her possession the items he deposited with the liaison office in Nairobi, and for those, she must await Gunilla’s return. Bella reminds herself to ring the Swede, who is supposed to be returning tonight, first thing tomorrow morning to arrange a meeting.
When Bella questioned Aar during their time in Istanbul if it made sense to sink all his savings in a house of stone in a volatile country like Kenya and not in Mogadiscio, where, even though things were bad, there was the possibility of peace returning and property starting to appreciate again, Aar told her that he no longer thought of Mogadiscio as home. “Home,” he said, “is where my children are, where they live and go to school and love to be. Besides,” he added, after a thoughtful pause, “I am uncomfortable affiliating myself with a country broken into fiefdoms, where there is no room for someone like you or me.”
They were at the Blue Mosque, where they admired the elegance of construction and the colorful tiles and silk carpets. They continued their talk while visiting the nearby Topkapı Palace. Aar said, “I am not comfortable in a Mogadiscio run by a confederacy of clans that are in cahoots with religious renegades. There is a great ache in my heart every time I drive past the cathedral and the oldest mosque, both of which lie in ruins.”