Neither the crises of the 14th century nor the voyages and discoveries of the 15th suggest the end of a historical period or an exhausted medieval Europe. The resilience and capacity for innovation of 14th- and 15th-century Europe, the hopeful, determined, and often passionate search for salvation on the part of ordinary people leading ordinary lives, even the inability of governments to weigh down their subjects without fierce displays of resistance—all indicate the strength of a European society and culture that men and women had shaped from the 8th century. Edward Peters The Renaissance
Few historians are comfortable with the triumphalist and western Europe-centred image of the Renaissance as the irresistible march of modernity and progress. A sharp break with medieval values and institutions, a new awareness of the individual, an awakened interest in the material world and nature, and a recovery of the cultural heritage of ancient Greece and Rome—these were once understood to be the major achievements of the Renaissance. Today, every particular of this formula is under suspicion if not altogether repudiated. Nevertheless, the term Renaissance remains a widely recognized label for the multifaceted period between the heyday of medieval universalism, as embodied in the papacy and Holy Roman Empire, and the convulsions and sweeping transformations of the 17th century.
In addition to Classical scholarship, the systematic investigation of the physical world, and commercial enterprise based on private capital, other important innovations of the Middle Ages that came into their own in the period included the revival of urban life, banking, the formation of states, and vernacular literatures. In religious life, the Renaissance was a time of the broadening and institutionalizing of earlier initiatives in lay piety and lay-sponsored clerical reforms, rather than the abandonment of traditional beliefs. In government, city-states and regional and national principalities supplanted the fading hegemony of the empire and the papacy and obliterated many of the local feudal jurisdictions that had covered Europe, although within states power continued to be monopolized by elites drawing their strength from both landed and mercantile wealth. If there was a Renaissance “rediscovery of the world and of man,” as the 19th-century historians Jules Michelet (in the seventh volume of his History of France) and Jacob Burckhardt (in The Civilization of the Renaissance in Italy [1860]) asserted, it can be found mainly in literature and art, influenced by the latest and most successful of a long series of medieval Classical revivals. For all but exceptional individuals and a few marginal groups, the standards of behaviour continued to arise from traditional social and moral codes. Identity derived from class, family, occupation, and community, although each of these social forms was itself undergoing significant modification. Thus, for example, while there is no substance to Burckhardt’s notion that in Italy women enjoyed perfect equality with men, the economic and structural features of Renaissance patrician families may have enhanced the scope of activity and influence of women of that class. Finally, the older view of the Renaissance centred too exclusively on Italy, and within Italy on a few cities—Florence, Venice, and Rome. By discarding false dichotomies—Renaissance versus Middle Ages, Classical versus Gothic, modern versus feudal—one is able to grasp more fully the interrelatedness of Italy with the rest of Europe and to investigate the extent to which the great centres of Renaissance learning and art were nourished and influenced by less exalted towns and by changes in the pattern of rural life.
For additional treatment of Renaissance thought and intellectual activity, see humanism and classical scholarship. The Italian Renaissance Urban growth
Although town revival was a general feature of 10th- and 11th-century Europe (associated with an upsurge in population that is not completely understood), in Italy the urban imprint of Roman times had never been erased. By the 11th century, the towers of new towns, and, more commonly, of old towns newly revived, began to dot the spiny Italian landscape—eye-catching creations of a burgeoning population literally brimming with new energy due to improved diets. As in Roman times, the medieval Italian town lived in close relation to its surrounding rural area, or contado; Italian city folk seldom relinquished their ties to the land from which they and their families had sprung. Rare was the successful tradesman or banker who did not invest some of his profits in the family farm or a rural noble who did not spend part of the year in his house inside city walls. In Italian towns, knights, merchants, rentiers, and skilled craftsmen lived and worked side by side, fought in the same militia, and married into each other’s families. Social hierarchy there was, but it was a tangled system with no simple division between noble and commoner, between landed and commercial wealth. That landed magnates took part in civic affairs helps explain the early militancy of the townsfolk in resisting the local bishop, who was usually the principal claimant to lordship in the community. Political action against a common enemy tended to infuse townspeople with a sense of community and civic loyalty. By the end of the 11th century, civic patriotism began to express itself in literature; city chronicles combined fact and legend to stress a city’s Roman origins and, in some cases, its inheritance of Rome’s special mission to rule. Such motifs reflect the cities’ achievement of autonomy from their respective episcopal or secular feudal overlords and, probably, the growth of rivalries between neighbouring communities.
Rivalry between towns was part of the expansion into the neighbouring countryside, with the smaller and weaker towns submitting to the domination of the larger and stronger. As the activity of the towns became more complex, sporadic collective action was replaced by permanent civic institutions. Typically, the first of these was an executive magistracy, named the consulate (to stress the continuity with republican Rome). In the late 11th and early 12th centuries, this process—consisting of the establishment of juridical autonomy, the emergence of a permanent officialdom, and the spread of power beyond the walls of the city to the contado and neighbouring towns—was well under way in about a dozen Italian centres and evident in dozens more; the loose urban community was becoming a corporate entity, or commune; the city was becoming a city-state.
The typical 13th-century city-state was a republic administering a territory of dependent towns; whether it was a democracy is a question of definition. The idea of popular sovereignty existed in political thought and was reflected in the practice of calling a parlamento, or mass meeting, of the populace in times of emergency; but in none of the republics were the people as a whole admitted to regular participation in government. On the other hand, the 13th century saw the establishment, after considerable struggle, of assemblies in which some portion of the male citizenry, restricted by property and other qualifications, took part in debate, legislation, and the selection of officials. Most offices were filled by men serving on a rotating, short-term basis. If the almost universal obligation of service in the civic militia is also considered, it becomes clear that participation in the public life of the commune was shared by a considerable part of the male population, although the degree of participation varied from one commune to another and tended to decline. Most of the city republics were small enough (in 1300 Florence, one of the largest, had perhaps 100,000 people; Padua, nearer the average, had about 15,000) so that public business was conducted by and for citizens who knew each other, and civic issues were a matter of widespread and intense personal concern.