It prevented the recognition of Mendel’s work on genetics; it put religious, philosophical, and ethical thought on the defensive—only what was “positive” (i.e., material) held a presumption of being real and true. The same reasoning produced a school of social Darwinists who saw war between nations and economic struggle among individuals as beneficent competition leading to the survival of “favoured races”—another phrase from Darwin’s subtitle. And by a final twist of logic, the creed of materialism reinforced the moral gloom of the period by casting doubt on both the permanence and the validity of all that was being redefined as “really real.” For on the one side, the second law of thermodynamics guaranteed the cooling of the Sun and the pulverization of the cosmos into cold and motionless bits of matter; and, on the other, orthodox “machine-ism” brought its leading prophets, Huxley and Tyndall, to consider people and animals as automatons moved as helplessly as atoms and planets. Consciousness is an epiphenomenon—in plain words, an illusion—precisely as in Karl Marx consciousness and culture are illusions floating above the reality of economic relations. Victorian morality
To be sure, not everybody in Europe believed or worried about these affirmations. And although ideas long debated do in the end filter down to the least intellectual layers of the population, the time and place of triumph for a philosophy are limited by this cultural lag—a fortunate delay, without which whole societies might collapse soon after the publication of a single book. What kept mid-19th-century civilization whole was a subdued faith in the reality of all the things Realism and materialistic science denied: religious belief, civic and social habits, the dogma of moral responsibility, and the hope that consciousness and will did exist.
The sum of these invisible forces is conveniently known as the Victorian ethos or Victorian morality, a formula applicable to the Continent as well as Britain and one whose meaning antedates not only the mid-century revolutions but also the accession of Queen Victoria in 1837. Like Romanticism, this powerful moralism had its roots in the late 18th century—in Wesleyan Methodism and the Evangelical movement, in Rousseau, Schiller, and Kant. Its earnestness was of popular origin; it was antiaristocratic in manners, and it sought the good and the true in a simple, direct, unhesitating way. Perceiving with warm feeling that all men are brothers under God, the moral man saw that slavery was wrong; and having so concluded, he proceeded to have it abolished by act of Parliament (Britain, 1833).
Such fervent convictions when widely shared exert tremendous power, and this concentration of belief and emotion made Victorian morality long impregnable. As Chesterton said of the Victorian painter Watts:
He has the one great certainty which marks off all the great Victorians from those who have come after them: he may not be certain that he is successful, or certain that he is great, or certain that he is good, or certain that he is capable: but he is certain that he is right.
The sense of rightness generated a sense of power, which the Victorians applied to the monumental task of keeping order in a postrevolutionary society.
Partly by taking thought and partly by instinct, they perceived that the drive to revolution and the sexual urge were somehow linked. Therefore they repressed sexuality; that is, repressed it in themselves and their literature, while containing it within specified limits in society. Further, they knew that the successful working of the vast industrial machine required a strict, inhuman discipline. The idolatry of respectability was the answer to natural waywardness. To pay one’s bills, wear dark clothes, stifle individual fancy, go to church regularly, and turn aggression upon oneself in the form of worry about salvation became the approved common modes of pursuing the pilgrimage of life.
It could not be expected that everybody would or could conform. From its beginning to the end, the Victorian age numbered a galaxy of dissenters and critics who scorned the conformity, called the religion a sham, and viewed respectability as mere hypocrisy. Yet the front held, and the massed forces behind it were at their strongest after the multiplied assaults of 1848.
Nothing gives a better idea of the astonishing moral structure called Victorianism than the development of the London Metropolitan Police, begun under Sir Robert Peel in 1829. A lawyer and a former captain who had fought in the Peninsular War were the first joint commissioners and creators of the force. At first they had to weed out the drunks and the bullies who had been the main types of recruit in earlier attempts at policing cities. At first, too, the people both ridiculed and fought with the new police. Gradually, the “peelers” came to be trusted; they remained unarmed regardless of circumstances; they learned to handle rioters without shedding blood; and in the putting down of crime they finally enlisted the public on their side. For something less than a century this unique relationship lasted, in which “law-abiding” and “police” were terms of respect—correlative terms, since the peelers (later “bobbies”) could not have become what they were without the self-discipline and moral cohesion of the “respectable.”
The upheavals of the mid-century, cultural as well as political, put Victorianism to a severe test, for after wars and civil disorders laxity is natural, and ensuing despair induces a reckless fatalism. There was cause indeed for apprehension. When the Great Exhibition of 1851 was planned on a scale theretofore unattempted, many expressed the fear that to allow tens of thousands from all over Europe to come together under the Crystal Palace was to invite massive riots. Ministers and heads of state would be assassinated. In the event, no protracted assembly of common people and their leaders was ever so quiet and orderly. The moral machinery worked as efficiently as that which was on display under the glass dome. The advance of democracy
Yet, while a stringent moralism held in check endemic subversion and anarchy, Darwinism and the machine analogy stimulated endless forms of self-consciousness. If man could fashion and continually improve these engines, perhaps he could also engineer an improved society. Because evolution was at last “proved,” thanks to Darwin, perhaps it also gave warrant for social and political progress by gradual steps. Spencer’s all-inclusive philosophy, likened then to Aristotle’s, foresaw an inevitable movement from the simple and undifferentiated to the complex and specialized—as in modern life. Clearly, whether automatons or not, people kept thinking and having purposes; and among evolutionists and scientific socialists alike, thought and purpose included the hastening by voluntary action of what was sure to come by force of natural laws. These and other desires acting in the light of Realism and taking shape in the increasing organization of the toiling masses brought Europe to accept democracy as inevitable.
The word democracy is used here in a cultural sense. It does not imply a set of political institutions so much as the signs and the agencies that herald the coming populist state of our day: for example, the extension of the franchise, in parliamentary or plebiscite form; the secret ballot; the legalization of trade unions; the rise of a Roman Catholic social movement; the passage of education acts providing free, public, and compulsory schooling; the formulation of the paternalistic Tory democracy as a cure for the evils of free-for-all economic liberalism; the beginnings of welfare legislation (in France under Napoleon III, in Germany under Bismarck); the secularization of life by state action, by the prestige of science, and also by the liberal movements within the churches themselves; and finally, after a decade or so of public education, the great extension and popularization of the press. At the passage of the Reform Act of 1867 in Britain, which gave the vote to urban workingmen, Robert Lowe had said, “Now we must educate our masters.” In a parliamentary system the means to that education cannot be the schools alone. The adult “common man” must continually be informed and appealed to for his own satisfaction as well as for coherent policy in government. The instrument for this purpose was the new journalism. The quarterlies of the early 19th century gave way to the monthlies in the 1860s and they in turn to the weeklies, while the daily papers, costing now but a penny and simplifying all they touched, began to reach the millions. Realism in the arts and philosophy