The psychology of high-rise life had been exposed with damning results. The absence of humour, for example, had always struck Wilder as the single most significant feature-all research by investigators confirmed that the tenants of high-rises made no jokes about them. In a strict sense, life there was "eventless". On the basis of his own experience, Wilder was convinced that the high-rise apartment was an insufficiently flexible shell to provide the kind of home which encouraged activities, as distinct from somewhere to eat and sleep. Living in high-rises required a special type of behaviour, one that was acquiescent, restrained, even perhaps slightly mad. A psychotic would have a ball here, Wilder reflected. Vandalism had plagued these slab and tower blocks since their inception. Every torn-out piece of telephone equipment, every handle wrenched off a fire safety door, every kicked-in electricity meter represented a stand against de-cerebration.
What angered Wilder most of all about life in the apartment building was the way in which an apparently homogeneous collection of high-income professional people had split into three distinct and hostile camps. The old social sub-divisions, based on power, capital and self-interest, had re-asserted themselves here as anywhere else.
In effect, the high-rise had already divided itself into the three classical social groups, its lower, middle and upper classes. The 10th-floor shopping mall formed a clear boundary between the lower nine floors, with their "proletariat" of film technicians, air-hostesses and the like, and the middle section of the high-rise, which extended from the 10th floor to the swimming-pool and restaurant deck on the 35th. This central two-thirds of the apartment building formed its middle class, made up of self-centred but basically docile members of the professions-the doctors and lawyers, accountants and tax specialists who worked, not for themselves, but for medical institutes and large corporations. Puritan and self-disciplined, they had all the cohesion of those eager to settle for second best.
Above them, on the top five floors of the high-rise, was its upper class, the discreet oligarchy of minor tycoons and entrepreneurs, television actresses and careerist academics, with their high-speed elevators and superior services, their carpeted staircases. It was they who set the pace of the building. It was their complaints which were acted upon first, and it was they who subtly dominated life within the high-rise, deciding when the children could use the swimming-pools and roof garden, the menus in the restaurant and the high charges that kept out almost everyone but themselves. Above all, it was their subtle patronage that kept the middle ranks in line, this constantly dangling carrot of friendship and approval.
The thought of these exclusive residents, as high above him in their top-floor redoubts as any feudal lord above a serf, filled Wilder with a growing sense of impatience and resentment. However, it was difficult to organize any kind of counter-attack. It would be easy enough to play the populist leader and become the spokesman of his neighbours on the lower floors, but they lacked any cohesion or self-interest; they would be no match for the well-disciplined professional people in the central section of the apartment building. There was a latent easy-goingness about them, an inclination to tolerate an undue amount of interference before simply packing up and moving on. In short, their territorial instinct, in its psychological and social senses, had atrophied to the point where they were ripe for exploitation.
To rally his neighbours Wilder needed something that would give them a strong feeling of identity. The television documentary would do this perfectly and in terms, moreover, which they could understand. The documentary would dramatize all their resentments, and expose the way in which the services and facilities were being abused by the upper-level tenants. It might even be necessary to foment trouble surreptitiously, to exaggerate the tensions present in the high-rise.
However, as Wilder soon discovered, the shape of his documentary was already being determined.
Fired by his resolve to fight back, Wilder decided to give his wife and children a break from his ceaseless pacing. The air-conditioning now worked for only five minutes in each hour, and by dusk the apartment was stuffy and humid. The noise of over-loud conversations and record-players at full volume reverberated off the balconies above them. Helen Wilder moved along the already closed windows, her small hands pressed numbly against the latches as if trying to push away the night.
Too preoccupied to help her, Wilder set off with a towel and swimming trunks to the pool on the 10th floor. A few telephone calls to his neighbours on the lower floors had confirmed that they were keen to take part in the documentary, but Wilder needed participants from the upper and middle levels of the high-rise.
The out-of-order elevators had still not been repaired, and Wilder took to the stairs. Sections of the staircase had already been turned into a garbage-well by the residents above. Broken glass littered the steps, cutting his shoes.
The shopping mall was crowded with people, milling about and talking at the tops of their voices as if waiting for a political rally to start. Usually deserted at this hour, the swimming-pool was packed with residents playing the fool in the water, pushing each other off the tiled verge and splashing the changing stalls. The attendant had gone, abandoning his booth, and already the pool was beginning to look neglected, discarded towels lying in the gutters.
In the showers Wilder recognized Robert Laing. Although the doctor turned his back on him Wilder ignored the rebuff and stood under the next spray. The two men spoke briefly but in non-committal terms. Wilder had always found Laing good company, with his keen eye for any passing young woman, but today he was being standoffish. Like everyone else he had been affected by the atmosphere of confrontation.
"Have the police arrived yet?" Wilder asked above the noise as they walked to the diving-boards.
"No-are you expecting them?" Laing seemed genuinely surprised.
"They'll want to question the witnesses. What happened, in fact? Was he pushed? His wife looks hefty enough-perhaps she wanted a quick divorce?"
Laing smiled patiently, as if this remark in doubtful taste was all he expected of Wilder. His sharp eyes were deliberately vague, and remained closed to any probing. "I know nothing about the accident, Wilder. It may have been suicide, I suppose. Are you personally concerned?"
"Aren't you, Laing? It's odd that a man can fall from a window forty floors above the ground without there being any kind of investigation…"
Laing stepped on to the diving board. His body was unusually well muscled, Wilder noticed, almost as if he had been taking a good deal of recent exercise, doing dozens of push-ups.
Laing waited for a clear space in the crowded water. "I think we can rely on his neighbours to look after everything."
Wilder lifted his voice. "I've begun planning the television documentary-his death would make a good starting point."
Laing looked down at Wilder with sudden interest. He shook his head firmly. "I'd forget all about it-if I were you, Wilder." He stepped to the end of the board, sprang twice and made a hard, neat dive into the yellowing water.
Swimming by himself at the shallow end of the pool, Wilder watched Laing and his party of friends playing about in the deep end. Previously Wilder would have joined them, particularly as there were two attractive women in the group-Charlotte Melville, whom he had not seen for several days about their projected parents' association, and the tyro alcoholic Eleanor Powell. Wilder had obviously been excluded. Laing's pointed use of his surname marked the distance between them, like his vagueness about the dead jeweller, and his sidestepping of the television documentary, in which he had once been keenly interested-if anything, Laing's approval had inspired Wilder to develop the idea into a provisional treatment. Presumably Laing, with his excessive need for privacy, had no wish to see the collective folly of the residents, their childish squabbles and jealousies, exposed on the nation's television screens.