"But you killed her, didn't you?"
"Who, goddammit?"
I hoisted him up off the ground, bending the upper half of his body over the balcony wall. His glasses fell off and sailed down to the parking lot where they landed with barely a sound.
"Your own daughter, you bastard."
"No!" he yelled. "No. Please. I didn't. Don't let me go. Please don't let me go."
"Was it like this?" Jenn whispered. "Huh, Daddy? Is this how you had her before she went?"
"I loved Maya, you sick bastards. Loved her. I cried all night when she died. Ask Nina. I cried like a baby, like an animal."
I looked over at Jenn behind Rob's back. She shrugged.
"Pull me up," he pleaded. "I'll tell you everything. I will, I swear. I'll tell you about Martin. About Sterling."
"And Maya?"
"I never touched her. She killed herself."
I leaned in close and said, "Rob, your daughter did not kill herself. She was murdered. She was thrown from this balcony. And if you didn't do it, you better help us find out who did."
Tears ran down his smooth cheeks, and fell like rain toward the pavement. "Please pull me up," he said softly. "I think I'm going to be sick."
CHAPTER 24
"This piece of land," Rob Cantor said. "This beautiful piece of land, all south of the channel, adjacent to the park." He cleared his throat and scowled. He'd been prodigiously sick in the bathroom after I'd hauled him up over the balcony wall and clearly still had the taste in his mouth. "From the minute the Olympics went to Beijing instead of Toronto, and I knew the city was going to put the land up for sale, I started working on it."
He was sitting on his daughter's couch. Jenn and I sat across from him on kitchen chairs. He said, "People like Gordon Avrith, sore losers all of them, they all implied-hell, they damn well said I got the land under the table somehow. That I paid people off, whether at the OMB, council, Committee of Adjustment, whatever. And it's all bullshit. What I did was what they should have done. I worked like a goddamn dog, came up with the best design-the grandest design-of anyone and made the presentation of my life. I outmanoeuvred everyone and they can't bring themselves to admit it."
"No payoffs?"
"I never had to. You know what Toronto's like. Everyone is so ready, so desperate to be in the rank of world-class cities. But the waterfront is such an eyesore. When people saw my plans, they were impressed. And when Simon Birk came on board, they rolled over like puppies."
"So what went wrong?"
"The only thing on the property-that had ever been on it-was a dairy factory. I thought, This isn't heavy industry. This isn't a tire manufacturer, like on the north side of Unwin. It's not an oil refinery. Not a malting plant. It's a place that made fucking milk."
"But?"
"First there was a problem with heating oil. The tank in the factory had been leaking for years, oozing all this sludge into the ground. When I brought Martin in to test the soil and the water, he found problems right away."
"And you didn't want to clean it?"
"No! I mean yes. We did clean it. Dug up all the soil, trucked it out for treatment, brought it back. It cost a fortune, and we were only able to recoup part of the cost from the city. Worst of all, the whole park area, which we thought we could leave wild, had to be dug up and cleaned, then replanted. It took two years of site prep before we could even break ground. That's longer than it would take to build the towers themselves. But we did it all, and by the book. A textbook example of brownfield remediation."
"Then what did Will find? What was freaking Martin Glenn out?" I asked.
"When you build a tower like this, you dig way down for the foundation. Six storeys down."
"Plus the caissons," I said, "which went right down to bedrock."
"Yes. The initial problem, the oil, had never penetrated that far down. But somehow, after we dug the caisson holes, this other substance turned up."
"Aroclor 1242."
"Yes. It was like-I don't know, one of those Godzilla movies where you awaken some monster by blasting a hole in the ocean floor. Martin said when we excavated all that dirt, sediment must have been disturbed, and the Aroclor was released into the water table."
"So a site that's supposed to be clean suddenly isn't?"
"Yes."
"And Will Sterling called you on it."
"Yes. He found traces of Aroclor 1242 along the shoreline and followed it to us. And I talked to Martin about what it would take to clean it up."
"And?"
Rob lowered his head. "It couldn't be done. Not without threatening the whole project. We would have had to do the remediation all over again. Go through the approval process again. It would have thrown us so far off schedule, our bankers-and our other backers-might have pulled out. He said it was out of the question. We had to keep going."
"Who did?" Jenn asked. "Martin?"
He shook his head. "Not Martin. Birk."
"Simon Birk told you to keep going?" I said.
"He said I had to."
"If anyone has enough money to cover an unforeseen expense, wouldn't it be him?"
Rob laughed bitterly. "You really don't understand this, do you?"
"Enlighten us."
"Simon Birk," he said, "doesn't put his own money into anything. Not a nickel. It's all leveraged. All of his buildings, all his grand creations, he gets other people to put up the money. Birk doesn't give, understand? He takes. He grabs. He milks." He was getting flushed as he talked, loosening his tie, rubbing his mouth with the back of his hand. "When he offered to partner with us on this project, I thought it was the greatest day of my career," he said. "Me-little Robbie Cantor, the squirt who started out as a janitor for his father-landing the great Simon Birk as a business partner. I thought God himself had reached down from the sky and patted me on the back. Well, it wasn't God, it was Birk, and it wasn't a pat on the back. It was a knife slipping in."
"What did he do?" Jenn asked.
"Simon insists on having the best of everything even if he can't figure out how to pay for it all. For every demand he makes that can't be met, there's also a promise that can't be kept. Money flows between projects like he's robbing Peter to pay Paul."
Jenn asked, "How does he do it?"
"Financing in our business always comes in stages that match certain milestones. When you acquire the land, when plans are approved, when ground is broken, when you reach a certain percentage of occupancy. As our financing was coming in, his building in Chicago, the Millennium Skyline, was in trouble. Again. Christ, it was from the very start. You think I had problems? When they started excavating that site, they found the worst thing a developer can find, worse than PCBs."
"And what's that?" I asked.
"Bones. Old ones. Possibly from the Fort Dearborn massacre, back when settlers first came to the region. Birk had to stop construction while anthropologists sifted through the dirt like prospectors. There were huge delays, which means no money in and lots of money out. Then about three months into construction, there was an accident. A bad one. You might have read about it. Three men were killed, seven injured, when a crane dropped a load of girders on them. That brought more delays and lawsuits he might actually lose for a change. Birk started springing these accounting tricks on my financiers, moving money out of this project over to the other one. He said it would get straightened out once the Millennium Skyline was at full occupancy. And if I didn't play along, he said he'd not only pull out, but make sure I was ruined in the process. So when this problem cropped up on our site, with the Aroclor, there was no money for a second round of remediation. I told Martin we'd have to…"
"To what?"
"Bury it. Forget about it. Walk away."